IMPROBABLE

My new album "Castaway At The Crossroads Of Time" is out now on all major platforms. 

Join me on Patreon: https://www.patreon.com/owsey

Spotify: https://open.spotify.com/track/4rnDYzVWb5x7gh7NjEREjP?si=318fcb5a4bd34727

Download: https://owsey.bandcamp.com/album/castaway-at-the-crossroads-of-time

https://www.instagram.com/owseymusic
https://www.patreon.com/owsey
http://www.twitter.com/owseymusic 
http://www.facebook.com/owsey 
http://www.youtube.com/owseymusic 
https://owseymusic.com
http://www.owsey.bandcamp.com 
http://www.soundcloud.com/owsey

SPOTIFY

Falling Back Into You

Our third release is a collection of various artists.
"Tincture For The Soul part one" includes 5 ambient tracks for deep self-immersion.

Tracklist :
1. Symphocat - A Question To Reality (opus3) 
2. Vitaliy Koltygin - Hill Traveler 
3. Konstantin Beresnev - Liores 
4. Mind Landscape - Alchemy 
5. BOTN - Nostalgia 

Наш третий релиз - это коллекция разных артистов.
"Tincture For The Soul part one" включает в себя 5 эмбиентных треков для глубокого погружения в себя.

Music by Various Artists
Photo by N. Aniskin
Mastering and design: Sonus Fora

Tincture For The Soul part one

Symphocat - A Question To Reality (opus 3) [SF003]

Vitaliy Koltygin - Hill Traveler [SF003]

2022-01-18

NLS - 2022 - 01 - 18 Where Pluto Disappeared

𝑖𝑛 𝑡ℎ𝑖𝑠 𝑜𝑐𝑒𝑎𝑛
𝑎𝑙𝑙 𝑐𝑜𝑚𝑒 𝑡𝑜 𝑎𝑛 𝑒𝑛𝑑
𝑜𝑢𝑡 𝑜𝑓 𝑡ℎ𝑖𝑠 𝑜𝑐𝑒𝑎𝑛
𝑎𝑙𝑙 𝑎𝑟𝑒 𝑏𝑜𝑟𝑛 𝑎𝑔𝑎𝑖𝑛

--

released January 15, 2022

music and sound processing by Ludvig Cimbrelius

artwork painting by Nikita Coulombe —
www.nikitacoulombe.com

I°Ո∀ • ∀⅂I⅂

--

𝓕oundational to LILA लीला is the view that we are all in this adventure of eternal life together. As a reflection of this, a part of the income from music releases will always be going towards trusty organizations who work towards bringing better conditions of Life to all inhabitants of this beautiful Earth, our home in the Universe. /As LILA लीला grows, all parts grow.

Mira

Drift Below



"Nocturne" | From the new album OBLIVION/RITES: htdc.bandcamp.com/album/oblivion-rites

OBLIVION/RITES:

01. Aurora
02. In Motion
03. We Fade Away
04. Nocturne
05. The Rites
06. Luminous: Falling
07. At The Heart Of It all
08. Oblivion (Ascent)

Nightscapes Sessions: Recorded between the summer nights of 2012 and 2013 (July/August 2012 - July/August 2013)

Nightscapes Sessions: From here to oblivion.

Thank you in advance for your support. 

Nocturne

Link to stream and buy: https://distrokid.com/hyperfollow/delectatio/songs-to-walk-with

Songs to Walk With

Regrets Of The Past

Decadence

The 34th full length album by Petrified Entity

Essence

About Last Time

Divertissement is the third collaborative full length from minimalist composer William Basinski and sound artist Richard Chartier.

The duo utilize electronics, piano, tape-loops and short wave radio to evoke a dense atmosphere suggesting hundreds of years of history rising up from the depths of a reverberating cathedral. Subtle, buried and intense murmurs of melody morph through this deeply consuming and slowly evolving composition in two parts.

Pressed in an edition of 500 with beautiful cover drawings by artist James Elaine. 100 copies are on color vinyl for mailorder customers.

William Basinski + Richard Chartier - Divertissement - LP edit Aug 2015

from 'Electric Stutter' [CD|2xLP|Digital]
Denovali Records · den281
available on all formats at [http://denovali.com/orsonhentschel]

Almost one year after his debut LP Feed The Tape, Orson Hentschel enters new musical terrain wearing old shoes. His second LP Electric Stutter, which is almost 55 minutes long, is only loosely connected to his debut. Whereas Feed The Tape was strongly shaped by Classical Minimal Music, Hentschel now incorporates influences of Trip-Hop and Electronic Pop Music. Since his childhood, he considers artists like Massive Attack, Portishead and Björk as some of his most important sources of inspiration. The influence of this kind of popular music is clearly audible. Hentschel’s new tracks are shorter, more shaped and reduced in the density of their sound material. Pattern-oriented repetitions, which where in the focus of Feed The Tape, now fulfil the function of sophisticated sub-components of the overall composition and are subordinate to the melodic forms or merge with them. Also the amount of sample-based material has decreased in order to create space for synthetically produced sounds with melodic character. Electric Stutter is more complex and more detailed than Feed The Tape. At the same time the reduced density of sound material and the higher amount of melodies form a kind of music that is more easily accessible.

