Full bodied beats, timeless electronic cuts and talent from every continent.

MY BLOG http://killerswithoutfillers.wordpress.com/

for the love of house and eurodance 💫

Management: Ruben@kcagency.com
Worldwide Bookings: tim@wesodifferent.com

BOOKINGS:
11-04-25: Zilstival (Veldhoven)
18-04-25: Paaspop (Schijndel)
19-04-25: Paaspop (Schijndel)
25-04-25: Code Nassau 2025 (Sittard)
26-04-25: Smèrrig ('s-Hertogenbosch)
03-05-25: UDNZ Festival (Uden)
10-05-25: Fairytale Festival (Kaatsheuvel)
10-05-25: Elsom Open Air (Reusel)
10-05-25: Fairytale Festival (Kaatsheuvel)
16-05-25: ASM Student Festival (Arnhem)
17-05-25: Lakedance (Best)
17-05-25: Meadow Events (Rijkevoort)
24-05-25: Emporium (Wijchen)
29-05-25: Hemelsfeestje 2025 (Doetinchem)
05-06-25: Club Smederij (Tilburg)
06-06-25: IJLAND (Amsterdam)
14-06-25: Lustrum NSA (Amsterdam)
19-06-25: 't Lempke (Eindhoven)
27-06-25: Wing goes Wet (Nijmegen)
28-06-25: Parkcity Live (Heerlen)
04-07-25: Stereo Sunday  (Venlo)
05-07-25: Dreamfields (Lathum)
13-07-25: Club Air (Chersonissos)
15-07-25: Kelfkensbos Festival (Nijmegen)
18-07-25: Matrixx at the Park 2025 (Nijmegen)
19-07-25: City of Dance 2025 (Middelburg)
20-07-25: Club Air (Chersonissos)
27-07-25: Club Air (Chersonissos)
01-08-25: Dicky Woodstock (Steenwijkerwold)
02-08-25: Beatz & Bandz Festival (Lottum)
10-08-25: Club Air (Chersonissos)
16-08-25: Voldaan Festival  Grubbenvorst)
16-08-25: Kermis Oss (Oss)
17-08-25: Club Air (Chersonissos)
06-09-25: Out Of The Box Festival (Langenboom)
25-09-25: DS Festival (Dordrecht)
27-09-25: Kermis Horssen (Horssen)

Demos:
demo@hofnarmusic.com

Chanson française expérimentale, en téléchargement libre et à la radio. Participation : ouf@souterraine.biz

The Soul Snatchers are coming to getcha! 

Real Soul Music never dies. That’s what the insatiable musicians of the Dutch band The Soul Snatchers prove every time they treat a swinging crowd to their timeless, down to earth funk and soul tunes, that find their roots in the sexy Sixties and Seventies of the 20th century. Taking pure Soul Music right across the bridge into the new century, The Soul Snatchers combine unknown classics and original compositions into a show that not only appeals to connoisseurs, but just as well to bigger, more mainstream-oriented audiences. The Soul Snatchers don’t claim to have invented Soul Music. Neither do they pretend to re-invent it. They… just HAVE it! And they LOVE to share it with Rhythm & Blues-lovers in every corner of the globe. Founded rock solid on the well oiled rhythm section of clean drums and thumping bass, the dangerously growling Hammond organ and the reverbing guitar sounds find their way to your soul blindly. Add to that the threeheaded copper section The Dynamite Horns, the charismatic performances of singer Curtis T. and special guest vocalist Jimi Bell Martin… and all ingredients for a real Soul Party are present.


Chez Murmure studio, nous créons et produisons des podcasts depuis 2019. Le podcast est un format idéal pour le storytelling et il est plus fort que jamais : en France, 21 millions de podcasts sont écoutés tous les mois. Découvrez nos productions !

The Avener
For bookings, please contact :
pierre.delorme@miala.fr

All other requests:
Management : contact@96musique.com

Biography :

