let's go, so    (January 23)

Everybody In The Place

08 Cremation Science, For Virtual Rhythmicon

Major Tom- Peter Schilling

Permanent Record: The Very Best Of The Violent Femmes

Blister In The Sun

Art of Noise - Moments in Love

Low key live improv.

Equipment used:
Two Kaossilators, two mini Kaoss pads, a KP3 Kaoss pad, a Tom Bugs WOM synth, Chimera BC8, BC9 and BC16 synths, two Zoom PFX-9003 effects, an Eventide Modfactor, an Eventide Timefactor, a Dirty-Carter E.S.G.I synth, a portable Edirol mixer and a Zoom H2 for recording. No MIDI, keyboards, laptops or desktop computers were used.

Rhythms were generated by the two Kaossilators - going through the mini KPs, bass loops were generated by the KP3. The Chimera BC16 synth (LFO and ADSR) was voltage controlling the BC9 synth and the two Eventide stompboxes. All loop syncing and BPM matching was done on the fly using 'tap-tempo' on the Korgs and Eventides.

A photo of the recording set-up can be viewed here: http://www.flickr.com/photos/chris_carter_/4652929120/

This is part of my CCCL project.
aka: Chis Carter's Chemistry Lessons
http://chriscarterchemistrylessons.blogspot.com/


Chris Carter - 'no MIDI no keyboards'

(Who's Afraid Of) The Art Of Noise?

How To Kill

Axodry - You 1989

Out now on Beatport
https://www.beatport.com/release/adoption-ep/2382171

Widely acclaimed techno pioneer ​Nicole Moudaber ​has delivered the release of her ​'Adoption' ​EP, a two-track production on ​Nicole​'s own ​MOOD ​label which sees the dynamic producer tackle two tracks from one of the most important innovators of dance music since the 90s,​ Moby.

Offering a heavy and grinding feel on her remix of ​Moby​'s 'Mere Anarchy'​, (taken from 2018 album 'Everything was beautiful, and nothing hurt') ​Moudaber packs the mix with haunting melodies, with the subtle use of orchestral sounds adding a hypnotic feel to the release. She goes on to spin a uniquely dark and twisted rework of 'Like a Motherless child', pitching down Moby's vocals to create a deep demonic sound, with both remixes verging into a range of immersive textures.

Nicole's ​MOOD has served as a home for an array of the most ​intriguing productions of recent times since launching 5 years ago, previously hosting names such as ​Carl Craig, ​Alvaro Am, Pan-Pot, Pleasurekraft ​and ​Carl Cox​, who Nicole​ recently collaborated with for her milestone 50th release on the imprint.

MOOD057 1. Moby - Like a Motherless Child - Nicole Moudaber Remix

Nuiit

An extract of a mix of Bernard Parmegiani's Accidents - Harmoniques and Brian Eno's Ambient 1: Music for Airports 1/1.

Accidental Airports - Brian Eno/Bernard Parmegiani

Communication 87-92

Communication

leaving meaning.

Hums

ST002

My Dog Has Fleas (Pleasure Planet Atomic Dog Version)

digital bonus track only *

pre order >

https://mannequinrecords.bandcamp.com/album/mnq-128-steffe-lewry-mutate

Steffe Lewry - Mutate (Alessandro Adriani TR - 808 Edit)

for Society for Shorty New Music event 1/14-15, 2013

Pomb

‘Bioschismic’ 
“Time becomes plastic. Your experience of time morphs................And when you come out of it, on the strong days right before the next scheduled infusion, all of that time compresses into blurry waves of noise.” Xeni Jardin

Time is defined by and within the human experience yet the dominance of ‘linear’ time prevails. We are inextricably linked with time, ‘Life’ is measured in time.

Depending on particular situations our experience of time can be elusive, appear stretched, accelerated, and on occasions all too specifically in synch with defined parameters. Audio recordings, film, Internet, and photography are some of the means by which we choose to mark ‘times’. Such documentary methods signify our need to externalise particular events and also to activate memories.

‘Bioschismic’ is created solely from audio and photographic documentation of Xeni’s time spent receiving chemotherapy. The repetitive drip drip rhythm of the toxic chemicals measured in precise doses over a specific period of time provide the prospect of extending (life) time. Time is the dominant force yet the effects of the drugs change the experience of time to a space that is other worldly - a different time zone - a schism within and for life itself. 
Cosey Fanni Tutti

‘Bioschism’ - inspired and made possible by Xeni Jardin

-------------------------------------
www.coseyfannitutti.com 
www.xeni.net

Nominated by ICA  www.ica.org.uk

This work is part of ICA SOUNDWORKS - www.ica.org.uk/soundworks
http://soundcloud.com/icalondon/cosey-fanni-tutti-bioschismic

Bioschismic

David Shea - Memory lane

Kas Product - Pussy X

Various Artists
Interpretations On F.C. Judd
PUBINF010

Release Date: 20th May 2013
12 track 2 x LP (Edition of 500 pressed on white vinyl) / Download

PRE ORDER : http://publicinformation.bandcamp.com/album/interpretations-on-f-c-judd


In January 2012 we released a 35-track compendium of F.C. Judd’s music and sound, it was called Electronics Without Tears. Fast forward to Spring 2013 and we are back with Fred for a very special LP to reignite his legacy. 

For our tenth release we asked some of our favourite artists working today to submit a reinterpretation of the greatly undervalued early electronics pioneer, Frederick Charles Judd. We gave them Fred’s entire archive of sounds, tone experiments, field recordings and lectures and left it up them to produce an audio artefact befitting of Judd himself. 

The players invited: Chris Carter, Perc, Pye Corner Audio, Holly Herndon, Mordant Music, Peter Rehberg, Bandshell, Ekoplekz, The Boats, Leyland Kirby, Karen Gwyer and Ian Helliwell. 

Interpretations On F.C. Judd opens with Fred himself, welcoming us into his world before Ian Helliwell takes us into a fractured loop of radio static and gargled musique concrete. 

From here we lurch through pure tape trips (Leyland Kirby, Chris Carter) dubwise refractions (Karen Gwyer, The Boats, PCA), haunted never-zones (Ekoplekz, Mordant Music, Perc), sublime vocal deconstructions (Holly Herndon) and frightening slashes of electronic deviance (Peter Rehberg, Bandshell). 

Throughout Inspirations, Fred is never far away, reminding us how important visionaries like him stalk even the most future-bound of electronic music. 

Ian Helliwell - Solid States 
Perc - Woodford 
Chris Carter - Flip-Flop 
Holly Herndon - Control Sample 
Mordant Music - Hoarded House (reMMix Fredit) 
The Boats - Space Judder 
Pye Corner Audio - Splice Block 
Leyland Kirby - Slim Jim Wimshurst Mechanicals	
Karen Gwyer - Judd Drums 
Peter Rehberg - FJUDDmix 032013 
Bandshell - Concrete Teeth 
Ekoplekz - Fredwrek

let's go, so (January 23)

lightbeam