Whereas the Düsseldorf-based composer started off with classical piano, he by now concentrates on electronic and experimental music and film compositions. Even though Hentschel has experienced a classical education, his composition techniques are anything but traditional. His creative starting point is rarely rooted in musical ideas, but consists of finding appropriate sound material. His sources are diverse: sounds and samples like soundtracks, film sounds, music albums or internet findings encounter polyphonic vocal-music from the 14th century and composition techniques of Minimal Music such as Steve Reich. In his compositions Hentschel draws a cross-section through the history of music and its genres in order to form his own musical expression. Considering his studies of music science in Düsseldorf and previously in Vienna and Dresden, his musical time-jumps appear less surprising.    

Describing Orson Hentschel only as a composer of contemporary music does not do him justice. In his self-conception as an audio-visual artist he creates his own live show, combining lights, visuals and fog to a stunning atmosphere, which cannot be eluded. Supported by live-drummer Lukas Baumgart, Hentschel delivers a sound, whose energy is physically palpable and electrifies the audience. A live-show generating an intense experience, going to the limit and erasing any sense of time. Orson Hentschel moves perceptions not merely through sheer volume, but with driving repetitions and extensive tension.

Electric Stutter

Orson Hentschel - Fade In, Fade Out

Track 1 of the "Signals/Tell" single with Voga (https://soundcloud.com/user-879236577)

Cello by Raphael Weinroth-Browne (https://soundcloud.com/nihilisticgod)
Viola by Laurence Schaufele

Signals/Tell

Free Download

Signals (with Voga)

The tracks that have published in only soundcloud and some places so far are finally released.
They consist of 7 tracks created during the period from 2015 to 2019.

Hope more and more people would enjoy them.

[track list]
I. Lapis lazuli-2019
II. Circumnavigate-2017
III. Kaleidoscope-2019
IV. Bliss of solitude-2016
V. Nautilus-2019
VI. Drift the current-2015
VII. Aerial garden-2019

HARVEST [2015-2019]

HARVEST [2015-2019] Excerpt/ tomonari nozaki

~ IIKKI 013 ~

music : Toàn
photography : Gilles Roudière
album/book : Volta No Vento
duration : 35.52 mn (vinyl) 36.52 mn (cd)
date : November 2020

----------------------------------------------------------------

Composed, recorded and mixed by Anthony Elfort between 2017 and 2019 in Cruguel, France.

Mastered by Taylor Deupree
Artwork by Gilles Roudière
Design by sprflxgrfzm

----------------------------------------------------------------

edition :
vinyl : limited to 250 copies hand numbered
cd : limited to 200 cd (glass mastered) hand numbered
book : limited to 400 copies hand numbered + hand stamped

----------------------------------------------------------------

pre-order : October 29th, 2020 / official release : November 29th, 2020

----------------------------------------------------------------

Links :
https://ambientoan.bandcamp.com/
https://soundcloud.com/toan-3
https://www.gillesroudiere.com/
https://www.iikki-books.com/
https://iikki.bandcamp.com/music
https://www.facebook.com/iikki.books/
----------------------------------------------------------------

℗ & © 2 0 2 0 - I I K K I - I I K K I 0 1 3

Toàn - Volta No Vento (album preview)

~ IIKKI 014 ~

music : Observatories (Ian Hawgood & Craig Tattersall)
photography : Miho Kajioka
album/book : Flowers Bloom, Butterflies Come
duration : 40.58 mn (vinyl) 45.10 mn (cd)
date : March 2021

----------------------------------------------------------------

All music by Ian Hawgood & Craig Tattersall.

Mastered by Ian Hawgood
Artwork by Miho Kajioka
Design by sprflxgrfzm

----------------------------------------------------------------

edition :
vinyl : limited to 300 copies hand numbered
cd : limited to 200 cd (glass mastered) hand numbered
book : limited to 750 copies hand numbered + hand stamped

----------------------------------------------------------------

pre-order : February 15th, 2021 / official release : March 25th, 2021

----------------------------------------------------------------

Links :
https://www.leavings.co.uk/
https://www.folkreels.com/
https://www.mihokajioka.com/
https://www.iikki-books.com/
https://iikki.bandcamp.com/music

----------------------------------------------------------------

℗ & © 2 0 2 1 - I I K K I - I I K K I 0 1 4

Observatories - Flowers Bloom, Butterflies Come (album preview)

UNKNOWNjp / tomonari nozaki
Tokyo (Japan)
music
______________________________________ 
[releases]
Concession / Forwind
Decadence / Forwind
Credence / Forwind
The Fall of Icarus / taâlem
AND&AND / Soun Records
une Histoire de Bleu / invisible birds
soleil / élément perspective
North Palace / Forwind
ROMANTICA / Soun Records
ANGEL / Soun Records

HARVEST [2015-2019] Excerpt/ tomonari nozaki

UNKNOWNjp

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