My name is Robert Christensen and I am here in service as a Planetary Wayshower, Vibrational Alchemist, Akashic Librarian and Intuitive Guide. You may also refer to me as Babananda Kumara Melchizedek which is an aspect of my Higher Self and future Self. As a liaison between Spirit, my entire focus is dedicated to the nature of energy and how it expresses itself through the many facets of the human experience. I utilize the gifts I have received from Spirit to the best of my ability to assist Humanity through Evolution. I feel very blessed to have had the opportunity to work with hundreds of people across the World helping them to discover their greatest potential through healing and alignment with their True Divine Nature. 

 I have taught Workshops in Mount Shasta, California since 2012, while also teaching on-line webinar Courses and Workshops to people across the World. I am Certified as a Reiki Master/Practictioner, Spiritual Life Coach,  Intuitive Guide, Akashic Librarian, Animal, Plant and Crystal Communicator, Divine Blueprint Activator and a Teacher and Facilitator for On-Line and Local Workshops. I am very passionate about hosting Guided Meditations, providing Personal Sessions, inventing Alchemical Elixirs and Sprays, constructing Crystal Grids, creating digital Art, expressing Light Language, and facilitating Community Events and Gatherings.

​   I have incarnated upon Earth just as every other life form, in which to have a beautiful Life experience full of color and contrast. As a unique expression of Source here in Human form, I now live in vibrational accord to the Divine through singing my Soul Song into the great Symphony of Life. What better way to exist than by taking form through character play, acting as the Creator, thereby creating each moment so as to Experience, Explore and Expand within the Dream. I see this awareness as a marvelous gift and blessing by providing my Soul the adventure of a lifetime.

​   Passion with Purpose is now the driving force in my life, leading me further into the Magic of All That Is. Within this space it is where I have come to truly find myself, the gift of Pure Presence. A new level of appreciation continues to fill my cup each and every single day while exploring the many facets of the Earth plane through the Diamond Light.

color-code
Nicola is a fashion director who has attracted global attention by helping make Lady Gaga a top star.
In an attempt to discover a Japanese version of Lady Gaga, he held the "POP ICON PROJECT TOKYO", where three members were selected to create a unit.

The unit's artistic name, "color-code", refers to a string of characters in computer language that is used to express "colors" on web pages,
and has a meaning of being a "unit that expresses various different colors", and being a "universal unit".

Adding Nicola's "fantasy" (the extraordinary) to the three members' individual characteristics and street reality, creates a visual of "pop stars from Tokyo". 
Through this approach, they will be disseminated to the world as "artists = icons localized in various parts of the world".

辻川奈々実(Nanami Tsujikawa)
Date of birth : December 3, 1991
Hometown : Osaka prefecture
Special abilities : Dancing (JAZZ HIPHOP), cooking, putting on makeup
Hobbies : Choreography, photography, fashion

安川摩吏紗(Marisa Yasukawa)
Date of birth : January 9, 1993
Hometown : Chiba prefecture
Special abilities : Chugging (water), being normal
Hobbies : Dancing, reading, studying, painting, sleeping

森安眞子(Mako Moriyasu)
Date of birth : February 10, 1992
Hometown : Osaka prefecture
Special abilities : Dancing (JAZZ HIPHOP), giving massages
Hobbies : People-watching, delusions, watching aura colors

Sharp Colours - Alter Ego by brazilian DJ Thiago Zancaner is born with new sound and global visual identity. 
Producer, composer and consolidated musician, Sharp Colours has as a vision to unite art and color, evoking in people the feeling of happiness through music. 
Influenced by the classical beat of jazz, saxophones and trumpets and through light, fun and striking language, it transmits positive interpretations to the listener. 
Constant inspiration is drawn from artists such as Bakermat, GoldFish, Sam Feldt, Klingande and Lost Frequencies, for blending organic and electronic sounds in the so called Melodic House genre.
The sharpness of his music brings more rhythmic beats with well-defined timbres leaving his unique mark to those whom have the experience of listening to one of his productions.

