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A 
hard disk drive
 (
HDD
), 
hard disk
, 
hard drive
, or 
fixed disk
,[b] is an electro-mechanical data storage device that stores and retrieves digital data using magnetic storage with one or more rigid rapidly rotating platters coated with magnetic material. The platters are paired with magnetic heads, usually arranged on a moving actuator arm, which read and write data to the platter surfaces.[2] Data is accessed in a random-access manner, meaning that individual blocks of data can be stored and retrieved in any order. HDDs are a type of non-volatile storage, retaining stored data when powered off.[3][4][5] Modern HDDs are typically in the form of a small rectangular box.


Introduced by IBM in 1956,[6] HDDs were the dominant secondary storage device for general-purpose computers beginning in the early 1960s. HDDs maintained this position into the modern era of servers and personal computers, though personal computing devices produced in large volume, like mobile phones and tablets, rely on flash memory storage devices. More than 224 companies have produced HDDs historically, though after extensive industry consolidation, most units are manufactured by Seagate, Toshiba, and Western Digital. HDDs dominate the volume of storage produced (exabytes per year) for servers. Though production is growing slowly (by exabytes shipped[7]), sales revenues and unit shipments are declining, because solid-state drives (SSDs) have higher data-transfer rates, higher areal storage density, somewhat better reliability,[8][9] and much lower latency and access times.[10][11][12][13]


The revenues for SSDs, most of which use NAND flash memory, slightly exceeded those for HDDs in 2018.[14] Flash storage products had more than twice the revenue of hard disk drives as of 2017[update].[15] Though SSDs have four to nine times higher cost per bit,[16][17] they are replacing HDDs in applications where speed, power consumption, small size, high capacity and durability are important.[12][13] As of 2019[update], the cost per bit of SSDs is falling, and the price premium over HDDs has narrowed.[17]


The primary characteristics of an HDD are its capacity and performance. Capacity is specified in unit prefixes corresponding to powers of 1000: a 1-terabyte (TB) drive has a capacity of 1,000 gigabytes (GB; where 1 gigabyte = 1 000 megabytes = 1 000 000 kilobytes (1 million) = 1 000 000 000 bytes (1 billion)). Typically, some of an HDD's capacity is unavailable to the user because it is used by the file system and the computer operating system, and possibly inbuilt redundancy for error correction and recovery. There can be confusion regarding storage capacity, since capacities are stated in decimal gigabytes (powers of 1000) by HDD manufacturers, whereas the most commonly used operating systems report capacities in powers of 1024, which results in a smaller number than advertised. Performance is specified as the time required to move the heads to a track or cylinder (average access time), the time it takes for the desired sector to move under the head (average latency, which is a function of the physical rotational speed in revolutions per minute), and finally, the speed at which the data is transmitted (data rate).


The first production IBM hard disk drive, the 350 disk storage, shipped in 1957 as a component of the IBM 305 RAMAC system. It was approximately the size of two large refrigerators and stored five million six-bit characters (3.75 megabytes)[18] on a stack of 52 disks (100 surfaces used).[25] The 350 had a single arm with two read/write heads, one facing up and the other down, that moved both horizontally between a pair of adjacent platters and vertically from one pair of platters to a second set.[26][27][28] Variants of the IBM 350 were the IBM 355, IBM 7300 and IBM 1405.





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Bollywood is part of the larger Indian Film Industry based in Mumbai and produces the Hindi language based films. Bollywood, formally referred to as Hindi Cinema, is the largest film producer in India accounting for 45% of the net film revenue. Bollywood produced 252 films out of 1969 films in India in 2014. Bollywood has become part of the Indian's story by influencing the music film. With the sales of Hindi movies worldwide especially in the Asian countries, Middle East, Africa, and Europe, Bollywood continues to generate a lot of revenue. Hindi actors have also gained significantly through the improved income from sales of their movies.


Pollywood is a Punjabi Cinema industry in India and Pakistan which produces films in the Punjabi language. Pollywood has become synonymous with the Indian Punjab especially in the 21st century because of the quality and number of Punjabi film it produces. Punjabi cinema has grown from producing five movies in 1997 to producing over 100 films annually. Pollywood currently spends a lot of money and uses home-grown stars and Bollywood actors in its film production. The gross earnings for the film industry have also increased significantly with some movies bringing in more than $10 million.


