2016 - Classic Favorites

Mariage

Various Artists – The Most Relaxing Classical Album in The World....Ever!

bomb and orchestral

Classical

Freed From Desire - Gala - Steven Merlin

YouseF JoKer - Asef

Hugh Wolff leads the New England Conservatory Philharmonia and Concert Choir and the Tufts Chamber Singers in a performance of Beethoven's Symphony no 9 in D minor "Ode to Joy". Recorded live in Jordan Hall, Boston February 12, 2014/ 

Beethoven Ninth Symphony: iv. Presto – Allegro assai

Gnossienne No 3 - Erik Satie

Selections from our upcoming concert "The Mozart Requiem" on October 19 & 20. 

Requiem In D Minor, K 626 8- Sequentia Lacrimosa Dies Illa

Kelly and Tan's Wedding Ceremony
June 21, 2014
St. Timothy Catholic Church
Los Angeles, CA

Air in F, Water Music Suite No. 1 in F Major, HWV 348 No. 5 (Aria), Handel

www.facebook.com/mado.ashrafii
v1 mado
v2 k-taikoo
Title : Qissa - MaDo ft k.taiko
Artist : MaDo - kareem
Singer & Lyrics : MaDo - kareem 
Sub : sad
beat : free beat
Record : mado & k-taiko
Mix & Mastering : fat weezy records

Qessa قصة - Mado Ashraf Ft Taiko

Dragon Quest VIII - Remembrances

DQ5 - Tower Of Death

BRANDEIS ENSEMBLE SHOWCASE (OCTOBER 26, 2014)

Featuring:

The Brandeis University

EARLY MUSIC GROUP
Prof. Sarah Mead, B.A., M.A., director

CHAMBER CHOIR
Prof. Sarah Mead, B.A., M.A., director

WIND ENSEMBLE
Prof. Thomas A. Souza, B.M., M.M., conductor

JAZZ ENSEMBLE
Prof. Bob Nieske, B.M., M.M., director
Guest Musician: Prof. Neal Hampton, B.M., M.M., piano

CHAMBER ORCHESTRA
Prof. Neal Hampton, B.M., M.M., conductor

UNIVERSITY CHORUS
Prof. Neal Louis Hampton, B.M., M.M., conductor
Seunghee Lee, B.M., M.M., Ph.D., piano


BRANDEIS EARLY MUSIC GROUP

JOHANNES ECCARD (1553 – 1611)
1. Der Hellig Geist von Himmel kam – Hallelujah (à 4) – KIANA JANE KHOZEIN (alto), DANIEL WERL (tenor), SCOTT KLUGER (baritone)

JACQUET DE MANTUA (1483 – 1559)
2. Alleluia resurrexit Dominus (1538)

ECCARD
3. Der Hellig Geist von Himmel kam – Hallelujah (à 6) – KIANA JANE KHOZEIN (alto), DANIEL WERL (tenor), SCOTT KLUGER (baritone)


BRANDEIS CHAMBER CHOIR:

WILLIAM BOYCE (1711 – 1779)
4. Alleluia (Canon)

RANDALL THOMPSON (1899 – 1984)
5. Alleluia (1940)

ANONYMOUS • Arrangement: Alice Parker (1925 –)
6. Hark I hear the harps eternal


BRANDEIS WIND ENSEMBLE:

MANUEL M. CANITO (? –)
7. The Bicentennial of America March (1976)

HIROSE HAYATO (1974 –): Norman Rockwell Suite (2005)
8. II. Shuffleton’s Barbershop / III. Christmas Homecoming


BRANDEIS JAZZ ENSEMBLE:

BILLY STRAYHORN (1915 – 1967)
9. Take the “A” Train (1939)

EDVARD HAGERUP GRIEG (1843 – 1907) • Arrangement: Strayhorn
10. Peer Gynt Suite, Op. 23 (1867), Act IV – 5. Anitra’s Dance


BRANDEIS CHAMBER ORCHESTRA:

JEAN SIBELIUS (1865 – 1957)
11. Andante Festivo (1938)

JOHANN SEBASTIAN BACH (1685 – 1750):
Concerto in D-minor for Two Violins & Orchestra, BWV. 1043 (1717 – 1723)
12. I. (Vivace)


BRANDEIS UNIVERSITY CHORUS:

FRANZ JOSEPH HAYDN (1732 – 1809):
Missa in augustiis (“Lord Nelson Mass”), Hob. XXII:11 (1798)
13. V. Credo in unum Deum
14. VI. Et incarnatus est – ADINA SHAPIRO (soprano), TAMAR FORMAN-GEJROT (alto), CHARLES MADISON (tenor), STEPHEN HOFFMAN (bass)

15. VII. Et resurrexit – ELENA GLEN, soprano

Performed live at the Recital Hall of the Slosberg Music Center at Brandeis University, Sunday, October 26, 2014. Remastered by Ben Poser (@benjamin-poser).

