Name: My Will Be Done by Unearth in 1
Duration: 3 min 37 s
Description: From our album "The March" released on Metal Blade Records (October 2008)

Mans absolutly destroys the drums right here

not gonna lie. i hear quite a bit of austrian death machine in the beginning of this song

I were folowersed by enemy I warped a divrend path 😮‍💨🫡psyker of 1 amry

From our album "The March" released on Metal Blade Records (October 2008)

My Will Be Done

Soul Disintegration

Scar the Martyr - Soul Disintegration

Hatebreed - Destroy Everything Cover

HATEBREED 'The Divinity of Purpose'
OUT NOW via Nuclear Blast / Riot
Order from bit.ly/HATEjbhifi
Download it from iTunes bit.ly/HATEitunes

Hatebreed - Nothing Scars Me

#Extremist comes out 3.18.14 / Pre-Order on iTunes: http://smarturl.it/extmst, or get a bundle here: http://smarturl.it/SolidStore or here: http://smarturl.it/dhstore

iTunes

Demon Hunter - Artificial Light

Order now: CM Distro: http://smarturl.it/wareternalCMD
iTunes http://smarturl.it/wareternalITUNES 
Amazon Mp3 http://smarturl.it/wareternalAMAZONMP3
Amazon http://smarturl.it/wareternalAMAZON

As the Pages Burn

August Burns Red - Composure

Disarm The Descent

Killswitch Engage - Beyond The Flames

This track is from the album Lifeline and is available for purchase on CD Baby here: http://www.cdbaby.com/cd/forgetmysilence13

Doom

Stoneghost - Faceless Ghost

its late and I uploaded the wrong track xD here and night. picture is of Red Tiberium

[Intro: Female vocals]
Wooooh oooh oooo
La la laaa
Wooooh oooh oooo
La la laaa

[Verse 1: Scottish male vocals]
Pickaxe swinging crack the core
Digging deep through the planet's roar
Echoes calling we ain't alone
Aye laddie we fight for Rock and Stone

[Chorus: All vocals]
Rock and Stone Rock and Stone
Through the dark we carve our home
Rock and Stone Rock and Stone
Together never on our own

[Verse 2: Australian male vocals]
Oi mate High Command's lost the plot
Whining 'bout mushrooms while Glyphids rot
Swarming fast teeth like blades
No time to chat fire grenade

[Prechorus: Scottish male vocals]
Hold on just a second
Aye I’ve got this reckoned

[Chorus: All vocals]
Rock and Stone Rock and Stone
Through the dark we carve our home
Rock and Stone Rock and Stone
Together never on our own

Rock and Stone

Buy the album here

Hatebreed - Looking Down The Barrel Of Today

Pre-Order Now at 
http://www.tremontiproject.com/

Download The Single on iTunes here:  http://bit.ly/JbF3JN 

You Waste Your Time (Lyrics) 

Should have seen both faces from the start
Beholden to the hate within your heart
You cast the world aside
Hiding from your burden one more time
Could it be your efforts were in vain?
Could it be your life is full of shame?
You threw it all away
You let it fall to pieces here today

You waste your time
You hide too much don’t ever let me find
What you’re thinking
What’s in your head?
You ask too much don’t ever let me be
Who are you?

We won’t need to take it when you’re gone
Won’t embrace the liars very long
But you’re afraid to go
You’re afraid to face it when you’ve lost
All the ties were severed when you came
But what if I could mend them once again
You’re afraid to learn
Forced to watch those bridges as they burn

Yeahh YEAHHHH

You waste your time
You hide too much don’t ever let me find
What you’re thinking
What’s in your head?
You ask too much don’t ever let me be
Who are you?

You waste your time
You hide too much don’t ever let me find
What you’re thinking
What’s in your head?
You ask too much don’t ever let me be
Who are you?

YEAHHHHH

Who are you?

Pre-Order Now at 
http://www.tremontiproject.com/

You Waste Your Time - Tremonti (Full Version)

Supremacy

Hatebreed - Defeatist

Hatebreed - To The Threshold

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Watch the official video for Resurrection at http://youtu.be/XvbvI0HhGbg

Resurrection

Charging out of the late 90s Massachusetts underground in a storm of thunderous riffs and focused aggression, in 2011 Unearth proudly stand at the forefront of modern metal. With Darkness In the Light, their fifth full-length, the quintet have delivered their most honest, powerful, and compelling statement to date, driving a fist into the collective gut of every image-obsessed wannabe metal band currently cluttering up the landscape, and setting a new standard when it comes to marrying precision brute force and exhilarating melody. 

Following the release of 2008’s The March, an armor-plated beast of a record that cemented their position as kings of the machine-gun breakdown, the band once again earned their reputation as one of the hardest working bands in metal, hitting the road hard and further building upon their fervently devoted legion of fans. However, while proud of both that record and its predecessor, 2006’s III: In the Eyes Of Fire, vocalist Trevor Phipps believed they had yet to revisit the heights reached on 2004’s seminal The Oncoming Storm, a record that has remained a firm favorite in the hearts of many fans. “It’s funny because when you do a new record you always think it’s your best one at the time, but up to this point I think The Oncoming Storm was probably our most solid record – until now,” he states plainly. In fact, brief exposure to Darkness In The Light makes it abundantly clear that it’s not only poised to steal The Oncoming Storm’s crown but in fact stands as the record fans have long hoped for. “We didn’t sit around listening to The Oncoming Storm going ‘oh, we should write more songs like this’, but it definitely feels fresh to me in the same way that record did,” guitarist Buz McGrath concurs. “Our last two records are great records but I didn’t get that same feel. This one is special man, this one is our best yet.” 