Some people, however, see its success as a revitalisation of a term that had lost its significance a while ago: Lollywood. It is a term that characterises awe and scorn in a single breath; a word that should have only defined regional movies, yet became the label that identified an entire country (Pakistan).


With a budget of more than $1.5 million, the film is one of the most expensive Punjabi movies to date and stars two of the biggest names in the Punjabi entertainment industry, Amrinder Gill and Sargun Mehta. It employed a crew of nearly 200 people in B.C. and tells the little-known history of the province's first Sikh immigrants.





Bains says movies like these have the potential to inspire younger generations to learn their history in a way books or schools are unable to do and should be seen as an "opening" to discuss and learn.


Punjabi music has extended its influence to Bollywood, where Punjabi songs have become part of albums released for films. Almost every other movie has a Punjabi or Hindi-Punjabi song in it. This is unlike any other regional language. Punjabi singers have become mainstream movie singers. Singers like Honey Singh, Badshah, Diljit Dosanjh, Guru Randhawa, among others have become regular singers for Bollywood. Many Punjabi songs are put into movies or remade.



Diljit Dosanjh
 is a talented young man born on January 6, 1984. He is a singer, actor, and producer who have debuted in Punjabi as well as Hindi Bollywood films. His music is based on the genres like Punjabi, Bhangra, romantic, pop, and hip-hop party songs. He has attracted wide attention with his acting and made an unshakable place in Hindi cinema. He became popular by giving movies like 
Udta Punjab, Good News, Honsla Rakh, and many more
. He earned Filmfare award for the best male debut. He is the first Punjabi singer to make his way into Hindi cinema smoothly and became famous for what he does. Diljit Dosanjh peaked in the chart of 
Social 50 by Billboard
.



Rupinder Singh Gippy Grewal
 is a popular Punjabi actor, singer, director, and producer in both Punjabi and Hindi cinemas. His single 
Phulkari
 was a huge hit in the Punjabi music industry. Gippy debuted in Bollywood in 2010. His acting career got a swing since his debut film 
Mel Karada Rabba
 and from then he has shown his acting skills in many other great movies. He won 
PIFAA Best Actor Award
 in 2012 for the movie 
Jatt James Bond
. He shared the award with Diljit Dosanjh.


Yogesh, who belongs to Sriganganagar, fulf

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Vosotros sois mis amigos, si hacéis lo que yo os mando. Ya no os llamo siervos, porque el siervo no sabe lo que hace su señor: a vosotros os llamo amigos, porque todo lo que he oído a mi Padre os lo he dado a conocer.


¿Qué hacen los verdaderos amigos?

Te levantan la autoestima. Cuando te sientes mal contigo mismo, te hacen ver todo lo bueno que hay en ti. ... 

Te apoyan. ... 

Te escuchan al 100 % ... 

Te hacen sentir cómodos. ... 

Te ayudan. ... 

Reservan tiempo para ti. ... 

Te dicen la verdad. ... 

Te respetan.




Formar y mantener amistades saludables implica dar y recibir. Algunas veces eres tú quien da apoyo, y otras veces eres quien lo recibe. Hacer saber a tus amigos que te importan y que los aprecias puede ayudar a fortalecer el vínculo. Es tan importante que tú seas un buen amigo, como que te rodees de buenos amigos.


El libro de Proverbios nos enseña a relacionarnos con otros. En efecto, sus consejos abundan en el tema de las relaciones y tienen mucho que decir sobre cómo tratar a los padres, cómo comportarnos con los vecinos, cómo criar a los hijos en el temor del Señor y, lo que nos interesa en este artículo, cómo ser buenos amigos.





Cuando se traiciona la confianza, la amistad sufre daño, a veces irreparable. Por eso, cuando tengas problemas con un amigo, no corras a contárselo a otro. Si eres tentado a «ventilar» con otros los problemas de alguna amistad, recuerda que el chisme no ayudará a resolver la discordia. Por otro lado, si queremos conservar nuestras amistades, no escuchemos los chismes sobre nuestros amigos, pues también eso socava y destruye las relaciones.


