Mikesmith - Bass
Theo McKibbon - Drums
Chuck Coles - Conductor
Dave Brownsound - Guitar

In early 2000 I was in and out of the hospital for having too much fun. Along with many of my close friends and lovers, completely broken for the first time I graduated to a man who could write his version of a love song. During this time I found myself writing songs, poems, different perspectives on people, life, love, sexuality and how the mind and system we live in works. This was a very sad/inspiring and important time in my life that opened up a side I was afraid to exercise. 
I felt like an outcast during school and had a tough time with the education system. I was looking for a way to wave my flag. Punk rock became a big part of my life around the age of 13. I grew up listening to country, the blues, you name it. I gave it a listen and tried to understand where all these people were coming from. I never thought I was allowed to listen to black people’s music growing up or anyone of color. I thought the radio was what you had to listen to. My life and happiness improved 100% when I realized I was in control of what I want to listen to. I found it really hard (and still do) to find my place in the society we live in. By no means did I think of myself as a song writer, but more a helping hand for other musicians to reach their goal in creating music.

I was performing with Murder Culture in Toronto. Some friends of mine I kept at a distance from due to the way I was behaving. I was terrified of judgement. However, they came to see my show. Substance abuse has a funny way of turning what seems to be normal event, into an adventure, into a world of mistrust and suspicion. Mike Smith (Bass) is a friend I have in my oldest memories (my mom use to babysit him when we were growing up. I even went to pirate parties at his parents’ place.) He happened to be at this show. When I saw him, I went into, what I was told later on to be, stimulant psychosis. I could not control myself. Long story short, I ended up in my childhood town with Mike. We took a guitar down to a place where my friends and I used to throw rocks at cars on Halloween when we were kids. I played Mike some songs from what later became the project we are currently working on. He has always been someone who told me I had something to offer musically and a great friend. I didn’t get around to the songs I played him that night until 2009.Uneasy with the way I was hearing music, I felt like it was time to move on from playing other people's music and focus my energy on my own. 
My roommate at the time had a c.d. that said BB on it. I thought it was a Bad Brains CD, so I put it on. It was some of the wildest guitar I have ever heard-very intimating and clean. I found out later it was Dave Baksh (guitar and back-up vocals /true gentleman) from Sum 41. It was his new project. I put it on from time to time and loved it. Really challenging arrangements- something I'm not use to. I ended up at his place a few months later for a party. He asked me if I want to sit in on a piece of music the band was working on. ‘Of course”, I replied. I haven't had a connection like that since Murder Culture. It felt really good. Ian from Murder Culture, who is another one of my oldest friends and got me into music, had already been playing with Dave for a little while doing some percussion. He wanted to start playing reggae in Toronto- something we have done since our early 20's. He called me and said he would get me some food and drinks for playing. I said I would be there in a bit. Mike Smith and myself learned some rhythms and played for hours.  We did this for a couple weeks with different musicians. Dave was one of these musicians. I swear the second he played his first chord, we had something. It’s not worth trying to describe- I could never do it justice. Dave and I spent more time together talking about life changes he had been going through. I wanted to be there for him. I still am to this day. I have respect for someone who gives up what lots of people in music are trying to do and focuses on what is in their heart and what feels good. That was the most punk rock thing I have heard in a long time and will stand by him. I think this is where Dave and I really connected. He asked me to join his project and I jumped at the opportunity. I knew going into this, that there was something there I had to follow and learn from.

 	Theo (drums / Patrick Swazye road house) I will make this story pretty short because it’s a story within itself. As miss naked would say, ''it was just a moment of weakness". Long story short, I am no stranger to excessive behaviour. Sometimes that energy just finds like-minded people. It just so happened, Theo is one of the most talented people I know. Matt Worobec and close friend of mine had to leave the band to deal with real life, so I called Theo right away. I always wanted to play with him. I was a fan of his playing before he joined,so it has been a learning experience and has been a pleasure sharing ideas with him.


So there is a little window into Organ Thieves. I hope you enjoy the project that we are putting our lives into. We care a great deal about our instruments and want to share whatever it is we have to share. New album is coming out this year, so stay connected ..
Lots of love,
Chuck (Organ Thieves)


ALL TRACKS ARE UNDER A.FERAL'S COPYRIGHT. 
Except the song She Wolf on which i made the arrangement i sing but the original song is a song from SIA and David Guetta and I love it so much that I decided to try to make it by myself, like an exercise.

Am in complete auto-production from a to z...
Recording, writting, composing, producing, lead voice singing, chorus singing, tabla playing (indian drum), mixing, mastering all by myself. 
Am looking for managers or concert organizers because i cannot make in plus of all am doing the marketing/teasing/selling job...for those who appreciate my job, help it to become alive.
:)
ALL SONGS ARE UNDER MY COPYRIGHT (A.Feral)
Just bellow this line you have 2 icons. Click them to see my 2 VIDEO CLIP on LOVE CHARISMA song and ARSH.

