enjoying that groove a lot, very well done

techno +minimal+ classics

will be released as limited 10" on Connaisseur Recordings soon...

On The Streets - The Remixes X-Tra 10

A - Federleicht - On The Streets (Kollektiv Turmstrasse's 'Let Freedom Ring' Rmx)

https://www.facebook.com/anjaschneider
https://www.facebook.com/mobilee

mobilee130 - Anja Schneider "Dubmission"

Named after the weekly *Dubmission* parties at the storied E-Werks nightclub, the latest release from *Anja Schneider* relays the sounds of her earliest musical experiences in 1990s Berlin, where DJs like Kid Paul powered the party, and amplifies the techno spirit of the old electrical substation for broadcast worldwide.

Further transmissions are detected within the bubbling techno of “Revolution,” inspired by the political upheaval throughout the world, as well as shifts within the dance music scene itself, and on *“Can You Feel It,”* which features a spoken word dispatch by vocalist *Parsifal Marin* of Brussels Pony Club that continues the long house music tradition of club tunes about rave experiences.

From Mr. Finger to Miss Kittin to Seth Troxler, many of the most memorable cuts in house music history spell out, with spoken words, the experience of clubbing while in the club itself. Meta-musical moment found to be effective on the dance floor. So it goes with “Can You Feel It,” the latest by Anja Schneider to pay homage to the Chicago greats, following last spring’s Ron Hardy-inspired “Hey,” which became an instant fave when Anja dropped it at the always in demand Mobilee rooftop parties in Barcelona.

Expect the same response in summer 2014, when “Dubmission,” and flipsides “Can You Feel It” and “Revolution,” hit the ears of sun-kissed partiers worldwide.


Dubmission

Get it on Beatport!

Anja Schneider - Dubmission - mobilee130

Beatport

Der Tanz Der Glühwürmchen

Here you can find a fine selection of my releases over the past years

Noch Ein Bass Im Ärmel

One of the busiest underground icons from Berlin - with regular gigs at Kater, Renate, Golden Gate - make their debut at Exploited Ghetto: Kotelett&Zadak.
Not long ago they released their album ’Triphoria’ on Hommage - a style trip from techno, trance for the dancefloor and experimental, groovy and jazzy tunes for the living room.
Following an EP on URSL, this is their Crave Dave EP for Exploited Ghetto: Religious Trance for the masses.

Artist: Kotelett & Zadak

Release: Crave Dave
Label: Exploited Ghetto
Cat: EXP10
LC: 48629
Published by: Exploited Ghetto Music Publishing

Releasedate Beatport: 07.03.16
Releasedate I-Tunes: 21.03.16

Early Feedback:

Detroit Swindle/Heist: This one is great crossover work.
DJ Hell/Gigolo: Summer Tunes in February!
Laurent Garnier/F-Com: Love this!
Richy Ahmed/Crosstown Rebels: Slave Dave is my favourite!
Adriatique/Diynamic: Nice!
AME/Innervisions: Thanks!
Andhim/Get Physical: Nice one!
dOP/Circus Company: Cool groove! Prefer the first version!
Pedro Winter/Busy P/Ed Banger: Heavy! Radio & Club plays!
Acid Pauli/The Notwist: :)
Maxxi Soundsystem/Culprit: Love this!
Sasha/Last Night On Earth: Nice vibes!
Greg Pidcock/Hot Creations: Dope smoothness.
Flashmob: Nice new direction from Exploited.
Pig&Dan: Nice grooves. Prefer Slave Dave.
Adana Twins/Exploited: Sauber!

Kotelett & Zadak - Crave Dave

Head to (German)review: http://bit.ly/29A05px

"Mimese" is the B-side taken from Dominik Eulberg´s forthcoming EP Mimikry & Mimese, which will be released via Stephan Bodzin’s Herzblut Recordings on July, 15th (digital & 12").

Zum Review: http://bit.ly/29A05px

"Mimese" ist die B-Seite der nächsten EP von Dominik Eulberg, "Mimikry & Mimese", die am 15. Juli auf Herzblut Recordings erscheint und digital sowie als 12" verfügbar sein wird.


Dominik Eulberg - Mimese

Grand Cru 2008

Lüchttoorn

EP: Ron Flatter - Bohannan feat Jinadu / PLV027
Track: Robot
Out: 09.03.2017
www.facebook.com/POURLAVIERECORDS/
https://www.facebook.com/RonFlatterOfficial/
@ron-flatter

Ron Flatter - Robot

BEATPORT

Midas 104 - You Lost Me (Bar 25)

Diving deeper into the melodies world, we got the next release done by already remixing Matan Caspi's Paranara on Eleatics, that's Rauschhaus. This time is the EP time for Rauschhaus together with Peer Kusiv; the producer signed to Poesie Musik, Parquet Recordings, Crosswalk Records and making remixes for Jan Blomqvist and Milk & Sugar from the few. 'Triton' EP is a thoughtful story with the specific to both producers melodic approach, where we are also pleased greeting master Stan Kolev on the remix duty. Outta Limits labelowner and one of the most demanded and popular Progressive House artists of nowadays worldwide, Stan and his dynamic and powerful retouch of Triton is the right thing we are sure in. Three beautiful and steady cuts for your consideration, we are grateful for your support on these. 

http://www.facebook.com/eleatics https://soundcloud.com/eleatics

Triton EP

Rauschhaus & Peer Kusiv - Triton [Eleatics Records]

My remixes of Sterac's classic Thera, typical "classic" detroit techno feel.
Due to be released on 100% Pure summer 2012

Sterac - Thera (2000 and One Classic RMX)

makau & kagl - the white rabbit (unique repeat rmx) sc cut

TWIN TURBO - HARVARD BASS - CREAM

Twin Turbo creams all over the dancefloor with the latest release from Harvard Bass. Featuring a remix by Ambivalent.