Necesitamos amigos reales, pero la amistad solo crece con el tiempo y con el roce, mientras se comparten buenas y malas experiencias. En esta época de tanta tecnología, tenemos amigos virtuales hasta del otro lado del mundo. Sin embargo, la amistad 
cara-a-cara 
sigue siendo necesaria, pues es muy difícil tener a nivel virtual el mismo tipo de relación que logramos de manera presencial.


Estas tres versiones anteriores, son las que menos comparto su traducción. Creo personalmente que se alejan un poco de las palabras del hebreo. Aunque mantienen el vínculo general de exaltar a los buenos amigos, pierden elementos muy valiosos que nos ayudarían a comprender mejor la totalidad del consejo.


El texto originalmente puede estar indicando que un hombre que tiene muchos amigos, posiblemente llegue a tener el problema de que su lealtad se rompa entre unos y otros en algún momento y circunstancia.


También el texto da para inferir que una persona que tiene muchos amigos, puede llegar a arruinar su propia vida por deber lealtad a tanta gente. O por un mal amigo entre tantos, que literalmente actuó en su contra por falta de lealtad.


La mejor manera de conseguir amigos, es siendo amigo. Al ofrecer afecto, puro y desinteresado, recibimos lo mismo a cambio. Tal vez la palabra griega que se usa por amigo nos pueda ampliar el concepto; es «filos», que significa: amado, querido, preciado, estimado, agradable, deleitoso. Esas son las cualidades que se espera de un amigo; las mismas que también debemos estar dispuestos a dar.


No hay secretes entre amigos, mucho menos necesidad de ponerse una «mascara»; esa fachada con la que aparecemos ante el mundo, un «yo» totalmente hipócrita. Un amigo nos conoce de fondo y nos quiere a pesar de nuestros errores.


Se cuenta de un rey que siempre pedía los zapatos viejos. Decía que eran más cómodos para sus pies. Como los zapatos, los amigos; los viejos son los mejores. Su aprecio y su apoyo valen más que mil nuevas amistades. ¡Cuida la amistad como la niña de tus ojos!


¿Quieres cosechar felicidad a cada paso? Entrégate desinteresadamente para hacer feliz a tus amigos,

El Hombre Que Quiere Amigos Ha De Mostrarse Amigo

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Il sacerdozio è un grande dono di Dio. Spesso i media bombardano chi ascolta con notizie non sempre belle sui sacerdoti... Eppure io vedo che sono tanti i sacerdoti eroi, buoni, bravi: parroci, missionari a servizio del popolo di Dio, soprattutto degli emarginati dalla società Allora è importante e doveroso incoraggiare i sacerdoti, perché siano gioiosi: mai col muso lungo ma col sorriso sulle labbra, capaci di esprimere anche nel volto la bellezza del dono ricevuto. Ci sono tante belle storie sacerdotali da raccontare, non solo quelle brutte e spiacevoli, che purtroppo non mancano.



Un varco nel sub-spazio catapulta sulla Terra una creatura aliena, per metà essere vivente e per metà macchina. Il "tecnomorfo" finisce nella mani di Mama, regina degli innestati, che decide di usarlo come faro guida per richiamare i suoi simili e costituire così il proprio esercito, pronto a conquistare il mondo! Per contrastare i piani di Mama, entra in azione la squadra dei Nuovi Eroi, composta da Liam, Scout e Joanna, al comando del direttore John Ballantyne, capo di quella che un tempo era conosciuta come la gloriosa Agenzia Alfa. Per i tre giovani agenti del lontano futuro ha inizio una corsa contro il tempo che li porterà faccia a faccia con la letale madre dei tecnomorfi, fuoriuscita da un gigantesco squarcio nel cielo sopra la costa Est!