It came as quite a shock when The Avener’s Fade Out Lines rocketed to number 1 in the German iTunes charts. It had been a long time indeed since a French artist had achieved that kind of success in Germany, especially with such a startling single. The triumph of Fade Out Lines opened a door onto a unique and yet instantly familiar world. Its irresistible, sophisticated rhythms conjured up a dual image of lovers ending up on the quays of the Seine at daybreak, and of an urban club funk beat.
Since then, the single’s phenomenal success has proved contagious, confirming The Avener’s prime intention: to travel the frontiers between genres, periods and styles; between the music we listen to and the music we dance to; between underground and high-end pop. As The Avener says himself: “Fade Out Lines is hard to define. It’s blues with jazz, folk and funk influences, and electronic instruments. It has feelings, emotion and nostalgia, but a lot of energy, too.”
It perfectly reflects his upcoming album, The Wanderings Of The Avener, a sophisticated electro manifesto in the spirit of St Germain and his Boulevard’s nu-jazz sampling, reconciling the styles of Moby and Wankelmut, King Britt and Cassius...
The ghost producer of many club hits, Tristan became The Avener when he decided to re-embrace the pleasure of music for its own sake, his early love of piano and melodies, his rich, eclectic, multilayered musical culture and deep house – an antidote to the mechanical chill that has crept into electro over the last few years.
Tristan shut himself away in the studio for months. “I began to rework old tracks that went unnoticed at the time, giving them a more modern feel...” He was determined to achieve a perfect balance: a mixture of acoustic and electro combining songwriting science with the intuition of a dance-floor specialist. And while The Avener wrote his own music, The Avener also covered Sixto Rodriguez, John Lee Hooker, Mazzy Star, The Be Good Tanyas, Andy Bey and Adam Cohen in a mosaic of seminal blues, underground folk, nocturnal pop, ironic rock and the work of forgotten artists from the 70s and 80s, exploring secret paths of memory. His sampling of Phoebe Killdeer & the Short Straws’ The Fade Out Line, a foretaste of the album, was quietly uploaded in summer 2013. It steadily gathered momentum by word of mouth in France before going massive in Germany and then all around the world.
The Avener’s delicate, radiant style has been welcomed as a So French Touch of Elegance and acclaimed as the missing link between harmonic emotion and the urge to dance worldwide. Confirmation of this triumph looks certain with the release of his first album, The Wanderings of the Avener, out on January 19, 2015.

'This Is How You Do It' album out now on 2LP / CD / DIG


Bandleader Lance Ferguson and his nine piece Melbourne outfit The Bamboos have come a long way since forming in 2001. Initially inspired by the instrumental raw funk of the late ‘60s and early ‘70s, they made waves internationally and were quickly labelled as one of the greatest funk and soul bands of our time. But while many would be happy to simply soak up the praise and keep on keeping on, The Bamboos have proven that they are more than meets the eye; over five acclaimed albums, their evolution in sound and style has consistently confounded and exceeded expectations, pulling the rug from under the feet of those who like to pigeonhole. 

The band signed to respected Brighton (UK) indie label Tru Thoughts in 2005, where they remain a cornerstone of the roster. Across their five studio albums to date - ‘Step It Up’ (2006), ‘Rawville’ (2007), ‘Side-Stepper’ (2008), ‘4’ (2010) and 'Medicine Man' (2012) – the metamorphosis of The Bamboos has been full of twists and turns, and it continues apace. A seasoned DJ, solo producer (aka Lanu) and all-round insatiable music obsessive, Ferguson's myriad influences and passion for pushing things forward ensure that each new release is a discovery for devout fans and newcomers alike.

Their fifth long-player ‘Medicine Man’, released in June 2012 was a watershed - a forward-looking record brimming with fresh ideas, stellar turns, classic songwriting and a brand of multi–layered pop they can truly call their own. Guest vocalists Aloe Blacc, Tim Rogers (You Am I), Megan Washington, Daniel Merriweather, Bobby Flynn, alongside resident singers Kylie Auldist and then newcomer Ella Thompson helped make the album their biggest at home to date. Lead single "I Got Burned" feat. Rogers was a sizeable radio hit, made it to #54 on radio station Triple J's Hottest 100 listeners poll (the biggest publicly voted song poll in the world) of the top songs of that year.

Like its predecessor, the band's sixth album 'Fever In The Road' was co-produced by ARIA- nominated, multi-instrumentalist studio wizard John Castle – whose work with the likes of Washington, Josh Pyke, Gossling, Pez and Kate Miller-Heidke has ranked him amongst the first-call producers in Australia. The new record (the first on Ferguson's own Pacific Theatre label) sees Castle and Ferguson venturing into sonic landscapes The Bamboos have previously touched on but never fully inhabited. There is a sense that the music is leaner and more muscular, yet upon closer inspection the tracks reveal themselves to be densely multi-layered in a 'Wall Of Sound' style. And it's this aural complexity and depth that allows darker moods to roam through the album, taking their sound to a new place. The songs career from the wondrously anthemic ('Avenger', The Truth', 'Rats', 'Jump My Train'), to the dreamy and psychedelic ('Looking West', 'Harbinger') and the darkly fragile ('Killing Jar', 'Before I Go'). Choosing this album to reflect the band as it is on stage, the vocals are split between Kylie Auldist and Ella Thompson. And each bring contrasting styles that complement each other magically, but show The Bamboos to be utterly unique.

Their songs have been regularly on playlists of national radio stations in Australia, the UK, France, the US, Japan and beyond. The unshakable charm of their songs has also seen them licensed to hit movies including Crazy Stupid Love, the soon to be released  Adore - Naomi Watts & Robin Wright. and TV shows such as Grey’s Anatomy, CSI New York, One Tree Hill, Ugly Betty and Australian shows such as Underbelly, House Husbands, Offspring, Packed To The Rafters.

UNEFAB is following