GRAVITY

breakcore

kill them

i can't run anymore

3 hours of sleep

J1NABAE X YUNGLAIN - when she fell from the sky

(...) To give birth to a star


Free download in my bandcamp! : https://imizar.carrd.co

Born of a Star

food poisoning sucks
art by Vinnie Veritas 

lyrics :
imma be real idk

RunYaMouth ft. prkr blu, shober, rans0m (prod. wowkt & fumiko) [now on spotify]

maze

uuuuuuuuuuuuuuuuuuuu

<333

back to this style I guess

@perc-mob

BESIDE ME

☆ WORSHIP ON SPOTIFY: https://open.spotify.com/track/2dZX25lTnvC6pavaHW0K8b?si=b46fa712df8d48d0 ☆
☆ OFFICIAL VIDEO: https://www.youtube.com/watch?v=XpIB3J4xK6g ☆

☆ LYRICS: ☆
God please would you forgive me for all my sins
And give me strength to be strong cuz i keep giving in
I need you with me to make it through all these wicked days
To cleanse my soul and help me erase all my wicked ways
I try my best to be strong but i can't take the pain
The devils out to destroy me and take my soul in vain
I can't fight him alone i need you by my side, and with you in my heart
I know i will survive

Every night i pray for the day
I can live in a place
Where people don't hate
Where people don't rob and steal and brothas they killing each other for
Crumbs on a plate
Why do we kill why do we shed blood when we should really spread love
U know you bout fed up with the world that we do, so i just keep my head up
And pray i can stay on this earth for a little bit longer
Keeping you deep in my soul
Cuz you were the only one their when times got rough
And the world where people so cold
I know you be hearing my cries i call on you when
I feel like i can't make it thru
Hopeful that you will forgive me for all of my sins i wanna be closer to you 

God please would you forgive me for all my sins
And give me strength to be strong cuz i keep giving in
I need you with me to make it through all these wicked days
To cleanse my soul and help me erase all my wicked ways

Lord forgive me for sin
Give me the strength to be strong I'm ready to change my life
Im going through hell my brain is trapped in a cell
I'm tired of living so trife
The devil is trying to kill me
Keeping me blind to the fact that I'm doing his work
Disrespectin myself i feel the presence of evil ????

I wanna see them ????
Dont wanna be left behind how can i better my ways I'm praying for days
I can't get it out of my mind its hard to stop what I'm doing
I ain't been to church for years, I'm feelin so bad
I need to cleanse my soul my spirit is cold ?????????
Dogging women and being a pimp ain't the way i gotta change my thoughts 
No morе weed
No more poppin that x
No more takin them snawts
I wanna livе right
But i dont have the strength to be strong
I keep giving in, take me away ??????

☆ open.spotify.com/artist/3wT3SbXXtM07UH850EV4aO ☆
☆ www.instagram.com/prodigres/ ☆

☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆ /|\ ^._.^ /|\ ☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆

WORSHIP

Art generated by @xxxxzomb

via @dreamscapeee

stream

blue_pool

"MC-60 Side A"

Bonus Track from Japanese Edition of Grimes 2012 album Visions.

Grimes - Ambrosia (Visions Bonus Track)

The Crazy Doctor

You Will Never Be 13 Again.

@basilemusicsounds "No Extra Territory" EP

Out now : basile3.bandcamp.com/album/no-extra-territory-ep

Written and produced by @basilemusicsounds
Mastered by Tom Waltz
Artwork by Camille Soulat

PRDX009 - www.paradoxeclub.fr

No Extra Territory

Basile3 - Thousand Ways To Live

Haunter Records is proud to present Left My Brain @ Can Paixano (La Xampanyeria) OST. A project five years in the making, dotted by contributions from dear friends Asaël Robitaille, v1984 and Marie Davidson; it is Osborne-Lanthier’s most ambitious work to date and, in many ways, an elegiac record. Largely composed and produced in the shadow of his mother’s passing, it also contains an another sort of elegy: to a infamous Barcelona restaurant that functioned as a daily stop for Osborne-Lanthier during a stay in Catalunya. It was in the midst of  that trip that he started adding sardonic, deranged experiments to his then-overtly serious, academic work. After his mother’s passing in 2016, nostalgia drove him to revisit a body of old recordings where he discovered something new: the sarcasm, self-effacing humour and proficient technicality he’d found so funny originally was now just a mask for insecurity and sadness. He set out to rework those recordings, reprocessing them over and over until their structures completely changed, until they’d gained such texture and depth they were no longer recognizable.
 
The music’s journey construes a multi-layered story, one only he can tell. The record smacks with a wet nostalgia that soaks into the concrete dryness of Osborne-Lanthier’s sound design, maintains a taste for intensity as a tool for immersive engagement. There’s a widescreen romanticism to these compositions, reminiscent of a vivid dream: the tracks are tactile and elastic, morphing rapidly from uncanny-valley EDM tropes to vast, sweeping expanses of sincere choral synths. Osborne-Lanthier sees the album as something of a concept cemetery; an overgrown plot that slowly filled to the brim with dead ideas; a mycelial network of thoughts and plans that never came true. The fruiting body of a fungus born from the nutrients of dead plants: an opus born from trash. 
 
For all of its absurd alien beauty, this is as much a record about being a musician as it is a record about making fun of music: as much an expert-level exploration of technical chops as it is an assault on the stupidity of technicality. Beautiful film-like ambient passages flow directly into weapons-grade riffs, fluid whirlpools drain into chattering synths and shrieking frequency envelopes. Ugliness and immaturity are not only preserved but elevated. The result is Osborne-Lanthier’s most finely-honed record to date — a reflection of what it is to be human: divinely uncategorizable.

Composed between 2015 and 2020 in Montreal, New York, Paris, Berlin, Barcelona, Milan, Tokyo, Stockholm, Osaka and Shanghai by Jesse Osborne-Lanthier.
Produced in Montreal by Jesse Osborne-Lanthier.
Additional production and arrangement assistance by Asaël Robitaille.
Mastered by Heba Kadry.
Design, layout and additional art by Jesse Osborne-Lanthier.
Art installation and photographs by Adrian Altman, courtesy of the artist.

Cat. No. SPCTR015/PTTDIABL001 – All rights reserved.
℗ & © Haunter Records 2020

maze

uselet