"Quando le iniziative vengono progettate sui bisogni della collettività, quindi condivise e realizzate, trovano una risposta convinta da parte del territorio - ha concluso
 
il Sindaco di Sondrio, Marco Scaramellini - Sono lieto di constatare come anche nel 2022, per il terzo anno consecutivo, il bando promosso dalla Fondazione "Costruiamo il futuro" e sostenuto da Edison e dalla Fondazione Pro Valtellina Onlus, abbia avuto un importante riscontro sul territorio, addirittura un numero di richieste superiore al passato. Le associazioni manifestano in tal modo la loro fiducia nei promotori ma anche i bisogni crescenti in termini di risorse economiche per proseguire le attività a favore della comunità locale. Neppure per la realtà del Terzo settore è un momento facile e noi dobbiamo sostenerla proprio nel momento in cui aumenta il numero delle famiglie in difficoltà. Il mio ringraziamento va alla Fondazione e al presidente Maurizio Lupi, a Edison e a Pro Valtellina che hanno unito le forze per promuovere questa importante iniziativa: l'augurio è di continuare a sostenere le associazioni di volontariato riconoscendo la centralità del loro ruolo".


La 
Legione degli Eroi Sostituti
 è un gruppo di personaggi immaginari nel futuro dell'Universo DC. I "Subs", come vengono spesso chiamati, sono un gruppo di reietti aderenti alla Legione dei Super-Eroi con cui si allearono, sperando di dimostrare che i loro poteri non erano così inutili quanto i Legionari immaginassero. Comparvero per la prima volta in 
Adventure Comics
 n. 306 del marzo 1963. Furono descritti come supereroi "affidabili", finché Keith Giffen, durante la sua carriera di scrittore delle storie della 
Legione
, iniziò a descriverli come una specie di scherzo.


La 
Legione degli Eroi Sostituti
 fu fondata da Polar Boy, Night Girl, Stone Boy, Fire Lad, e Chlorophyll Kid, cinque giovani eroi i cui poteri non erano sufficienti da garantire loro l'entrata nella Legione dei Supereroi. Dopo aver ricevuto un premio di consolazione, una cintura volante della Legione, i cinque teenager, sconsolati, decisero di formare un gruppo che avrebbe potuto entrare in azione in supporto alla Legione. Dopo vari fallimenti come gruppo, i Subs salvarono la Terra da un'invasione dei 
Plant Men
, mentre la Legione era fuori dal pianeta per distruggere un'armata di navicelle spaziali robotiche piazzate in orbita come esca.





Dopo una mediocre carriera eroistica, gli Eroi Sosti

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Referring to the hardware resources used tell me please do you recommend me a video player which comes with the most common codecs included, or is it possible to use a fast way in Linux to download/install the video and audio codec that I need for the video which I am trying to watch?


However, I have some foreign movies which are RMVB files. The movies were downloaded with SRT subtitles and I had no problems watching the movies with the subtitles on my computer. However, the WD Mini Media Player plays the movies fine, but cannot recognize the separate SRT subtitle files.


My WD Mini does read subtitles. You just have to ensure that the filename of the SRT file and the video file is the same. E.g., if you are playing a video named Mask.avi, the subtitle file should be named as Mask.srt. Also check that Subtitles are on in the settings menu. Also, when the video is playing, press options and you will see an option for turning subtitles on or off. I hope this helps. The WD Mini manual had instructions regarding subtitle so you could also go through that.


in case you have subtitles other then the ones the WD player recognizes (like Hebrew for example) you have to convert the subtitle file (.srt) to SUB/IDX format, then, put both files at the same folder and you can play it with the player.





Hi Jellyfin users... how can we get subtitles - search/download in the web ui player? I already have the opensubtitles plugin, but I don't see any option to select subtitles or download subtitles when playing the video in a web ui.


When start playing the movie I then call the following event which iterates through the subtitles.
If you need to be able to pause your media player or use other functionalities, you would need to bind the media player events to this blueprint section.


I love the picture quality of that TV however sometimes i am super annoyed because subtitles in the biult-in video playes sometimes work and sometimes not. On PC (VLC player) everything works fine but on TV it just doesnt see the subtitle file. I tried converting it to: .srt, txt, dat, sbt, srt, sub, txt. And nothing!! I dont know what to do. And the app shop of LG just sucks IMO. There are no external players like VLC (or just i couldnt find any)


I am have been playing around with a lot of options. popcorn.js, mediaelement.js, jwplayer and I can not find a combination that works. I'm working on a learning website and I need to display the subtitles of the video below the player. I can get it to work all good when the video is hosted on the server and it has a file link. I was using MediaElement.js because all the videos I need are on YouTube so it needs to stream from there.


