Professional job, my friend! Great production.

Methods Of Coercion

Cold (feat. DJ Roody)

Maybe A Body

Frail

New release from the Toulouse Gouffre Club Label & Collective ! Representing all the influences of the Gouffre : from Italo Body & Disco bangers with our golden Gouffre's member : Pablo Bozzi and our special guests Fred Terror (Paris) & Marcus Christiansen (Stockholm), Trancy anthems from the analog duo ERROR508, slow-motion EBM from the new Toulouse Borned/Berlin Based phenomena : Incendie (releasing his first EP on aufname x wiedergabe soon) and the cinematic touch of our mighty bosses : Blind Delon.

Blind Delon - Russians

Suicide Disco Vol. 2

Never Satisfied

Huajuapan Red

This is a elder track,  made it in Cubase Sx3..  Around 20+ years ago..  Now it have got a new master mix in Cubase Pro..   

Liquid Elements (Remastered)

B-Phreak is one of Germany’s most recognized names in the breaks and bass music scene. With over 26 years behind the decks, his sound fuses breaks, bass, house, funk, and hip-hop into explosive, groove-filled DJ sets. His musical journey is rooted in diverse influences—ranging from hip-hop and punk to techno and electro—and even includes a stint as a rock band singer in the early ’90s.

He spent seven years working in a vinyl/CD shop, perfecting his mixing skills and deepening his knowledge of music across genres. In 1999, he launched his own event series, Sub-Funk, dedicated to “urban music for open-minded people” and embracing a fusion of styles.

B-Phreak was among the first German producers to spread the country’s breaks sound internationally, releasing music on respected labels like Hot Cakes, Punks!, Against the Grain, Toast & Jam, Ravesta, and many more. His countless mashups and re-rubs give his DJ sets a unique, exclusive edge.

In 2021, his debut album Sick Mode (Toast & Jam Records) showcased his wide-reaching style—blending breaks, bass, bass-house, house, hip-hop, and funk—and gained strong support from global heavyweights including Plump DJs, Krafty Kuts, and The Freestylers. He has played clubs and festivals around the world, appeared on major compilations, and even contributed music to Sony PlayStation’s Wipeout Pulse.

Today, B-Phreak continues to push boundaries in production and performance, standing as one of Germany’s most prominent ambassadors of breaks and bass music worldwide.

SSB Guest Mix #080 - B-PHREAK

Darkwave collides with industrial grit and indie edge. Raw, cold and jagged.


Hit me with your thoughts in the comments. Reposts appreciated if it hits you right.


More music: https://on.soundcloud.com/TGFWAtvNNXvGsF6Uq8



Cognitive Collapse

Devotional

Sidewalks And Skeletons White Light

Electrifying and cinematic, with sweeping waves of synths and kinetic beats under haunting vocals.

Lost Times

Neurotic

Textbeak with Mark Stewart (The Pop Group), and Ben Hartman (DEFA) appear on a new song by Rodion Ladislau Rosca (Rodion GA) on a wonderful new compilation to support Radio Mulot (Nantes, France) that also features many amazing artists including Simon Crab (Bourbonese Qualk), Johnny Halliday (le vrai), Jack Shirt (Elephant House), The Legendary Pink Dots, Tutoriel, Humbros, TV Coharan (Gazebos, R Stevie Moore related), and more!!

Video:
https://www.trebuchet-magazine.com/radio-mulots-illicit-waveform-society

Purchase the Radio Mulot compilation
https://radiomulot.bandcamp.com/

Listen to Radio Mulot
http://fieldmice.free.fr/mulot2.htm 

In 1997, too tired to struggle with a locked art market, Julien Mérieau set up an analogue pirate radio station named Radio Mulot / France Museau. The project can be described both as a deviant history of music and a vector of sound manipulations and live experiences, inspired by dadaism, futurism, situationism, and of course industrial music culture, as a practice of reverse engineering and a deconstructive approach to radio media and mass media in general, including the World Wide Web.

The interest for the visual arts is crucial, the transmitter being used just ‘as a pencil’. No radio shows, no jingles, no talk, but instead, chunks of recorded voices, anti-jingles (found sound, etc.), dead writers talking through the voice of mediums, mixed with various soundscapes. The idea is to approach ‘music’ as a dissolving area that reaches and communicates with all kinds of artwork in visual arts, past and present, and the use of Internet and information technology having changed many things within the various forms of ‘music’ including the way to approach it in terms of sound programming.

"Un Nebun" contributors:

Rodion Roșca (Rodion GA)
Because of his early experimentation with recording and effects, Rodion is considered the father of electronic music in Romania. In the early 70s, Rodion began experimenting with home recording equipment. In 1977 he formed Rodion GA, with the addition of Gicu Fărcaș and Adrian Căprar. Shockingly for an experimental act, Rodion GA even received radio airplay in Romania during the 80s communist regime of Ceaușescu.

Mark Stewart is an artist, vocalist, producer and songwriter from Bristol. As a founding member of The Pop Group and as a soloist, Stewart has remained an anarchic and pioneering figure since the punk era, a constant source of discordance amongst the frontiers of post-punk, dub, industrial, and electronic music.

In a body of work driven by an explosive form of lyricism and inspired by radical politics, protest movements, theory, philosophy, technology, art, and poetry, Stewart has fearlessly cultivated a revelatory collision of ideas, ideals, and influences throughout an indisputably groundbreaking and seditious career.

Textbeak has quite a history in industrial, and dark electronic and experimental music, influenced heavily by bands like Coil, Cabaret Voltaire, and Skinny Puppy. In 1994, as Bath, he released several albums on Jevan Records. He has since also released music through Cleopatra Records, Moon Sounds, Carlos Perón’s (Yello) Dark Daze Records, Tundra Dubs, 21/22 Corporation, Post Religion, Pale Noir, and Lasergun, and appeared on compilations with artists such as Coil, Sleep Chamber, Konstruktivits, and Portion Control.

DEFA (Benjamin Hartman) has been creating and collaborating on music since the early 90s and has been included on many releases with projects Bath, Textbeak, Mulga, and In The Shadow of the Monolith. His style is deeply rooted in dark, electronic, beat-driven visions and layers of blackened frequencies. This type of sonic dissonance was also a feature on his radio show The Dark Phonic Hour of Power. His latest release Digital Debris can be found at Hexx9 Records’ Bandcamp.

Fieldmice ESVB Vol 2

RODION GA X MARK STEWART X TEXTBEAK X DEFA - UN NEBUN

Kirmes

Exit

Devotional

Unit 7

Recent comments

The Blue One

Metaphazic

DUSTY PINK

THEN CAME THE RAIN

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