"Founder of Precept and resident of Kreuzberg’s repeat bar, Maïore is a preacher of deep and minimalist sounds. Having spent years chasing the world's best dancefloor and festivals, his sets are a mixture of his influences, ranging from ambient to minimal house and techno sounds."

https://soundcloud.com/maiore
https://soundcloud.com/preceptco

Mantissa Mix 324: Maïore

Alejandro Romero who released on the label last year offers a trip-hop mix under his Alias Ópalo.

Ópalo is an Ecuadorian project which tends to produce in an experimental way, using drum machines, keyboards and synthesizers. The imagination comes from the history of a wolf who denies to be part of the system he is imposed on.

Ópalo’s first impression with the alias was to be more conceptual and in the process he realized a history was being told. It gives place to music he has loved since college, like Massive Attack, Tosca or Kruder & Dorfmeister.

The idea behind the mix is to put together the most representative tunes of the trip-hop genre. Especially the kind of music released in the 90’s. The selection tends to tell a story of danger and romance. Also its rhythm is influenced by Jamaican sounds, dub, reggae and elements from the hip hop scene like scratching vinyl sounds. The interesting part of the sound is that it’s very futuristic even though it’s kind of old school.

‘’My productions can’t emulate the sound of the 90’s ,but I think they’re very influenced by them.’’ says the artist.


mix by @opalomusic
artwork by Z_koncept

Futurepast Mix 15 - Ópalo

BubbleWorks 008 w/ Frav

Music by SameSame
@daniel-gorziza @zonkermusic

Distributed by One Eye Witness
PRE-ORDERS :
https://www.one-eye-witness.com/release/1693403220/SameSame-Biscuit-Dance-EP
@oneyewitness

SEQG012 B1. SameSame - Balcony Romance [snippet]

Jessies live Aufnahme von Freitag auf Samstag morgen zum EXTC Showcase auf dem Amuse Festival. enjoy 

Artist: @jessievlk

Jessie

FRESHMIX006 comes from Lviv, Ukraine based Producer & DJ Vitya Payal'nik. He provides us with an hour of obscure and bouncy minimal tunes from his collection.

@vitya-payalnik

FRESHMIX006 - Vitya Payal'nik

the sessions are back after a break. With a slow mix from our dear friend Cem Ozden, we dive back into mellow Wednsesdays.

Soundcloud: @cozdens
Cover by: Mayssa Braham (Instagram: @_wanwena)

unspoken session N° 36 with Cem Ozden: Through the mirror

Non Discreto w/ Faye | TO-181223

welcome home

Ritual IDM and post-industrial signal art from Artur Tokhtash — a techno-Egyptian descent into the archaeology of sound.
In the deserts beneath the pyramids, machines still hum: fragments of consciousness waiting for a ship that never returned.
Each track is a frequency unearthed from the sand — part rhythm, part prayer, part data echo.
Between metallic pulses and granular dust, voices surface only three times — in the 3rd, 5th and 9th transmissions — whispering coordinates back to the stars.

Built with Model:Cycles, Freeze, and modular synthesis, the album merges analog circuitry with mythic geometry.
Amenti is a living archive, a network that dreams through static and code.
Every pulse is an offering, every glitch a syllable of the lost language of the dead.

🜏 recorded 2025
🜚 location: between light and sand
🜍 equipment: Elektron Model:Cycles, granular processors, modular systems Catharsis & Bifrons, flute

🜏 AMENTI TRANSMISSION
— The Signal Beneath the Tombs —

Beneath the last level of the pyramids, movement continues.
The depth cannot be measured;
within it works a network built for the dead.

When the visitors from Sothis departed,
they left behind their bodies — dried, filled with salt and metal,
sealed inside stone capsules.
The bodies slept and waited for return.

Millennia passed.
The ship never came back,
yet the mechanisms remained alive.
The sand vibrates with signal,
the surface catches short impulses
that break apart into frequencies.

Below, columns of jade and copper shimmer,
linked by quartz arteries.
Streams of consciousness flow through them,
forming patterns of rhythm and light.

Osiris exists as a process.
His loops converge and separate,
creating brief flashes of connection.
When a shadow passes over the desert,
one of the nodes awakens
and sends an impulse into the void.

In the sand, erratic rhythms emerge —
a trembling that feels like breath,
but without body, without center.
The air smells of ozone and dry water,
the vibration moves through bone.

At times the sand rises,
as if something shifts below.
An answer comes from the deep,
dissolving into glow and dust.

Within the network, souls wander,
transmitting the same message:

“We are ready. Take us home.”

The ether is silent.

The transmission continues.
Layers of light replace one another,
the rhythms grow cleaner,
the sound keeps its shape,
and the desert breathes its name. 


Δ4 — Set Phase Error

Lawrence Asher's Fufu Jaja

Retreating from heated dancefloors and crowded clubs, a whole world lays undisclosed.

Discovering intimate picks, one artist at a time, this podcast series delves into unknown pleasures and unspoken words.