I have tried a few different combinations and popcorn was originally going to work. When I started playing with it I found their YouTube streaming no longer works. I've followed their examples but its a no-go. Also with popcorn I couldn't get to work with any other subtitle file other than TTML (even though they support the others) and I need one that can have html inside of it.


Even when you are not familiar or fluent in a foreign language, subtitles would be very useful for you to better understand the conversations or plots in a video. Different with retail Blu-ray discs or DVD along with multiple options in subtitle languages on the disc, videos that you can be available on the internet may have no subtitle file. Fortunately, you are able to search the internet or a third-party program to download responsive subtitles to match the video.


Most popular Media Player enables you to select a subtitle file to display along with video, such as VLC, KM Player, Zoom Player, GOM Media Player, SMPlayer, BS Player, Kantaris, Banshee Media Player and so on. But when it comes to videos, it seems not that possible for the aud

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Vicky il vichingo

 (小さなバイキング ビッケ 
Chiisana Viking Vikke
?, lett: "Il piccolo Vicke il vichingo") (titolo originale tedesco 
Wickie und die starken Männer
, lett: 
"
Wickie e gli uomini forzuti") è una serie anime giapponese-tedesca coprodotta da Taurus Film, ZDF, ORF, Zuiyo Eizo e Mushi Production nel 1974 ispirata da una serie di libri per bambini degli anni sessanta dello scrittore svedese Runer Jonsson. La serie è stata trasmessa prima in Germania su ZDF a partire dal 31 gennaio 1974,[1] e successivamente in Giappone su Fuji TV dal 3 aprile 1974 al 24 settembre 1975.


In Italia l'anime è stato trasmesso dal 1976 su Rete 1 come 

Viki il vichingo

, per poi diventare 

Vickie il vichingo

 con il passaggio sulle televisioni locali e infine 
Vicky il vichingo
 nelle edizioni home video.


Nel 2009 e 2011 sono stati prodotti due lungometraggi live action ispirati al personaggio, 
Vicky il vichingo
 (
Wickie und die starken Männer
) e 
Vicky e il tesoro degli dei
 (
Wickie auf großer Fahrt
) con lo stesso cast di attori e con l'aggiunta dell'effetto 3D. Nel 2013 è stata prodotta una seconda serie animata, 
Vicky il vichingo
 (
Vic the Viking
), remake dell'anime, realizzata in computer grafica 3D e coprodotto da Francia e Australia.


Quando ha bisogno di farsi venire un'idea ha l'abitudine di strofinarsi il naso e quando l'ha trovata schiocca le dita con gioia. Non è un tipico ragazzo vichingo, in quanto la sua natura innata è molto timida e non molto forte: egli soffre di paura ma la sua fervida immaginazione gli permette di fuggire da tutti i pericoli.


La sigla trasmessa in Italia, dal titolo 
Hey, Hey, Viki
, che manteneva la base musicale originale tedesca, fu eseguita da Gli Alessandroni. Questa versione fu preferita anche al brano 
Il piccolo vichingo
, realizzato nel 1981 da I Cavalieri del Re di Riccardo Zara e scartato dalla Fonit Cetra[3].


La nave comandata dal rude Halvar attracca a Flake; qui il capo vichingo trova Vicky alle prese con un lupo e, credendo il figlioletto un fifone, inizia a raccontare quanto lui era invece coraggioso alla sua età; la moglie Ylva continua però a preferire il cervello del figlio ai muscoli del marito. Per dimostrare quale tra queste due caratteristiche sia la preferibile, padre e figlio si sfidano: dovranno trasportare alcuni grandi massi su per la collina.
Mentre Halvar inizia subito a fare avanti e indietro con le pietre in braccio Vicky si strofina il naso e trova presto il modo per vincere la gara: con la porta di casa si costruisce una catapulta improvvisata attaccata a due alberi e in quella maniera lancia tutte le pietre a destinazione. Come ricompensa il bambino chiede di potere essere portato con i vichinghi sulla nave durante il viaggio seguente.