I got an artistic scholarship from French Foreign Ministry from Paris to study in India the Tabla (Indian drum) and I have been emerged into Hindustan vocal. I stayed in the city of Lucknow and Calcutta (Kolkata) for 7 years.
I played Tabla 15 years but my parents both vocalists I was already into singing and composing atmosphere since childhood as well as arrangements. I felt I needed to study rhythms but always I was having the mood for singing and it was the strongest love I had...I finally came back to my origins back from India in 2004 and started to search myself by composing, trying to find a vocal colour and it took time for me to define myself in all this complicated concept. To compose, to arrange, to sing, to mix, to make the mastering all by myself and to get a coherent balance in my project all by myself has been a huge struggle. I had to forget all I learned to make a fusion in myself and spread out what I digested for years and years between western music, Indian music, jazz that I studied a bit as well and I really had a long pregnancy...lol...I had not to be too Indian in my music color, not too jazzy and not too western...I had to forget all but before erasing my memory I had to make a master of it and to keep the juice of it in a small place into myself..
Music is my life for true. I don't make it wishing to earn money, I make it because i can't breath without it, I would have died without it...and I never can understand those musicians, singers who make music for the money that comes along it. Most of the time they have short carrier. I don't have a vision of any carrier, music in my life is my carrier and if any fame comes one day, I will always keep this way of seeing the sings, it can't be another way for me. If no any fame comes and if I get old and still totally unknown I will never have to face any kind of frustrations because the main thing is to create and share EMOTION. We are in a time of sensation and my trip to India through music was an introduction to the origins of music which a long time back was sacred and which is still present in the approach of music in that country. In India a piece of music can be developed very gradually...a song can be developed for 2 hours and the main vehicle is EMOTION, not SENSATION . Here in western countries everything is FAST and based on SENSATIONS. In India they study emotions with microscopes and they take time to develop it very gradually. But there are some Artists here that have talent to share EMOTION in a short period of time. One of them, a master, Stevie Wonder, is one of my favorite artist. He knows how to offer the essential, the juice with a very efficient emotion. People, all of us, we need emotion, we are so thirsty of it, soooo muuuuch. I hope to be able to give it as much I can.

Dreamers is a metal band hailing from Toronto, Ontario, Formed on January 1st 2010 as an outlet for founding members John Bernardo and Steven Sugrim to create something random and different then they had done in the past. One of the largest challenges for any developing band is finding the right members who are passionate and committed.  And although it’s taken some time, John and Steve along with guitarist Matthew Coelho seem to have perfected the recipe with the addition of vocalist Adrian Desousa and drummer Matt Trozzi. With the new lineup Dreamers has put themselves on track to grow exponentially into something more than ever expected, and into something that feels natural and right. 

Since its inception Dreamers has gained experience in the studio working with Jon Howard of Threat Signal and Bjorn Strid of Soilwork on their 2011 release of "Shenanigans", as well as with Dave Sheldon of Exes for Eyes on the massively popular cover of Black and Yellow. On stage Dreamers has had the honour of opening for and providing direct support to some big names in the heavy music world playing with bands such as Letlive, Threat Signal, Baptized In Blood, This or The Apocalypse, Obey The Brave, and more. In 2012 Dreamers also played festivals such as Southern Ontario Metal Festival, Rock The Mill, Spring Music Festival, Canadian Music Week, and NXNE. 

The band is set to go into school house studios with Nick Ginn of Them Thieves to record in late Spring 2013. The EP will showcase the band's growth as people, entertainers and most importantly musicians. Look out for "Strictly Business" in summer 2013, along with Dreamers hitting a city near you in the very near future. With a new release, fresh faces, and an energetic live show you won’t want to miss a thing, 2013 is the year of Dreamers.


Dreamers is:
Adrian Desousa – Vocals
Steven Sugrim – Bass
John Bernardo – Guitar/Vocals
Matthew Coelho – Guitar/Vocals
Matt Trozzi – Drums 


ENDAST, translated from an Icelandic word meaning enduring, has become more than just a name for the Montreal based metal band. ENDAST has more accurately become a name synonymous with good people with a strong sense of community, bringing wicked, heavy music to people in as many places as possible.

With over 350,000 km on the road, ENDAST has toured heavily since their inception in 2004. Playing nearly 1100 shows in support of three independently released albums. “The Promise” EP [2005] and “Odds Against Tomorrow” [2006] helped make the band a staple in the Canadian metal scene. The latest full length album “Black Cloud” [2011] topped the iTunes (CA) 200 Top Metal Albums at #6, remaining charted for over 15 consecutive weeks.

2011 has proven to be a successful year for ENDAST as an independent band. They tore it up at two of Canada’s elite music festivals: HEAVY MTL & HEAVY TO, sharing the stage with metal heavyweights; KISS, Motorhead, Megadeth, Opeth, Anthrax, Children of Bodom, As I Lay Dying, DevilDriver, Lazarus A.D. & tons more.

When asked what sub-genre of metal ENDAST fits into, guitarist and band founder Chris Arsenian is quick to set critics straight. "We're a metal band, straight up. We play metal. End of story." In a scene that is quick to pigeonhole a band with career ruining suffixes like 'core', ENDAST is looking to break free of sub-genres and incorporate elements from all walks of metal into their own unique blend. Every band is the sum of their influences, and ENDAST's influences are vast in range.

With the strength and the spirit of the underground, ENDAST will roll into 2012 delivering True Canadian Metal with all the passion they’ve become known for.

DISCOGRAPHY:
“The Promise” EP [2005]
“Odds Against Tomorrow” [2006]
“Black Cloud” [2011]

MUSIC VIDEOS:
"Black Cloud"
"The Craving"

DVD:
“Where I Belong” (CD/DVD) [TBA 2012]


Download "Black Cloud” Now on iTunes Canada:
http://itunes.apple.com/ca/album/black-cloud/id445903356

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Ayo what's up its TC23, here to share my story. 
Stay tuned mixtape coming through your speakers soon
Go check out the gram @itsstc23

Contact me at maddy.simmen(at)gmail.com
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Winner Grand Prize and Lennon Award - John Lennon Songwriting Competition.
Winner International Acoustic Music Awards
Winner UK Songwriting Contest
Finalist and semi-finalist International Songwriting Competition
Finalist John Lennon Songwriting Competition

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