Playlist 1

Chill With W. G.

Feb '15

Instruments

Musics XII

Piano, Ambient Piano & Piano Adjacent Music! #pianoday
Just a little 50+ track and rising playlist in appreciation of my favourite sound generating instrument, featuring some of the music/artists that inspire me to make my own musical endeavours (mine are the ones with the embarrassing amount of plays). Obviously there is so much more out there but this is what i have found on soundcloud over a very small period of time. Hope you will give it a listen & enjoy a peaceful piano day :-)

PiAnO AdJaCeNt! (Piano Day 29-03-15) #pianoday

Buy the album

Damped

'Dorian' is taken from Agnes Obel's second album 'Aventine'. Available here: http://www.agnesobel.com

Aventine

Dorian

1 A Great Divide

🌺 Download the track here:
▶ https://paulgilmoremusic.bandcamp.com/track/agnes-obel-fuel-to-fire-paul-gilmore-remix

🙌 Look me up // ⟪ pvmm ⟫
▶ https://pvmm.ffm.to/lofidad

'Fuel to Fire' is one of my favorite remixes to-date. 

🌺 Listen to PUEBLO VISTA // ⟪ pvmm ⟫
▶ https://pvmm.ffm.to/lofivibes
▶ https://pvmm.ffm.to/chillbeats

2️⃣0️⃣1️⃣3️⃣🎵⏯️

Agnes Obel - Fuel To Fire (Paul Gilmore Remix)

7 Opus 28

Windows

The Danish-born Berlin-based singer-songwriter Agnes Obel landed a pan-European hit with her disarmingly beautiful debut album ‘Philharmonics’. After seven weeks at #1 in Denmark and hitting the Top 10 in both France and the Netherlands, the deluxe double CD version of the album will be released in the UK on May 2nd on Play It Again Sam.

Entirely self-produced and performed, ‘Philharmonics’ opens with the instrumental piano piece ‘Falling, Catching’ which sets the tone for Obel’s classically inspired songwriting. The next track, ‘Riverside’, flows with a depth of emotion embedded with further character by Obel’s love of combining her sweet melodies with carefully considered lyrics that evoke the song’s innate sound. ‘Just So’ works a similar trick, its blend of melancholy and optimism perfectly encapsulated into the opening line ‘Black turns beat me bright.’ Elsewhere, with ‘On Powdered Ground’, ‘Brother Sparrow’ or her interpretation of John Cale’s ‘Close Watch’, she melds different moods and atmospheres, all indelibly linked by the brittle majesty of her music.

The deluxe edition of the album adds a second CD featuring six tracks recorded at Obel’s recent acclaimed residency of sold-out shows in Copenhagen and five instrumental piano performances.

As a child, Obel was subconsciously guided into music by the influence of her mother and father, who would play and listen to a blend of the classical greats, folk music like Jan Johansson and the timeless sounds of Roy Orbison. After discovering the likes of Portishead and Elliott Smith as a teenager, she began writing her own piano-based songs, but it wasn’t until she moved to Berlin in 2006 that she began recording an album.

Many of the songs on ‘Philharmonics’ have subconsciously found an audience through their use in film and television. ‘Just So’ soundtracked a Deutsch Telekom advert, which gave Obel the unusual combination of having a song that everyone knew while having almost no profile as an artist herself. But soon opportunities presented themselves and continue to do so. One of Obel’s earliest breaks came when three of her demos featured in cult director Thomas Vinterberg’s film Submarino – ‘Riverside’ earned her a Robert Award (Denmark’s equivalent of the Oscars) for Best Song of the Year. Her music also reached a bigger North American and international audience when ‘Riverside’ was used in Grey’s Anatomy.

iTunes extended Obel’s profile further by requesting an exclusive release of ‘Philharmonics’ and highlighting Obel on the home page of their North American website. The attention of the press has been consistently positive with Vogue and culture magazine Telerama producing in-depth features in France, while Obel will also feature in both the North American and European issues of TIME.

Official website – www.agnesobel.com
Official facebook – www.facebook.com/agnesobelofficial
Official twitter - www.twitter.com/agnesobel
Official youtube - http://www.youtube.com/agnesobel


Agnes Obel - Riverside (Lulu Rouge Remix)

CROWDFUNDING FOR CD & VINYL RELEASE - buying the album you support the project. Thank you! 

