German-Icelandic electro-acoustic trio Minua’s new EP Simulacra explores just tuning systems and alternate temperaments. Utilising various instruments like woodwinds, a modular synthesizer, a Bavarian zither or electric bass, the trio stretch barely song-like structures to their limits; the four pieces here move with glacial grandeur, their movement barely perceptible. 

The first half of the record revolves around the element of air. The opening “Order of Instants” utilises layered woodwind instruments to create a harmonic space inspired by an 18th century temperament often used by organ tuners. “Final Service” is an ode to overtones and noise, fusing bass clarinets with modular synthesizer and processed electric bass to calming, slowly modulating effect. 

The second half of the record shifts the trio’s focus to plucked instruments, but the pieces retain their slow-moving, monolithic character. “Sixfold Wilted Rose” features a Bavarian zither, unravelling its shimmering beauty on the bedrock of drone sounds like a rose blooming in parched soil, while the closing “Ascension Point” continues in a similar mood, a droning calmness underpinning the gentle electric guitar plucks. 

Inspired by traditional musics, elements of jazz and contemporary drone, Minua have created a body of work that draws parallels between musical worlds. Simulacra is beautiful, patient music.

Released by Warm Winters Ltd. as WW012 

Fabian Willmann – woodwinds 
Kristinn Kristinsson – guitar, electronics 
Luka Aron – guitar, zither, modular synthesizer 

Tracks 1-3 written by Luka Aron 
Track 4 written by Kristinn Kristinsson 

Recorded by Daniel Nentwig at Butterama Recording Center 
Mixed by Luca Aaron and Kristinn Kristinsson 
Mastered by Rashad Becker at Clunk 
Cover artwork by Nat Marcus

Simulacra

Minua - Final Service

Shattering whispers, secrets, hideous children

Alice Kemp has a new album due to be released by Coherent States in autumn 2021.

/// UPDDATE ///  'TO ALL MY HIDEOUS CHILDREN' RELEASED JULY 2022. DIGITAL, CASSETTE, AND BLACKENED BOX EDITIONS.


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alicekemp.net
coherentstates.com

To All My Hideous Children

Grotesque III

MSBR (Molten Salt Breeder Reactor), aka Koji Tano, was one of the most respected noise artists to arise from Japan's exciting noise/experimental music scene of the 1990s. Much of his material was self-released on his own label, the astounding MSBR Records, which was dedicated to the production of limited-edition releases with incredible artwork. MSBR present a music elaborated with previously chosen source of sounds, whose origins are either naturel or artificial, with use of Korg guitar synthesizer and some effects, working in analog sounds. Oscillating between grappling electro noise (as he describes his musical style) and pure noise, the really surprising quality of the sound research leads to a tremendous kind of noise-texture. 
After his debut LP and a lathe cut seven-inch, Structured Suicide is third MSBR release and first on tape in amazing package as everything other release by artist. The long track that occupies the entire A side of the cassette and the first track of the B side of over a quarter of an hour, are filled with excellent harsh noise with strong influences of concrete and electroacoustic music, deep and calmer rumble and ambient effluence. Structured Suicide is a terrific undertaking into the wickedness of mechanized clatter as a foreboding, consuming pollution, the unrelenting and ever-building storm of machines slowly lulling the living into bleak states of masochistic artificiality. This is the classic sound of MSBR, which envelops you with its texture of noise scales, suffocating and enthralling, without an immediate impact, but which then, at its harshest, hits you with devastating force! The other two quite short tracks that close the album are less conventional and show how much the artist wants to experiment, without closing himself in a pre-packaged genre.
Vinyl comes in only 199 copies with cover that faithfully reproduces the style of original art work, with vinyl labels that replicates inlay tape card. An awesome artefact of early 1990s Japan noise music, resting at the borders of electroacoustic, Urashima’s long awaited, first ever vinyl reissue of Koji Tano’s epoch-making album, 'Structured Suicide', emerges 28 years later as a stunning testament to the importance of the creative expansion to which it belongs. Absolutely essential on every count! Link in bio.

MSBR - Dead Lock (from Structured Suicide)

Released August 26, 2021

Written by: Gábor Kovács

Mastering : Pheek

Art Work: Gábor Kovács

Új Bála - Ital - Es - Pompa

The scars soften - the silver knife melts. 
Sad-sack and cracked hearts, forever reaching the distorted harmony, 
never ceasing, beyond sight - sentimental, coarse reverie eats into euphony.

Each and all, we believe in our deities; although we may not tell, we worship in fear and in inspiration; although we may not feel it, we have our sacred places; although we may not see our idols, they are true in our dreams. Even as our prayer falls silent, these words of Voltaire will be, for us, forever true: if there were no God, it would be necessary to invent Him.

'Hedonistic Idols' is an album of six works by Volunteer Coroner, the avant-garde noise-and-ambient fusing project of artist and composer Preston Weippert. Through contrasts of harshness and fragility, the album explores truth in faith, and hope in decay.

Hedonistic Idols

Volunteer Coroner - Acts of Devotion

Volunteer Coroner - Cardinal Sin

Encrypted Voicemail w/ White Stains - 13/10/2021

OR OR - Tradilege

Composed during a whirlwind period of touring and sound engineering in 2019, ???? functions as both a tranquil refuge and as a heartfelt appreciation for the instruments highlighted. Berlin-based Bridget Ferrill crystallizes her professional recording experience and artist residencies into a singular focus on Buchla modular, harp, zither, and viola da gamba. Not merely an exercise in technical mastery, Ferrill's careful arrangements invite us to linger with each instrument; in her words, fulfilling the longing to "listen a little longer, a little slower". Every contour of the instruments is lovingly traced, a warm invite for us to join her in the exuberance of exploring their inner life.

Only

PHYSICAL COPY

ENXPL10 - BRIDGET FERRILL - A2. HARP

Nineteen Fifty

A track from my old bands E.P I wrote. I switched somethings around and made it closer to the song I had in my head. While not perfect in anyway in this rendition its better and i can live with that. Do wish i had my singer vocals on here but idk if that's possible. If you enjoy check out my other song Knife Storm and like and follow my page, got 3 more coming soon!