your old skoolchum ast me t check yer tune so i did! & it's kinda cute! reminds me of suttin which escapes me forra start! but hey! don't most tunes have that fkt! grooves cheekily voices a bit smarmy the bvox r fab the chords & changes are odd as fuck no many peeps'll like it but i sorta do (ish) see what becomes of you! later, homie!

Truancy Sessions S02 E05: Lewis Lowe (@lewis-lowe)

Artwork by Lolo (@lolo-lolo-lolo-96)

Interview: https://truantsblog.com/2025/truancy-sessions…2-e05-lewis-lowe/‎

Access the download and tracklist (Confirmed added - 7 tracks out of 33 are '???') on our Patreon (patreon.com/truants). However if you need anything leave us a nice comment here with @lewis-lowe tagged and either of us will get back to you with an ID! Your support helps cover all our costs allows Truants to continue running as a non-profit and ad-free platform.

From the deep landscapes of the Scottish Highlands to the thriving bustling centre of Glasgow’s electronic music scene, Lewis Lowe’s journey in music has been one of reconnection. As co-founder behind Redstone Press, the label he co-founded with lifelong friend Ethan Harfield (aka Pseudopolis) in 2017, Lowe has steadily been carving out a space for Scottish talent within the broader spectrum of UK dance music. First bonding in primary school, the pair lost touch for several years only to reconnect as teenagers whilst partying at some free parties in the Highlands.  This rekindled friendship evolved into what is Redstone Press today, with the pair launching the label as a platform to release Ethan’s music and to champion other homegrown artists. Over the past six years, Redstone Press has continued to grow into a respected imprint, releasing a mix of muscular broken-beat techno and industrial steppers to more longform reflective club excursions. With recent releases from the likes of Tammo Hesselink, Gesture, and Tano the label has taken its forward-thinking ethos of blending intricate rhythms with raw, emotive energy to the next level.

https://truantsblog.com/

Lewis Lowe

Truancy Sessions S02 E05: Lewis Lowe

Don’t Get Mad, Get Even w/ Manuol Bone & Calan: 28th January '25

Last November, I had the pleasure of playing the second edition of Club Citrus in Tottenham's Unit 58.

This was my first time opening a club—a slot that usually allows for constructing a weirder atmosphere. That kind of freedom was something I’d always wanted to explore.

As it turned out, I ended up having a rough bout of food poisoning the night before and, despite my better judgement, felt determined to play anyway. Subconsciously, I think this energy translated into a fairly spooky and delirious set—one that begins as a soundtrack to an empty club, before slowly opening up into something more graspable as dancers gradually filed in.

It's a testament to my hosts Lucas and Henry that I managed to have such a lovely time in spite of fighting nausea my whole set. Thank you so much for inviting me to play and looking after me just the right amount :-)

So anyway, here's that opening hour. There are so many peak-time mixes out there, I figured something a little earlier in the night might scratch a different itch. 

Track list: 
Beatrice & Kassem Mosse — Pulse {The Trilogy Tapes}
Ben Oliver — Shoreham {Unreleased}
Michael Mann — Heat (Diner Scene) {Warner Bros.}
???
Paleman — Talk Louder {PLMN}
Tammo Hesselink — Lattice {Redstone Press}
Toumba — Shurooq {Hypnic Jerks}
Lurka — Density {Timedance}
Sub Basics — Roll Up {Modern Hypnosis}
Terron — Nº 17 Governing {Whities}
Dorisburg — Splade {Northern Electronics}
Radial — Asiel {Mord}
Akkord —Navigate {Houndstooth}
Wen & Parris — Collide {Tempa.}
Jesper Dahlbäck — What Is The Time, Mr. Templar? {Svek}

Club Citrus — Opening Hour (Unit 58, November '24)

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DJ Persuasion TTT mixtape

Charles Green B2B iona - 10 May 2025

We're ecstatic to present a sensational recording from a deep head, Compliments.

"Here's my two (and a bit) hour set from Field Maneuvers back in August, my favourite festival in the world.

This was by far the most time I've ever spent preparing for a single set or mix—I probably went through 10-15 crates of tracks, obsessing over flow, texture and tempo. Eventually, I landed here: an expression of love for dance music at 174/140 BPM.

After learning the recorder malfunctioned on the night, I quickly re-recorded it to ensure I reflected the flow of the night as closely as possible.


The set represents exactly what I personally wanna hear on massive sound systems right now and is a love letter to the hours danced in that field with my best friends.
Thanks for listening, I'm insanely proud of it." -- @djcompliments

subglow/Live 7: Compliments @ Field Maneuvers '25

Prophecy

Uru-Ana has been broadcast on ResonanceFM, XStream East Radio and NTS Radio.

Live shows have taken place at venues / events including the George Tavern, the Foundry, A Night with Kenneth Anger and Guests, the Shunt Vaults, the Southwark Playhouse, the Courtyard Theatre, At Home with the Ludskis, the Rio Cinema, Contentious, the King’s Head Theatre with Needless Alley Collective and Café OTO.

Featured on the Adaadat label compilation CD, Fractal Meat Cuts – Vol 1 curated by Graham Dunning, and on the CD with A Wave of Dreams by Louis Aragon, the Surrealist classic prose-poetry work published by Thin Man Press and also featuring musician, Tymon Dogg.

The main protagonists are musician / sound artist, Alex Thomas and writer / actor, Alex Walker, both based in London, UK.

Prophecy

Uru-Ana

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