“TMA” – darkness, gloom, void…
As such, darkness does not exist — it is merely a lack or absence of light. Abstract phenomena such as darkness or void are here and known to us, but we can never really perceive them.
Where there is an absence of harmony, euthymia, and melody, there is plenty of space for creeping doom rumbling, industrial bustle, and black metal dissonance turning music into a rough noise mass.

Release Credits

All tracks composed and recorded by Kragrowargkomn + featured artists
@kragrowargkomn

All tracks recorded in Room420 / Bratislava / Slovakia
except track 06 ‘Hluk’ – recorded live in ‘Tinta Social’

Field recordings in tracks 01 and 05 by Murmer
www.murmerings.com

Mixing / Digital Mastering and
analog pre-master
by Kragrowargkomn && Rusty Wizzard Records
facebook.com/Rustywizzardrecords

Cover desing and photography : Elvis Fledermaus
facebook.com/michalmaros.mmphotography

urbsounds.bandcamp.com/album/tma
urbsounds.sk

Kragrowargkomn - TMA [ full album ]

NDS - STALE INAK MIX1 (1)

Lets Whip That B*tch

Samurai Music

Hradby Samoty festival set

Tercera recopilación resumida Cultro Sub Costa lanzada por el equipo industrial/noise/techno con sede en Praga Wrong sigue las dos primeras cintas Suspicion of Doubt (2017) y Times to Sin (2018) y ahora representa el período 2019-2024. Temas antiguos se encuentran con otros nuevos, nombres extranjeros se encuentran con artistas locales y los géneros chocan en esta cinta doble. 

Un lado que comienza con el nerviosismo introductorio de ensueño de Bernardino Femminielli estableciendo el tono, seguido por un febril viaje de trampa ASMR de Okitap, el maravilloso sonido de sintetizador de Oil Thief, cortes sucios de punk-electro de Kabal y HANGMAN, el pesado movimiento cibernético de la pista de baile de Swordsmith y cerrando con Vein Data y su balada electro de guitarra overdrive.

La cara B está llena de abstracción y rareza y se abre con el ambiente industrial cinematográfico de Amethyst, luego cambia las mareas hacia un territorio más rítmico con la vibra ocultista de Espectra Negra, el hipnótico drama sintetizado de baja fidelidad de Christophe Clébard, la locura rítmica jodida de Carrageenan y la melancolía ambiental de Kult Masek.

El lado C comienza con No Nation dando un poderoso golpe electrónico, seguido de un fuerte estruendo electro de JNKR, Blush Response con su techno roto, agudo y apresurado, el sucio grind de Filmmaker, Ireen Amnes con su frialdad impulsada por sintetizadores, el trancy trágico de Destruction Derby y EBM entra en trance. pista de HKKPTR.

El recopilatorio se cierra en la cara D con los dos últimos invitados: STATIQBLOOM y su monstruo techno apocalíptico y Zuzana Hakl con speed electro vertiginoso. Y aparte de ellos, el último lado pertenece al equipo Wrong: HYΛEN, Trauma, C4AT y The Undertaker’s Tapes.

Escuche exclusivamente "I Paid 1000 To Play This On Your Showcase Festival" solo en @knifearg SoundCloud

Lanzamiento el 28 de diciembre de 2024. Lea más ordene en: https://wrongtapes.bandcamp.com/album/cultro-sub-costa

Premiere: Third summary compilation Cultro Sub Costa released by Prague based industrial/noise/techno crew Wrong follows up the first two tapes Suspicion of Doubt (2017) and Occasions to Sin (2018) and now represents the 2019-2024 timeframe. Old tracks meet new ones, foreign names meet local artists and genres clash on this double tape. 

A side starting with dreamlike intro nervousness of Bernardino Femminielli setting up the tone, followed by feverish ASMR trap-trip of Okitap, Oil Thief’s groovy synth-noise, dirty punk-electro cuts of Kabal and HANGMAN, Swordsmith’s heavy cyber dancefloor mover and closing with Vein Data and his overdrive guitar electro ballad.

Side B is filled with abstraction and weirdness and opening with cinematic industrial ambient of Amethyst, then turning tides into more rhythmic territory with occult vibe of Espectra Negra, lo-fi hypnotic synth drama of Christophe Clébard, screwed rhythmic madness of Carrageenan and ambient melancholy of Kult Masek.

Side C starts by No Nation dealing power electronic blow, with following tight electro rumble of JNKR, Blush Response with his sharp and hasty broken techno, Filmmaker’s dirty grind, Ireen Amnes with her synth driven coldness, trancy tragic of Destruction Derby and EBM goes trance track by HKKPTR.

Compilation is closing on side D with last two guests: STATIQBLOOM and his apocalyptic techno monster and Zuzana Hakl with speed electro dizzyness. And apart from them last side belongs to Wrong crew: HYΛEN, Trauma, C4AT and The Undertaker’s Tapes.

Listenb exclusively “I Paid 1000 To Play This On Your Showcase Festival” only on @knifearg SoundCloud

Releases December 28, 2024. Read more order at: https://wrongtapes.bandcamp.com/album/cultro-sub-costa

Kabal - I Paid 1000 To Play This On Your Showcase Festival [Wrong]

https://www.youtube.com/watch?v=MYKVdWyIVls

Tusalava V2

Urban Jungle DJ set

among koalas

recorded in a collaboration event w/ Easterndaze x Total Black x T+U at Urban Spree Berlin(30/11/2018)

@prell23

artwork by Laura Csocsán
www.instagram.com/cs__laura/

TELEϟPORT (live)

Release Credits

All tracks composed and recorded by Kragrowargkomn + featured artists
soundcloud.com/kragrowargkomn

All tracks recorded in Room420 / Bratislava / Slovakia
except track 06 ‘Hluk’ – recorded live in ‘Tinta Social’

Field recordings in tracks 01 and 05 by Murmer
www.murmerings.com

Mixing / Digital Mastering and
analog pre-master
by Kragrowargkomn && Rusty Wizzard Records
facebook.com/Rustywizzardrecords

Cover desing and photography : Elvis Fledermaus
facebook.com/michalmaros.mmphotography

https://urbsounds.bandcamp.com/album/tma
https://urbsounds.sk

01 Kragrowargkomn - Tma [field recording by Murmer]

02 Kragrowargkomn - Ruch

03 Kragrowargkomn - Spad

04 Kragrowargkomn - Tlak [feat. El Muflono]

05 Kragrowargkomn - Hmyzy [feat. El Muflono]

06 Kragrowargkomn - Hluk [live in Tinta Social (HU) 2018]

Experimental funeral doom / industrial / drone / dark blues / blackmetal one man act using overdriven 6 string bass, synthesizers, live – recorded raw samples of drums, cymbals and metal surfaces from Bratislava / Slovakia

Urbsounds become a platform that promotes artists across the world who share the understanding that music is an inherently political force of change. We collaborate with artists who focus their attention on desolated parts of society and reflect it in a challenging way. There are scars all over this dystopian sprawl we are living in. Urbsounds is collecting the grime that oozes from the wounds, using this fluid to fuel the pressing of vinyl LPs and the coding of digital releases.

06 Kragrowargkomn - Hluk [live in Tinta Social (HU) 2018]

urbsounds [ / ]

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