
Squire first came to notice  supporting The Jam at their hometown concert in Surrey, July 1978. Following their first record Get Ready To Go In February 1979, Squire became leaders of the 1979 UK Mod Revival scene, along with The Purple Hearts, The Chords and Secret Affair, appearing on the legendary Mods Mayday album and joined I Spy Records releasing Walking Down The Kings Road with anthemic Its A Mod Mod world on flip side. Two more singles appeared Face Of Youth Today, and My Mind Goes Round In Circles, with guest Kirsty MacColl, before Anthony formed Hi-lo Records to take Squire forward. 
Squire / Hi-lo Records released 10 Squire Albums and Singles in the 1980's, including the psychedelic No Time Tomorrow, orchestral pop album Get Smart and power pop September Gurls to worldwide acclaim. Squire played last concert in San Francisco in 1986 whereon Anthony continued with Hi-lo Records releasing albums by San Diego's Manual Scan, Canada's Beat Direction and UK's The Jetset,
In 1990 Meynell concentrated on writing and studio work with neo folk Cartoon Mayhem and Sunshack studios, with Meynell lending production duties to eager visiting pop bands. In 1994, his first solo album Passengers On Trains was released, a combination of neo folk and pop. In 1997, a second album, the conceptual pop album Sugarplum - Blue Summer Days. debuting live in Los Angeles in 1997. 
In 1999, Squire headlined the 20th Anniversary Mods Mayday concert in London and continued to play special selected dates in Spain, Italy, Ireland, returning to California in 2008. In 2006 Anthony and Squire were honoured with the release of Get Ready To Go tribute album bringing together 20 international bands playing Squire's songs, the only Mod Revival band to be so acclaimed. Hilo Records released Squire remastered CD series in 2007. Squire continue to play selected live dates, are now recording tracks for the Girl Go By album project. Anthony is also revisiting the legendary lost Smash Album sessions for possible future release.

Who, Small Faces e Jam nel cuore, ma senza una chitarra in formazione: i Rudi sono un power trio che spazia dall' r'n'b (preferibilmente maximum, ma non solo) al mod revival e al garage-beat anni '60. L'ingrediente principale sono le tastiere di Gabriele Bernardi, a cui si aggiungono la voce e il basso del fratello Silvio e la batteria di Stefano Di Niglio, il risultato finale non è lontano da quel sound spurio che i Merton Parkas di Mick Talbot o i Prisoners, con il giovanissimo James Taylor in formazione, proponevano a inizio anni Ottanta. Il repertorio dei Rudi si divide equamente tra cover (i classici Ray Charles, Booker T & the Mg's e Brian Auger, ma anche gli anthem dei Secret Affair e dei Chords) e pezzi propri in italiano, che attingono alle influenze sopra elencate per creare un suono che, senza l'ansia della sperimentazione fine a se stessa, spinge contemporaneamente nelle direzioni della melodia e dell'energia.
Formatisi nel 2010, sono arrivati alla formazione in trio a metà del 2013: "Tre pezzi di routine" è il titolo del loro primo ep.

Es un proyecto que inicio uno de los pioneros del ska mexicano Rafael Montoya Patiño
Iniciándose en una banda llamada “almas difusas”, donde nació una inquietud para aportar algo diferente a lo que en ese tiempo se escuchaba en México (un grouge, dark, punk, rock mexicano, etc).
Rafael al tener otras inquietudes, sale de ésta banda para integrarse a lo que fue la“La Matatena” dándole un toque particular con sonidos de lo que hasta el momento son un gran éxito, tal como “Su Majestad” “Antes” “Ciervo Herido” “Grita Fuerte”, “Gusanos”, "Debe Ser” “Ste Ska”, entre otras.
Por diferencias se rompe lo que fue “La Matatena” quedando divididos. Después, tras haber dejado una huella particular en escenarios de la república mexicana parten a Europa con el bajista, saxofonista, trompetista y guitarrista de la original “Matatena” en donde Montoya enriquece su aservo musical del viejo continente siendo “La Matatena Royal Club” y regresa con más fuerza para dar un brinco a su movimiento musical, grabando un disco llamado “De la Agonia al Extasis”, sin embargo surge la separación de la banda por inquietudes personales, iniciando Montoya, lo que se llama”La Poderosa e Indestructible (Matatena) Royal Club de México”,en donde el señor Montoya convoca músicos de todo el mundo para crear un colectivo para que le de fuerza y enriquecer un movimiento en él que ha creído y dedicado su vida.
Por lo que no que da más que decir que Viva la Fiesta y el Eterno Carnaval!!!!!!!!!!!!!!!!!


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