Afenginn, aka composer Kim Rafael Nyberg, is one of the leading voices of Scandinavian neo-folk, known for his ambitious orchestrated works. Some would say what defines this artist are his seemingly mercurial creative impulses, as each of the 6 full-length albums have been clear departures from the last. However on closer inspection one finds Nyberg has been steadily and meticulously developing a musical language that is based on the same fundamental investigation - how to combine nearly familiar motifs with asymmetric rhythmic and harmonic developments so as to guide the listener into a dusky borderland rife with epistemological shape shifting. Common in his compositions is the use of minimalistic patterning (akin to the techniques of Philip Glass and Arvo Pärt), which fluctuate between creating a tidal propulsion and a sense of austere fragility. This is consistently contrasted against epic post-rock swells that are both sensual and disbanding. For the greater part of Nyberg’s career his albums, and the concerts that have accompanied these releases, have been through-composed. For the same reasons that Radiohead is sometimes labeled as prog, Afenginn can also be put into this camp for the way the emotional arc is designed to build across a whole performance. Themes and grooves expand across songs and the instruments are orchestrated to continuously shift roles, all which effectively pulls the audience into the band’s otherworld. Though it’s clear Nyberg’s artistic temperament is decisively independent and uncompromising, what sets his music apart from many fellow iconoclasts is a tendency for his writing to be imbued with warmth and compassion. One leaves an Afenginn concert feeling that they have feasted at the table of a most gracious host, filled by courses rich with untamable longings. 

Latest Release:
The latest Afenginn work, Opus is a chamber pop symphony in four movements, each with its own distinct color and mood, from dreamy to explosive. With an ensemble of violin, mandolin, clarinet, trombone, marimba, cello, and drums, all subtly contorted by electronic effects, Nyberg ties together his far-flung influences of nordic folk, contemporary classical, and post-rock music with ingenuity and grace, creating a fiercely imaginative piece. Primarily instrumental, each movement of Opus pivots around a near-apocalyptic text sung by Ólavur Jákupsson and written by Nyberg’s childhood friend Timo Haapaniemi in an invented language playfully based on Latin.

Recent awards:
2017: Carl Prisen 2017: "Composer of the Year - Roots"
2016: Danish Music Awards - Folk: "Composer of the Year"
2016: Danish Music Awards - Folk: "Album of the Year"
2016: Danish Music Awards - World: "Composer of the Year"
2016: Danish Music Awards - World: "Best Live Act

Furious Stylez Biography

“Furious Stylez is not just a Superstar DJ, Producer and upfront show stopper; he is an experience.” 

He is a state of mind.

He is a transporter of minds and souls to an amazing frantic paradise that, while leaving you breathless, strangely also leaves you feeling reinvigorated. 

His confident appearance is matched by his masterful control of the mixing equipment in front of him. Before each set, he always powers down the previous track and leads the packed dance floor in a show of appreciation for the out-going DJ, before kick-starting his performance into a blaze of visuals, and orchestra of special effects which extracts every quality beat of each track as he begins his show. 

To watch Mitchell DJ is a part of what makes the Furious Stylez experience. Cocky? Perhaps, but definitely not arrogant, Furious Stylez is now in control of the minds and bodies of his audience. An exact and confident body language gives a visual indication to what he is playing as he moves and grooves to each and every track. 

As for his sound, imagine every track as a partially completed canvas. Through the use of the effects on the DJ equipment, Furious Stylez adds his color, texture and feels as he maximizes every beat of every track to create the unique Furious Stylez sound. His precision mixing at incalculable speeds is part of the show; as each track mixes in you can positively feel the dance-floor going up a notch to keep up with the frantic and energetic DJ that has them all by cojones. 

Stylez’ blend of Electro, Progressive & Big Room House is like him: deliciously hard yet very accessible. So, when Stylez makes eye contact with you, even if only be for a second, you get to experience the ultimate unique sensation of him seeking your seal of approval. At that moment you have transcended being a mere audience member, into being part of what will almost certainly be the set of the night. The sheer euphoria you feel is exceptional. So then at the end, breathless, skin tingling and with a grin on your face from ear to ear, you feel as though every drop of energy has been sucked right out of you, just like those few moments after one of the best orgasms of your life. 

Accompanying Furious Stylez to a gig is quite an experience. He is mobbed upon his arrival and departure from each concert, with fans eager to speak to their idol or have their photograph taken with him. Mobile phone-cum-digital cameras are designed for such occasions as his devotees put one arm around him and pose with their hero as the other arm acts as a remote-controlled tripod for the self-portrait.

