Elle Smiley  commence sa carrière de DJ dans les années 90, pendant son adolescence. En 1997, elle réside entre St Étienne et  Lyon. Elle Smiley y organise ses premières « Raves » au sein du collectif Jumping Bass avec David Asko. Arrivée en 2003 à Nantes, elle fonde le Crew Déviations Sonores « DS » avec Arcène K (Marseille/Le Chapiteau) et C.H.I.C.H.I (Nantes /Illmatics/Paco Tyson), ce Crew voit officiellement le jour le 14 mai 2004 (jour de son anniversaire). Elle Smiley dirige « DS » de 2004 à 2017, en 2009 Mme Kim « la Machine » intègre le crew. Depuis novembre 2018, Elle Smiley est résidente du Bar Cocktail « Le Montecito à Nantes, elle y propose des soirées Disco et House sous le pseudo «The Soulmotion Dj ».  En 2022 son univers musicale se partage entre trois projets : « Elle Smiley » pour la Techno, « The Soulmotion Dj » pour la House le Club et la Disco, « DiscobAll Corp. » pour des des Dj set uniquement Disco période 1974 à 1984. Durant toutes ces années, Elle Smiley a partagé des scènes avec : The Hacker, Ben Sims, Kenny Larkin, Ken Ishii, Madben (Astropolis, RexClub) , Gerald Mitchell (Underground Resistance /Detroit), Octave One (UR/Detroit), Tom Hades, Marco Bailey, Citizen Kain, Angy Kore, Jennifer Cardini, Scan X, Dj Freddy (Paris/Scream), D’Jamency, Marco Asoleda et bien d’autres acteurs activistes de la scène Techno. Quand  Elle Smiley joue Techno, elle est à la fois Groove, Dure et agrémentée de Scratch pour vous faire voyager loin, loin, toujours plus loin.

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Techno & House is a subgenre of house music that mixes elements of techno with house music.
Περιγραφή
Tech house is a subgenre of house music that mixes elements of techno with house music. The term tech house developed as a shorthand record store name for a category of electronic dance music that combined musical aspects of techno, such as "rugged basslines" and "steely beats," with the harmonies and grooves of progressive house. The music originally had a clean and minimal production style that was associated with techno from Detroit and the UK. In the mid to late 1990s a scene developed in England around club nights such as Heart & Soul, and Wiggle, the latter run by Terry Francis and Nathan Cole. Other DJs and artists associated with the sound at that time included Charles Webster, Bushwacka!, Dave Angel, Herbert, Funk D'Void, Ian O'Brien, Derrick Carter, and Stacey Pullen. By late 2000 London nightclub The End, owned by the former Shamen rapper Richard West (Mr C) and Laylo Paskin, was considered the home of tech house in the UK.

Characteristics

As a mixing style, tech-house often brings together deep or minimal techno music, the soulful and jazzy end of house, some minimal techno and microhouse (especially with a soulful feel, such as Luomo’s music), and very often some dub elements. There is some overlap with progressive house, which too can contain deep, soulful, dub, and techno elements; this is especially true since the turn of the millennium, as progressive-house mixes have themselves often become deeper and sometimes more minimal. However, the typical progressive-house mix—which might integrate some funky house, trance, and even some hard techno at times—has more energy than tech-house, which tends to have a more “laid-back” feel. Tech-house fans tend to appreciate subtlety, as well as the “middle ground” that adds a “splash of color to steel techno beats” and eschews the “banging” of house music for intricate rhythms.
In contrast to most progressive house, which tends to have a progression over the course of the mix ending in an ecstatic release of energy at the end, tech-house often aims at achieving an even “groove...

Musical structure

As a musical (as opposed to a mixing) style, tech-house uses the same basic structure as house. However, elements of the house 'sound' such as realistic jazz sounds (in deep house) and booming kick drums are replaced with elements from techno such as shorter, deeper, darker and often distorted kicks, smaller, quicker hi-hats, noisier snares and more synthetic or acid sounding synth melodies from the TB-303, including raw electronic noises from distorted sawtooth and square wave oscillators.
Some producers also add soulful vocals and elements, and equally as much raw electronic sounds in their music. However, a rich techno-like kick and bassline seems to be a consistency amongst tech house music.

Electrotech

Electrotech arose in Western Europe in late 2000 as the result of mixing high-attack basses found in electroclash with general tech house structure. As such, compositions still featured simple, discernible lyrics and single-note basslines, however, the final sound had a somewhat rough, "fuzzy" attitude very commonly found in electroclash. Examples of electrotech include "All You Need" by Miss Kittin, "Keep Control" by Sono, "This World" by Slam and "I Want You" by Paris Avenue.

Deeptech

Deeptech or Deep Techhouse, is a tech house sub genre that fuses techno and the sub-genre deep house, using slower tempo, Latin percussion, soulful vocals, or vocal samples and longer note durations, which are very common in deep house, combined with drum distortion, side chaining compression, and heavy effects on vocals/samples, which are the norm in techno production. The songs or tracks in this sub-genre are known for a more relaxed groove, as opposed to tech house's upbeat feel. Artists such as Chris Coco and Miguel Migs have produced, and released Deeptech.


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My love for electronic music started more than a decade ago when my best friend introduced me to the wonderful world of musical production. It rapidly became a hobby and I have been forging my own taste and musical character ever since. Often a mixture of daring and touching melodies furnished by relatively hard techno beats, my tracks are influenced by many styles. The fact that I have lived in many places like Amsterdam, Montreal, Lyon and Berlin where electronic music has become a big phenomenon, plays a major role in this diversity.

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Estudió Programacion en Ableton Live                                                                                               Music Production en SURVIVOR RECORDS

A lover of good vibes, good people and uplifting dance music, Groovepusher is no stranger to being complimented on his DJing after a set. Learning to mix on vinyl at 17, he has refined his craft with the purpose of continuously improving and evolving it from strength to strength. Securing a residency on Phever FM granted him the platform to showcase his talent to the Irish Underground. This led to a number of event collabs and the formation of THL and Nocturnal running various events around Ireland.
Primarily a Techno DJ, Groovepusher knows how to leverage different styles to keep the vibes pumping and the crowd jumping. He believes that a genre shouldn’t be something a musician limits themselves to, because for Groovepusher it's all about creating those high vibe experiences.

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