For his second release on Twin Turbo, San Diego's Harvard Bass whips the cream right out of dancers' jeans, which seems like something that should appeal to pretty much everyone, including the big-name DJs (Tiga, Brodinski, Zombie Nation) who privately chart his every move.

First, the title track walks right in and kicks you repeatedly in the toms, bringing the bass and party bleepin' that's become as cherished a part of our cultural fabric as the acoustic guitar or the air horn. With its infectious, sped-up hip-hop vocal, "Cream" could become the biggest track in the world, or something you play for friends for the first time for the next 20 years. It's not  for us to dictate the life of our artist's work, only to shove it into the waiting arms of any weirdo with five euros and a GMail account. Meanwhile, the narcotized vocal sample on "Pimps" promises listeners "everything they want in life," and delivers with the kind of clap workout they've been dreaming of since the moment of conception.

For the remix, we looked to someone to whom it seemed wise to look. With releases on M-nus and Plus 8, multiple collaborations with Alexi Delano, and remixes for the likes of Plastikman, Berlin-based American Ambivalent was, we felt, an inspired and courageous choice to take on as balls-all-over a track as "Cream." And what he delivers is perhaps the greatest marriage of German tech precision and Florida bass energy since Volume Four of the Orlando-Munich Connection comp series.

Twin Turbo - big-room anthems in the name of Truth, Brotherhood, and Inclusionality since late-mid-2011.

Twin Turbo 017 - Cream

Havard Bass - Cream (Ambivalent Remix)

Turbo CD 028 Jori Hulkkonen MAN FROM EARTH
The world we live in, on a very fundamental level, is flawed.  On the eve of my tenth album release I'm still writing my own bio and wondering if I should refer to myself in third person, analyze the past 15 years and justify bad career moves as artistic integrity, and promote myself as the unsung hero of techno and house; a mere victim of poorly timed strokes of genius (numerous!) and being born in the wrong part of the world.  Well, sarcasm never really did become me, and irony works only if unnoticed. Double fail.  It's easy enough to google up some old Jori Hulkkonen bio with real biographical info, or check out my discography from my website so I'll spare you the boring details of my "career".  Ever since the late 80's when my obsession with all things music started to manifest itself with an increasingly verstaile record collection and eventually some synths and experiments in songwriting, it has been quite clear to me that I'm destined to create my life's work within the business. The problem is that as an idealist cynic with tight grip on realism I'm well aware that 'the biz' is a sinking ship more or less, and I'm already dancerously close to the waterline. But the good news is that I stopped caring.
Here's why:
Having released my first proper artist album in 1996 for the French label F communications (defunct now since 2008, with my album "Errare Machinale Est" as their final release -coincidence?), I've managed to do something I never thought would be possible, something that I'm the most proud of all things in my career: never becoming popular.  After nine albums, dozens of pseudonym releases on superhot labels (like Rekids and Get Physical just to mention a couple from the past few years), close to a hundred remixes, my own radioshow on national radio for more than a decade (in Finland though, so it may not count), thousands of DJ gigs all over the world under my belt (OK I never actually counted but a quick calculation tells me it must be close to 2000 now), producing and writing songs for the likes of Tiga (whom I created in the first place), and having a reputation as a producer who can make an 808 kickdrum sound like a jazzy flute, you'd expect that there was a time when I was The Shit. But I never was!  Sure enough there's a lot people who never were "big", but are they still working? Releasing albums, singles, getting remix requests and DJing all over after 15 years? No. But I am. And this I see as my greatest achievement and there's a lesson to be learned everyone: If you never become trendy it's impossible for you to become untrendy.  Will all this change now though with my hotter than hot new album on Turbo, or the buzz around my Acid Symphony Orchestra (a piece I wrote for ten tb-303's and a 707, conducted by me)? Or the rumoured collaboration with Chris Lowe of the Pet Shop Boys?
It remains to be seen but I'm dedicated to give my best shot to not let it happen.
Man From Earth, my tenth studio album, is the first "Jori Hulkkonen" album not released on the now defunct F communications.
How will this change of label affect my sound? Is this the end of ballads, jazz and ambient? Of course not -not even for me - but the album is a deliberate (as in not forced) departure from the bedroom vibes with focus on jams for the dance crowds.
Recorded at my alppIVhouz studios, most of the tracks were intended for 12" singles so they are not album tracks as such, therefore the album is maybe not as coherent and subtle as some of my previous efforts. But what it may lack in atmospheric synthpads, "scandinavian mooddesign" and social commentary it makes up in catchy basslines, sizzling hihats and semi-danceable tracks.


Jori Hulkkonen - Undercover ft. The Dove

Jori Hulkkonen - I Dance To Your Bass My Friend

Jori Hulkkonen - Bend Over Beethoven

uniquerepeatmusic@gmail.com

Unique Repeat is a music project that was born from the creative synergy of Dan and Sinan in 2011, when their divergent backgrounds merged to form the Unique Repeat sound. With an irresistible combination of catchy grooves, warm bass frequencies, and subliminal pad sounds, Unique Repeat's music has reached fans across the globe by having been featured on top labels such as Parquet, Aftertech, Mango Alley and Sinan’s own label, Fragment8. Since Dan's departure, Sinan has taken on the project with his former musical partner’s blessing, continuing to create wholly captivating sounds for which Unique Repeat is known, while embracing the individual flair he brought to the table from the beginning.

makau & kagl - the white rabbit (unique repeat rmx) sc cut

Unique Repeat

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