Furious Stylez is the standard that so many strive for. There are a plethora of CD compilations that he has mixed but listening to one of these is like trying to view a beautiful piece of art in a darkened room. It would be best if you saw him live to appreciate the full and overwhelming experience that is The Savior to professional nightclubs worldwide. 

You can generally tell if an event is going to be credible and worth the money if you see Furious Stylez’s name headlining the DJ line-up. It’s almost like seeing a quality assurance seal, royal crest or a five-star rating.

When you are able to weed out the wrong thought patterns, wrong habits, which are not a part of your self and allow your true self to surface to the forefront, you will automatically find that the law of attraction begins to work and you start attracting the right kind of personality into your life. When you have been able to work on your self and have been able to attract the right kind of person it your life, he or she brings a new meaning and color to your life and the possibilities of what it can do to you are endless.

https://optimusforexreview.com/the-language-of-desire-review/

Tall Firs: 21 years of saditude; Third album 'Out Of It And Into It' forthcoming

Dave Mies and Aaron Mullan have been pals since junior high school. Starting in 1990, they literally taught each other how to play guitar, wood-shedding shoulder to shoulder. The first complete tune they could ever play start to finish was the Circle Jerks' 'Beat Me Senseless'; soon afterward they took on Mississippi... John Hurt's 'Payday'. Today they continue to refine a creole guitar language that is pretty much a two-man weave between those same disparate destinations.

After high school, the boys went in different directions for a while. Aaron was an early collaborator of freeform drum hero Chris Corsano; Dave fronted Baltimore band Blue Condors backed by Emo legends Colin Seven (Universal Order of Armeggedon) and Monica DiGialleonardo (Moss Icon). The 'Firs reconnected in NYC in late 2001, where they recorded their self-titled debut. Released on Thurston Moore's Ecstatic Peace!; 'Tall Firs' was a country-smeared and stripped-down work of song writing and atmosphere that fit in somewhere between the grungy nineties and the dust bowl of the nineteen thirties. The album that followed, 'To Old To die Young' included the addition of Ryan Sawyer on the drum stool, and produced the decidedly more rock-o'-clock feel of a fully electric outfit.

In 2009 Tall Firs fell in love with another band and spent the year on a resulting collaboration called Glass Rock. The band then took most of 2010 off, while Aaron toured playing bass in Hallogallo with Michael Rother and Steve Shelley. They got back down to business in early 2011 to complete a new LP titled 'Out of It and Into it'

For 'Out of It and Into It' the fellas go back to their guitar duo origins. It's sort of like if country blues never detoured through Chicago on its way to Electric Avenue, or like two people playing Gamelan melodies on the same piano whilst narrating the end of the world in loose harmony. This one calls back to the desolate spaces and warm places introduced on their first disc, while capturing a spirit of adventure and brutal honesty not seen from these guys to date.

Over the past 10 years the Firs have shared stages with Thurston Moore, Silver Apples, Jeff Mangum, Shellac, Awesome Color, Emily Haines, Sonic Youth, Stephen Malkmus and The Jicks, Magic Markers, Kurt Vile, Celebration and a host of others.

A selection of press to impress:

"In gems like "The Breeze" and "The Woods," their duo vocals are moody, without squawking in that already dated freak-folk style; the guitars are occasionally colored by chimes, organ and brushed drums. "Go Whiskey" has the high, lonesome shiver of an old Townes Van Zandt record, except without any obvious country affectations. If your idea of staying warm on a winter night is a bottle of bourbon and a bleak memory, Tall Firs will make excellent company." Rolling Stone

"If Sonic Youth is the primordial, towering redwood forest of the indie noise-pop landscape, then underground NYC electric folk-duo the Tall Firs are the newly rising evergreens nestled at the foot of them." Harp

"[T]hese songs possess a sense of simmering tension, where lugubrious lyricism and instrumental drift do not detract from a poised delivery and a subtle but thoughtful use of contrasting shades. The acoustic-electric interplay suggests a kind of rootless, melodic modernity..." The Wire

"Tall Firs are brimming with an earnest beauty and win through, most notably on the sublime 'Go Whiskey' where the guitar sounds as though it was recorded in another, more stately century." Q

Katharyn Madelyn is following