"Felt Winter" album is out now! - support the artists directly:-)
https://noizzfactor.bandcamp.com/album/felt-winter

Created by Noizz Factor 2014 All rights reserved www.facebook.com/pages/Noizz-Fact…/616509848376659

Your support is very appreciated. Thank you so much!

Snow Cake (Edit)

November

First singe from the forthcoming debut KINSEY LP

Written, Engineered and Produced by NICK KINSEY

NICK KINEY: Vocals, Drums, Guitars, Organ. Marimba. Saxophone, Clarinet, Percussion and stuff

DAN EDINBERG: Electric Bass

Mixed by NICK KINSEY and JESSE LAUTER

Mastered by ALAN SILVERMAN

Chateau Ludlow

Download

Niklas Paschburg - Dawn

Buy here: http://www.beatport.com/release/aftermath-remixes/1411053

German brother and sister duo Hundreds released their second album 'Aftermath' back in May via Berlin imprint Sinnbus and the melancholia-drenched long player had listeners transfixed around the world.

On Eva and Philip Milner's sophomore album, delicate melodies are intertwined with heartfelt vocals and hauntingly delicate productions and the album will soon receive its first remix EP.

There's an edit from German electronic outfit The/Das and also from the Pampa and Kompakt stalwart Robag Wruhme and the latter has cast his spell over the album's title track.

Premiere: Hundreds 'Aftermath' (Robags Berchem Duff NB)

Appreciate you all. Subscribe to my YouTube channel for BEAT VIDEOS & more instrumentals!

https://www.youtube.com/channel/UC8NJYzIiErJvwdN_ZG-JBXA

Blessings.

- LLusion

Memories

￼
The first full track stream from Nils Frahm's new album 'FELT' which will be released worldwide via Erased Tapes on October 10, 2011.



￼
ORDER it on CD/LP/DL here: http://erasedtapes.com/store/index/ERATP033
and receive 2 exclusive outtakes and a limited edition postcard.

LIKE and FOLLOW Nils Frahm here: http://facebook.com/nilsfrahm



￼
★★★★ – MOJO | ★★★★ – CLASH | ★★★★★ – MUSO | 9/10 – Drowned In Sound
★★★★ - ROLLING STONE (Germany) | ★★★★★ – WESTZEIT


￼
CONTEXT: Berlin-based pianist Nils Frahm is already a firebrand in the modern classical world, collaborating with contemporaries such as Peter Broderick, Ólafur Arnalds and Anne Müller. His unconventional approach to an age-old instrument, played contemplatively and intimately, has won him many fans around the world.

As announced by Drowned In Sound, he finally returns on October 10th 2011 with the successor to his highly acclaimed solo piano works Wintermusik and The Bells. Released on Erased Tapes Records and entitled FELT, the album will coincide with a European tour in November 2011 – a truly memorable and magical live experience.


CONTENT: Having recorded his last album live in a large, reverberant church, Nils Frahm now invites you to put on your headphones and dive into a world of microscopic and delicate sounds – so intimate that you could be sitting beside him.

Recorded late at night in the reflective solitude and silence of his studio in Berlin, Frahm uncovers a new sound and source of inspiration within these peaceful moments:

'Originally I wanted to do my neighbours a favour by damping the sound of my piano. If I want to play piano during the quiet of the night, the only respectful way is by layering thick felt in front of the strings and using very gentle fingers. It was then that I discovered that my piano sounds beautiful with the damper.’

Captivated by this sonic exposition, he placed the microphones so deep inside the piano that they were almost touching the strings. This brought a host of external sounds to the recordings which most producers would try their hardest to hide:

‘I hear myself breathing and panting, the scraping sound of the piano's action and the creaking of my wooden floorboards – all equally as loud as the music. The music becomes a contingency, a chance, an accident within all this rustling. My heart opens and I wonder what exactly it is that makes me feel so happy.’

FELT creates its own personal microcosm, offering a refuge of tender and honest beauty.

A video for the pre-release single UNTER can be watched here:
http://vimeo.com/13833500


￼

Press reactions to his last album THE BELLS:

'The Bells is a record of astonishing beauty' (8/10) – Drowned In Sound  

'Nils Frahm is poised to become something of a sensation' – The Economist's Intelligent Life  

 ‘Emotionally charged piano music which always errs toward the melodic side of melancholy' **** – Mojo  

 ‘If there’s any justice The Bells, along with his recently released Wintermusik set, will expose Frahm to a wider audience, a demographic with a seemingly insatiable appetite for more prime neo-classicism’ – BBC Music  


TRACK LISTING:       1. KEEP 2. LESS 3. FAMILIAR 4. UNTER 5. OLD THOUGHT 6. SNIPPET 7. KIND 8. PAUSE 9. MORE

OFFICIAL WEBSITES:          

WWW.DURTONSTUDIO.COM
WWW.FACEBOOK.COM/NILSFRAHM
WWW.ERASEDTAPES.COM 


Felt

Nils Frahm - Snippet

"There can be no true beauty without decay."

