@shuffle
@kuriosenaturale

fanlink.to/URSLCOMP006d

10 is a number that looks very nice. Fresh and friendly it says: „Hey Hello, look, now we are two“ ...the 1 and the 0. The binary base of your civilization. Somehow we got the feeling, we should honor this. Why so ever, lets just do it, because it is beautiful, beacuse our music that we record and produce is also just a binary code, transforming over and over again, from our fingers on the synths, from the mic to the mixer, from the mixer into space, back on black plastics or bluetoothing through your walls directly in your ear...and this just because there is a 1 and a 0. This is why we celebrate, to say thank you to these magic numbers. Without these two little friends we would drum our techno with bones in analog caves. Naked. Oh Wait...that sounds great...the URSL Cave Raves. Mmmmh...well we will keep you in the loop on this new project. In the meantime you can listen to some electronic music from Canson, Christian Hülshoff and Zebra Centauri.

10 years URSL - Planetary ONE

URSLCOMP006d  I  Kuriose Naturale - One

They say, “Two heads think better than one”. Combine that with a deeply rooted desire to positively influence modern psyche and you end up with something truly special.
Ykonosh are an up and coming electronic duo, comprised of life-long friends Alvaro Akira and Juan Martin del Campo. Their effort to induce a state of ecstatic peace, creativity and transcendence through their musical selection has been the true secret to their success.
Through their modern and energetic take on deep electronica, the Mexican duo have proven to possess a recipe that hypnotizes the crowd, whether that be an intimate scene at a small club or a crowded field full of happy ravers. Ykonosh has had the privilege to share the stage with many heavyweights including; Bonobo, David August, Satori, Nicola Cruz, Monolink, Blondish, Gus Gus, Viken Armen and much more.
Catch them guiding the crowd through the deep jungle of modern electronica.

Sharing/Remixing Tracks That Move Me 
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