Grieg: Peer Gynt Suite, Op. 23 (1867), Act IV – 5. Anitra’s Dance

Dragon Quest VIII OST - Over The Sorrow Symphonic Version)

Vivaldi - Concerto №1 in E major, Op 8, RV 269, La primavera (Spring) I. Allegro

Fhemt El-mbd2 - فهمت المبدأ (FT Alaa Amr)

Pavane in F-Sharp minor, Op. 50. Composed in 1887 by Gabriel Fauré

Pavane in F-Sharp Minor, Op. 50 - Gabriel Fauré

Scott McKenzie - San Francisco

Hey 👋 Making classical music is thirsty work, I could sure use a beer right now! Buy me a pint if you can! Cheers!

https://buymeacoffee.com/classical

🍺 Buy me a Beer! 🍺

Elvira Madigan, byname of Piano Concerto No. 21 in C Major, K 467,  three-movement concerto for piano and orchestra by Wolfgang Amadeus Mozart, the best known of his many piano concerti. It was completed on March 9, 1785. Its wide recognition is in large part due to the Swedish film Elvira Madigan (1967), in which its lyrical second movement was featured and from which it derives its byname.

Multi-Platinum Concept Album from IndyPop Records
https://www.kickstarter.com/projects/indypop/multi-platinum-concept-album

Retailers:

Mozart Concerto
https://music.youtube.com/playlist?list=OLAK5uy_m4VsdRl4Yv4y63CU_ArM91jVaewHDk0Us

Tidal
https://listen.tidal.com/album/53171424

Google Play
https://play.google.com/store/music/album/Mozart_Mozart_Symphonies_Sonatas_Serenades_Concert?id=Bbrfnmsqsow4thkok67d7hr7kku&hl=en

Napster
https://us.napster.com/artist/wolfgang-amadeus-mozart/album/mozart-the-essential-collection

Deezer
https://www.deezer.com/us/album/12179034

Spotify
https://open.spotify.com/album/2g0NuO4CPA2uBLjzLqioCN

Amazon
https://www.amazon.com/Mozart-Collection-Haydn-Light-Orchestra/dp/B015NQQFHC/

Orchestral samples included in this recording from the Vienna Symphonic Library.

Mozart - The Essential Collection

Piano Concerto No. 21 in C-Major, K. 467 "Elvira Madigan": II. Allegro maestoso

Audius

- اوعي الشيست

- انا فيمينيست !

 مانا برضه عاجبني الشيست !

ويا بخت حماااااده

ماله حمادة ؟؟

اكيد بيشيست 

والشيست يحب التيست 

ويحب حماده 

ــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــ
الفيمينيست اللي في مصر ,, لازم تسهر وتصحي العصر 
وتشرب قص
وتتفلحس
وتنادي حبيبها تقولة يا عرــ

ايوة مانتوا بتشتموا برضه , ومفيش فرق ما بينا وبينكوا

احلقي شنبك ؟ احلقه ليه , مانت سايبوا ليه عامل فرق بينا ليه
ـــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــ
بيضاتي الكبار لا يتحملون كثير , اليمين غلبانة والشمال كتير

خايف يفرقعوا 
am a fear 

خايف بكرة دودي اللي يعمل بادكير 

لازم تبقوا جراء يا بنات , علشان حق البنات ضايع

زي يويو عندها استعداد,, تقلع وتطرطر في الشارع

وترول في اي مكان , وتربي شنبها وتلبس كاب

وتعيش ع الدنيا كإنها عايشه في دنيا عايشه بالهزيان

وصحابها ميشو وكيشو بيقولولها احنا واقفين جنبك ,, معجبين بكلامها وبارائها , يا يويو يا علي قوة قلب

عارف مين ميشو وكيشو ؟ هات صاحبتك كده واسألها , من فترة حد دخلك قالك , نفسي اعيشلك خدامك كلبك ؟
ـــــــــــــــــــــــــ
هتتجوزها تنسي إنك تبقي رومانسي وتسهر سهرة ,, ممكن تحداك في الدقن وتتحداك في شتيمة وشخرة

اهي إسألها مالها وإسألها ليه بتسترجل في كلامها  , هتقولك , كــ ا*ك ,, هتعاملك علي إنك , مالك ومالها ؟

قول يا جو 
سيب جو علشان جو مش فاهم حاجة ,, سيبه عشان ميقلش ادبه ويتغابا 
مع دول لازم اعصابك تبقي في تلاجه

هتشوفك زيك زيها ,, تحلق دقنك هيا تخفها ,, 

عشان انت مذكر , هتشرب كاس , هتشرب هيا الازازة كلها 

مع إن ظروفها بتنزلها ,, وتأهأه من اوجاع بطنها

وبتشرب حلبة وبتسفها , والكبسولة الصفرا جنبها 
ـــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــ
إتعاملي انا راخر هتعامل ,, يالا هاتي جنانك متكامل

لو مفيش راجل بقي راجل , تعالوا فيمينيست هتمشوا حوامل 

انا واقف سندال بجدارة ,, مرضك نفسي ومرضي شطارة

لو انتي اقوي من اي حد , انا اقوي من اكوا بارك 
ـــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــ




YouseFJoKer - Feminist / يوسف جوكر

St. Cecilia Choir & Chamber Orchestra Richard J. Clark, Director
Allesandra Cionco, soprano
Marc DeMille, baritone
Timothy E. Smith Organ

Recorded Live November 20, 2015
St. Cecilia Church, Boston, Massachusetts, USA

Requiem in D minor, Op. 48, VII. In Paradisum, Gabriel Fauré

Classical Collections The Masters, Vol. 7

Brandenburg Concerto No. 2 in F major, BWV 1047 - Allegro moderato

ROCO’s annual conductorless concert featured works in which the orchestra is subdivided. Concertmaster and violin soloist Scott St. John lead the ensemble in the commissioned world premiere of Marcus Maroney’s Concerto for Orchestra (composed in the style of Bartok’s Concerto for Orchestra, which divides the orchestra into pairs), as well as Haydn’s Symphony No. 6 (characterized by multiple duets within the larger piece). The program was completed by Vaughn Williams’ Lark Ascending, featuring Scott St. John, and Bartok’s Rumanian Folk Dances. Performed February 13, 2016, at The Church of St. John the Divine, Houston, TX.

Haydn, Symphony No. 6 in D major, "Le Matin", I. Adagio - Allegro

DQ VII - Days Of Sadness (Symphonic)

Hills and Meadows from the Dragon Quest IX soundtrack by Koichi Sugiyama.  It had a wonky part in the middle that I found disruptive to the mood so I edited it out of this version.  You can surely find the original elsewhere, but I prefer this cut for background and exploration for my games.

DQ IX - Hills And Meadows (Symphonic)

That Home - Cinematic Orchestra (Extended Full Version)

Hino Kahoko - Canon in D Major by Johann Pachelbel

For more information visit: http://www.klassikakzente.de/recomposed/home 

Some works are so familiar that it is almost impossible to hear them afresh, but that is what Max Richter has achieved with Vivaldi “Recomposed”. This is no mere arrangement; instead Richter has absorbed Vivaldi’s The Four Seasons into his own musical bloodstream. At first Richter followed the example of other works in the “Recomposed” series, which re-mix existing recordings, but, he says, “I wanted to open up the score on a note-by-note level, and working with an existing recording was like digging a mineshaft through an incredibly rich seam, discovering diamonds and not being able to pull them out. That became frustrating. I wanted to get inside the score at the level of the notes and in essence re-write it, re-composing it in a literal way.”Richter calculates that, in the process, he has discarded around three-quarters of Vivaldi’s original. He opens with what he describes as “a dubby cloud which I’ve called Spring 0. It functions as a sort of prelude, setting up an electronic, ambient space for the first Spring movement to step into. I’ve used electronics in several movements, subtle, almost inaudible things to do withthe bass, but I wanted certain moments to connect to the whole electronic universe that is so much part of our musical language today.” Other resonances are no less unexpected: Richter describes part of the first movement of his Summer as “heavy music for the orchestra. It’s relentless pulsed music, which is a quality that contemporary dance music has; and perhaps I was also thinking about John Bonham’s drumming. Then, in the second movement of Autumn I asked the harpsichordist Raphael Alpermann to play in what is a rather old-fashioned way, very regularly, rather like a ticking clock. That was partly because I didn’t want the harpsichord part to be attention-seeking, but also because that style connects to various pop records from the 1970s where the harpsichord or Clavinet was featured, including various Beach Boys albums and the Beatles’ Abbey Road.” Clearly, Richter has brought his own frame of reference to the project. As he says, “Vivaldi’s music is made of regular patterns, and that connects with post-minimalism, which is one strand in the music that I write. That felt like a natural link, but even so it was surprisingly difficult to navigate my way through it. At every point I had to work out how much is Vivaldi and how much is me. It was difficult but also rewarding because the raw material is so fascinating.”Just as Richter’s Seasons plays tricks with the way we hear Vivaldi’s original, so it also asks questions of the soloist, Daniel Hope. “Violinists have Vivaldi’s The Four Seasons hardwired in their brain. Daniel is likely to play the original I don’t know how many times in a year, and for him to have my parallel text going on in another part of his brain is a challenge. I think he did a wonderful job. He brought to it a deep engagement with the original, but he was fully prepared to cut this new swathe through the text.”


Spring One - Vivaldi Recomposed - The Four Seasons

Spring 1 (2012)

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@kim-carnes-official - Bette Davis Eyes
I Love The 80s (Official Playlist)
https://soundcloud.com/cleopatra-recs/sets/ilovethe80s

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I Love The 80s

Kim Carnes - Bette Davis Eyes

Jamiroquai - Sunny (Boney M cover) - (mp3poisk.net)

A quick iPhone recording of one of my favorite Philip Glass compositions. Sorry for the mistakes!

Philip Glass - Opening (from Glassworks)

Arvo Pärt - Spiegel Im Spiegel (Mirror in Mirror)

David Guetta Feat.Cozi - Baby When The Light (Black Rose Deejays Remix)

www.facebook.com/BlackRoseElectronic

Pavane in F-Sharp Minor, Op. 50 - Gabriel Fauré

Up North Session Orch.