I haven't posted new music since a while now, although I never stopped composing. I guess this track is the most personal thing I could share with you.
It's about a woman who means a lot to me. She always encouraged me in my darkest hours. Even if I was close to deleting all of my recordings and burning all of the albums I made. She took me to Bonn to study filmmusic-composition this year and was proud of me doing what I do. She plays the violin in this song and was sitting next to me most of the time I was composing it for her and with her.

On December the 8th 2014 she passed away. I am trying to accept it and that's why I am sharing her beauty with you. May her playing move you the way it moves me and may she never be forgotten.

I love you.
I miss you.
And I will never forget what you have done for me.
Thank you for everything.

Eva's Clock

A cover of one of our favorite songs. Premiered on My Old Kentucky Blog here: http://www.myoldkentuckyblog.com/?p=50406

Order "Quiet Day" on iTunes: smarturl.it/FortLean
Order "Quiet Day" on vinyl: smarturl.it/FortLeanVinyl
Stream Fort Lean: smarturl.it/StreamFortLean

www.fortlean.com
www.twitter.com/fortlean
www.facebook.com/fortlean
www.instagram.com/fortlean

That's How Strong My Love Is (Otis Redding Cover)

Taken from "Ask the deep" the new album from Sóley. Coming May 8th 2015

Referring to the silence that returns when last year’s “Krómantík” EP fades out, Sóley said, “… your closed eyes slowly start seeing something much deeper and darker,” and now that something is here, it’s right in front of us: “Ask The Deep” is a stunningly dark and deeply personal departure after the minimalist and bleak piano compositions of said EP: Relying on guts, ghost ships, and a sonic map that doesn’t show the same piano coordinates as before, her soft-sounding voice leads us deeper and deeper into the shadowy fairytale worlds only hinted at on previous releases such as her “Theater Island” EP and 2011’s much-praised “We Sink” debut album. Changing tactics to fight her inner demon with every track, “Ask The Deep” sees the bespectacled songwriter open Pandora’s box – and close it eventually. At least for now.  

Follow Sóley for updates:
www.facebook.com/soleysoleysoley
www.morrmusic.com


Buy on itunes

Sóley: Ævintýr

Auriént - Another World

Hear my silent prayer
Heed my quiet call
When the dark and blue surround you
Step into my sigh
Look inside the light
You will know that I have found you


Secret Garden - Dreamcatcher

Written and produced by Oh Wonder
Debut album OUT NOW!

Available on iTunes: po.st/OWDebutAlbum 
Buy signed CD/Vinyl: po.st/OWStoreSoundcloud

Apple Music: po.st/OWAppleMusic
Amazon: po.st/OWAmazonYT
Google Play: po.st/OWDownloadYT 
Follow Oh Wonder’s official Playlist on Spotify: po.st/OhWonderPlaylist
Follow Oh Wonder’s Radio Playlist on Spotify: po.st/OWRadio

Website/Live: po.st/OhWonderWebsite 
Facebook: po.st/OhWonderFacebook 
Apple Connect: po.st/OWAppleMusic 
Twitter: po.st/OhWonderTwitter
Spotify: po.st/OhWonderonSpotify
Instagram: po.st/OhWonderInstagram

LYRICS
Downtown we let it go
Sunset high and our bodies low
Blood rush in the hazy glow
My hands, your bones

Loose up we break the scene
One step deep as you fall to me
Heart clap, we skip a beat
Count one two three

And don’t you stop the music
Get into it
Won't you dance with me?

Find a place and lose it
You can do it
Won't you dance with me?

Move your feet and feel it in the space between
You gotta give yourself a moment, let your body be
We gotta lose it
We gotta lose it

Your name I’ll never know
As we get down in the world below
Caught up in an overflow
My hands, your bones

Wide eyed, you look at me
Set on fire in a silver dream
Spin round you can feel the breeze
Count one, two, three

And don’t you stop the music
Get into it
Won't you dance with me?

Find a place and lose it
You can do it
Won't you dance with me?