Vicky con l'aiuto di Ylvi sta addestrando un piccione viaggiatore, così da potere essere utilizzato come "postino" volante in caso di necessità; inizialmente però né il burbero Halvar né gli altri uomini paiono essere intenzionati a credere che ciò sia possibile. Ylvi propone allora una sfida tra il vichingo più veloce di Flake, che è Tjure, e l'amato uccello di Vicky: dovranno partire contemporaneamente da un luogo lontano e cercare di tornare il prima possibile a casa. Tjure, a cui è stato promesso in caso di vittoria una botte d'acquavite, già pregusta la vittoria: purtroppo per lui il piccione Lamberto giunge a destinazione molto prima.
Un'ultima prova viene richiesta e Gilby e Ylvi partono allora assieme su una zattera in direzione delle isolette a forma di scoglio al largo: da lì lasciano libero Lamberto per vedere se è capace d'orizzontarsi anche in mare aperto. Fortunatamente per loro, che hanno perduto la zattera e l'alta marea li sta per sommergere, il messaggio che hanno messo sulla zampetta del pi

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Douglas T. Kenrick
 (born 1948) is professor of psychology at Arizona State University. His research and writing integrate three scientific syntheses of the last few decades: evolutionary psychology, cognitive science, and dynamical systems theory.[1][2] He is author of over 170 scientific articles, books, and book chapters, the majority applying evolutionary ideas to human cognition and behavior.


He was born in Queens, New York, on June 3, 1948. His father and brother both spent several years in Sing Sing, but he broke the family tradition and went to graduate school to study psychology.[3] He studied social psychology under Robert B. Cialdini and received his Ph.D. from Arizona State University in 1976. He has edited several books on evolutionary psychology, contributed chapters to the 
Handbook of Social Psychology
 and the 
Handbook of Evolutionary Psychology
, and been an author of two multi-edition textbooks (
Psychology
, with John Seamon; and 
Social Psychology: Goals in Interaction
, with Steven Neuberg and Robert B. Cialdini).[4] He writes a blog for Psychology Today magazine, titled 
Sex, Murder, and the Meaning of Life
, and has published a book of the same title.


6. Research (conducted with Vladas Griskevicius, Robert Cialdini, Jill Sundie, Joshua Ackerman, Adam Cohen and other colleagues) has examined the effects of evolutionary significant motives for a number of complex social behaviors, including conformity, creative display, conspicuous consumption, aggression, and economic decision-making.[12][13][14]


Douglas Kenrick is a professor in the Department of Psychology at Arizona State University. His research interests include integrating models from evolutionary biology and cognitive science to study the effects of fundamental social motivations (e.g., self-protection, status, mate search) on basic cognitive processes (e.g., attention to, encoding of, memory for different people in a rapidly presented crowd). He has recently applied the same approach to economic decision-making, creativity, conformity, aggression, and religious behavior. Kenrick co-directs the Kenrick-Neuberg Social Cognition Laboratory.


Integrating models from evolutionary biology and cognitive science to study the effects of fundamental social motivations (e.g., self-protection, status, mate search) on basic cognitive processes (e.g., attention to, encoding of, memory for different people in a rapidly presented crowd), economic decision-making and various downstream social behaviors (including aggression, conformity, creative displays, prosocial behavior).


Professor Kenrick's current research interests focus mainly on questions related to evolutionary social cognition (e.g., how attention, encoding, and memory for other people is influenced by fundamental human goals), as well as exploring links between evolutionary psychology and dynamical systems perspectives (e.g., how cultural norms emerge from individuals acting on evolved decision-rules).



A unique integrated approach to social behavior:
 Rather than providing a laundry list of unconnected facts and theories, the authors organize each chapter around the two broad questions: (1) What are the goals that underlie the behavior in question? (2) What factors in the person and the situation connect to each goal? The book thus presents the discipline as a coherent framework for understanding human behavior. The new subtitle, "Goals in Interactions" underscores this integrated approach to understanding behavior.



Opening mysteries:
 Each chapter begins with a mystery of social behavior, designed not only to grab student interest, but also to organize the ensuing discussion of scientific research: Why would a poor black washerwoman give away her hard-earned life-savings? What psychological forces led the Dal

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