Both long term fans and those coming to the band for the first time will not fail to be struck by the sheer vitality of Darkness In the Light and the unconstrained energy that surges through its eleven tracks. From the instant the urgent, insidiously catchy “Watch It Burn” explodes to life it’s clear that this is Unearth playing on a whole new level, putting absolutely everything they’ve got on the line and intent on blowing everyone out of their path. “Times are tough but the band has a renewed energy to get out there and take what’s ours,” Phipps states adamantly. “There’s a bunch of bands out there that are all trying to get the spotlight, so it’s a case of fight or die, and our fists are flying man.” With every track kept short and to the point – only “Watch It Burn” breaking the four-minute mark – this is state of the art, ruthlessly honed metal that backs up Phipps’ assertion with some serious muscle. The likes of “Shadows In The Light” and “Arise The War Cry” reach anthemic heights previously only hinted at, the utterly crushing attack of “Eyes Of Black” and closer “Disillusion” capturing the band at their balls out heaviest, and throughout, the muscular grooves wrenched from John “Slo” Maggard’s bass pummel mercilessly while the blistering shredding of McGrath and guitarist Ken Susi is spectacular, and sure to inspire armies of metalheads around the world to air guitar like there’s no tomorrow. 

Lyrically, while Phipps once again touches upon the political – most notably on “Watch It Burn”, which sees him decrying the ineffectual governmental system at work in the contemporary US – Darkness In The Light is a far more personal album. The somber “Equinox” touches upon internal struggles with feelings of depression and defeat, while “Last Wish” concerns real-life incidents that saw people close to the vocalist involved in accidents that placed them on life support, “and it’s about [being in that position and] trying to tell the people who are holding on that you’re not coming back, and to pull the plug”. Crushing closer “Disillusion” stands as a powerful “fuck-you song” against anyone who “at the end of the day makes you feel lied to”, and the recurring theme of focusing on negatives “even when good things are going on around you” served to inspire the title of the record.

Having written such a powerful brace of songs, to ensure they were captured exactly how the band wanted them they enlisted the services of über producer Adam Dutkiewicz. Alongside his ‘day job’ – playing guitar in Killswitch Engage – Dutkiewicz has put his name to landmark records from As I Lay Dying, The Acacia Strain, and All That Remains, as well as helming all of Unearth’s previous releases bar the Terry Date (Pantera, Deftones) produced III. However, prior to heading into the studio the band decided that it was in the record’s best interest if they parted ways with drummer Derek Kerswill. “Derek is an amazing drummer, and we’re still good friends, but his style wasn’t what we were looking for on the new record. He’s more of a rock guy than a metal guy, and we wanted something a bit more extreme,” McGrath explains. With this in mind, they recruited long time friend Justin Foley, best known for pounding the skins alongside Dutkiewicz in Killswitch Engage, and the perfect choice to ensure the album boasted the unrelenting rhythmic backbone it deserved. “I think he slips under the radar a little bit as far as drummers go but he’s an outstanding technical drummer,” McGrath enthuses. “We wrote the record on a drum machine, and Ken would write these kinda ridiculous drum parts and Justin just came into the studio and nailed everything we threw at him, he’s an amazing dude.”

With such lyrical honesty and devastating music, it was up to Phipps to match this ferocity in his vocal performance, and this was a challenge he was eager to tackle head on. “I think the songs on The March are solid and there are certain parts where I did well, but I think that’s probably my worst vocal performance, and for the last two plus years I’ve been frustrated with my vocal contribution to that record,” he admits candidly. “So this time out I was like fuck man, I really need to knuckle down and destroy myself here. I was really physically and emotionally invested in this project, and by the end of it I was drained and just at wit’s end, but that’s what it took to make sure that I gave the best performance I ever have.” Bolstering his riveting performance, for the first time since The Oncoming Storm, Susi also contributed some clean vocals to three songs, imbuing them with extra texture and emotional depth. “Ken’s got a great voice, and when we were writing the songs, I immediately gravitated toward anything that stuck out to me and sounded a little bit different, and this was definitely one of those aspects,” McGrath states. “It’s not something we were gonna do on every song, but it’s tastefully done and it kind of adds a different dynamic where songs needed it. I was kicking his ass to kind of ‘man up’ and make it a more aggressive kind of singing and it came out great, those songs are really exciting to us.”

Gearing up to take Darkness In The Light around the world and undoubtedly leaving a trail of mosh pit devastation in their wake, thirteen years into their career Unearth are more driven and determined than ever, ensuring that their fans get exactly what they crave from their heroes. “A lot of bands come and go, and it’s tough to make a living in heavy metal right now,” McGrath states. “But we’re still touring because we love it, and as long as there’s people out there who appreciate what we do we’ll keep on going. We just made the best record of our career and we want as many people to hear it as possible, so come on, let’s go.”

My Will Be Done

Unearth

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