Move your feet and feel it in the space between
You gotta give yourself a moment, let your body be
We gotta lose it
We gotta lose it

Make a spark, break the dark
Find a light with me
Who we are from the start
Won't you dance with me?

Make a spark, break the dark
Find a light with me
Who we are chasing stars
Won't you dance with me?

And don’t you stop the music
Get into it
Won't you dance with me?

Find a place and lose it
You can do it
Won't you dance with me?

Move your feet and feel it in the space between
You gotta give yourself a moment, let your body be
We gotta lose it 
We gotta lose it

Website: http://po.st/OhWonderWebsite 
Facebook: http://po.st/OhWonderFacebook 
Twitter: http://po.st/OhWonderTwitter
Spotify: http://po.st/OhWonderonSpotify
Soundcloud: http://po.st/OhWonderSoundCloud 
Instagram: http://po.st/OhWonderInstagram 

Lose It

Order our album

train to elsewhere

"For my cover version I chose this track by Yeasayer. The original is a  beautifully sad yet upbeat breakup song, strident and bright with synth lines cascading around a heartfelt vocal. I wanted to make it sound far more broken and fragile, so I re-played it on the piano, pitched it down, then mangled it quite heavily so it came out sort of wobbly and knackered sounding. I wanted to leave it quite bare, just letting that amazing melody lead the way." - Jon Hopkins

Follow Late Night Tales:

Web: http://latenighttales.co.uk
Facebook: http://www.facebook.com/latenighttales1
Twitter: http://twitter.com/LateNightTales
SoundCloud: http://soundcloud.com/latenighttales
YouTube: http://youtube.com/latenighttalestv
Instagram: http://instagram.com/latenighttalesofficial
Spotify: http://goo.gl/Q98T7d
Apple Music: https://music.apple.com/us/curator/late-night-tales/1233898093
Bandcamp: https://latenighttales.bandcamp.com/

Jon Hopkins - I Remember

Take me with you to a place where we can flourish eternally....
Free Download;  Pls share & like
Composed & Played by www.StanLeonard.com
Thanks for following!

Take me with you

Jacob Pavek - Illume

Andrew Bird cover, from his album, Break It Yourself.
Original music by Daniel Steinbock is at http://music.danielsteinbock.com.

If sound is a wave like a wave on the ocean
Moon plays the ocean like a violin
Pushing and pulling from shore to shore
Biggest melody you never heard before

What if I were the night sky?
What if I were the night sky
Here's my lullaby
My lullaby to leave by
What if I were the night

What if we hadn't been born at the same time?
What if you were seventy-five and I were nine
Would I come visit you
Bring you cookies in an old folks home
Would you be there alone

And when the late summer lightning flashes off in your arms
Will I remember to breathe
No I never will
How can I convince you that I mean you no harm
Just want to show you how not to need

What if I were the night sky
What if I were the night sky
Here's my lullaby
My lullaby to leave by

What if we hadn't been each other at the same time?
Would you tell me all the stories of when you were young and in your prime
Would I rock you to sleep
Would you tell me all the secrets you don't need to keep

Would I still miss you
Or would you then have been mine?

If sound is a wave like a wave on the ocean
Moon plays the ocean like a violin

Sifters - Andrew Bird

Check out IanEwing & K Raydio
https://soundcloud.com/ian-ewing7
https://soundcloud.com/kraydio


Slow Down W/Ian Ewing & K Raydio

TREE - #PianoDay

“TREE” is a part of a composition written for Simphonie Cinétique, a collaboration between Ólafur Arnalds and Joachim Sauter. Re-edited and mixed for release in celebration of Nils Frahm’s #PianoDay and features Nils himself on celeste.

Composed, arranged and performed by Ólafur Arnalds
Violin: Viktor Orri Árnason
Celeste: Nils Frahm

Recorded at Durton Studio, Berlin.
Mixed at E7 Studios, Reykjavik.

See more about Symphonie Cinétique here:
https://vimeo.com/70897666

TREE

Track 4 from the IN THE WAKE OF AN AVALANCHE ep, available here :-> https://tunnelattheendofthelight.bandcamp.com/music

Ever So Slightly

Unperceived Records is an independent boutique label focusing on unexpected, inconspicuous and detailed tones in varied genres such as modern classical, ambient, electro acoustic & more.
We value individuality as well as quality and texture in sound and everything around it. With our „handmade" mindset we strive to make each release a unique experience.