#minimal-wave #emotional #synthpop #indie #pop #minimal-synth #alternativerock #lo-fisyndicate

Spring songs arrived 01

From the debut Soft Metals album
Out July 19th on Captured Tracks  
LP/CD/Digital formats  www.capturedtracks.com


Psychic Driving

pre-order: http://bit.ly/1lhkzoR

Artist: Nite Fields
Title: Depersonalisation 
Label: felte
Release Date: February 3, 2015

http://felte.net/
https://www.facebook.com/nitefields
https://soundcloud.com/nitefields

Nite Fields - Prescription

From the special TONN Recordings Anniversary Release, 'TONN ONE'.

Available on TONN Recordings Bandcamp 

Mastered by Précision Studio France

TONN ONE

Contre Lui

Contre Lui - Mode in Gliany

Руки

ты грустишь

Tujiko Noriko - Kuro (OST)
Format: LP / CD / Digital
Label: PAN (ENTOPIA)
Cat.No. PAN 89
Release Date: 26 April 2019 
Pre-order album: bit.ly/2TNq3yB / bit.ly/2F3mN9Q

Written and directed by Joji Koyama and Tujiko Noriko, Kuro tells the tale of Romi, a Japanese woman living in the suburbs of Paris with her paraplegic lover Milou. Tending to Milou by day and working in a karaoke bar by night, Romi reminisces about a time she and Milou once lived together in Japan with a mysterious ailing man named Mr. Ono. Weaving together personal history, anecdotes and myths, her stories soon turn ominous.

When we first decided to ‘split’ the film into what might be described as two parallel layers — the narrated story and the visual story — we found that it opened up an ‘in-between’ space, a space where what is heard and seen continually wrestle with one another. We envisaged that the true setting of the film would emerge from this friction, as something imagined and projected by the audience. After a few screenings we were struck by how some audience members would refer to scenes or events in the film that, for us, did not take place… We both thought of the music of Kuro as a score to this space in-between.

-Joji Koyama

Composed and recorded during the editing of the film in Berlin, the Kuro OST by Tujiko Noriko (with contributions from Joji Koyama, Sam Britton and Will Worsely), is a crucial and integral part of the film, acting not only as a glue to bind the layers of the film together, but along with the sonic palette of the film’s sound design, evokes it’s claustrophobic atmospheres and moments of haunting beauty.

I tried to think of the pieces in abstract terms, like moods and atmospheres. In a way, the process was quite similar to how I usually make music, in the sense that I have images in my head. Of course in this case there were actual images and a lot of them very close to me, but I didn't want to get overly conscious about them either—I didn't want to get stuck by trying to be too specific.

-Tujiko Noriko

The music, which in the film is largely heard in tandem to the narrating voice of Tujiko Noriko (who also stars as Romi), is presented and arranged here as a separate piece in its own right.

Written and produced by Tujiko Noriko. Mixed by Sam Britton and Will Worsley at Coda to Coda, London.
The album is mastered by Rashad Becker at D&M, Berlin featuring photography by Joji Koyama and layout by Bill Kouligas and Johannes Schnatmann.

ENTOPIA is the latest offshoot series from PAN seeking to amplify and redefine our ideas of what a soundtrack can be. The series will survey critical works across the spectrum from musical composers on PAN and beyond, commissioned for the worlds of film, art, performance, installation works, theatre, dance and fashion.

@tujikonoriko
http://p-a-n.org

Kuro (OST)

Tujiko Noriko, Sam Britton, Will Worsley - Gondola Song (PAN 89)

Lifted - 2
Format: LP / Digital
Label: PAN
Cat.No. PAN 85
Release Date: 07 June 2019
Buy: bit.ly/2W0yIL6 / bit.ly/30OhkwC

PAN welcomes back the Lifted ensemble for a second cross-continental adventure off the grid, simply titled Lifted 2.

Lifted’s latest release expands on the expression of improvised fusion that brought about the spectrum of styles explored on their 2015 debut album for PAN. Expansion is a key theme to Lifted 2, primarily in the musicians involved; Lifted is now a core group of Future Times boss Max D, Matt Papich aka Co La, Jeremy Hyman and Motion Graphics. Expansion also relates to musical ideas Lifted explore and the studio techniques executed.

Whereas the way they approached the idea of improvisation on Lifted 1 was framed in jazz terms, the seven-tracks on this second LP step even further into the vivid unknown. Zero boundaries for the exploratory impulse. “On this record we went a lot deeper into our kind of studio technique,” Lifted say. “We tried to cultivate the sound using the studio as a primary tool, almost a member of the group in a way.”

As with the debut Lifted LP, listening to Lifted 2 is an open invitation to experience the worldwide creative framework surrounding these artists. The collaborators for each track, whether present in the studio or online, show what a fluid and freeform exercise Lifted can be.

Max D’s international crew of Future Timers play deft roles throughout Lifted 2. Jordan GCZ and Dawit Eklund both return for ‘Lifting’ alongside 1432r’s Sami, NYC’s Will DiMaggio and Sao Paulo’s Repetentes 2008. Beatrice Dillon and Bass Clef, two highly-decorated artists from the UK underground, make telling contributions which mark the latest in a long line of celebrated creative collaborations for the pair. Further input comes via Aya, vocalist and bassist for crucial Japanese experimentalists OOIOO, and Martin Kasey, a friend of Papich with a background in Baltimore theatre, summoned for Lifted duty to provide some striking saxophone blasts.

How do all these collaborations manifest on Lifted 2? It’s a sort of inverse process full of blind takes with the results more bruised than polished. “The song stays fluid until the end. We pile the ideas really high and then decimate them,” Lifted say. “We delete until the songs are crystallizing; lay a grid of silences to organize the tracks. The breathing spaces become definitive.”

These seven tracks adroitly weave through mood and vibe, demanding heads lock in with an initial blast of whip sharp percussive hits and contemporary no-wave blowouts before letting off steam with soothing ambient synthesis. “Black Pepper” acts as the album centerpiece, an unhinged mangle of SH101 basslines, freeform flute & saxophone and multiple percussive sources brought to order by Papich’s studio dubs. “Rose 31” edges closest to the kind of jazz fusion that inspired the project from the off, Lifted utilising the various classic instruments deployed by the greats of the game. Closer “Near Future” smartly foregrounds Motion Graphics’ stunning piano talents, gradually stripping away all other elements until all that is left are his swirling notes.

The album is mastered by Rashad Becker, featuring photography by Traianos Pakioufakis and artwork by Johannes Schnatmann & Bill Kouligas.

http://p-a-n.org

Lifted - Mirror In My Room (PAN 85)

From the forthcoming EP, download Golden Hour for a limited time only...

Golden Hour

Automelodi - Rayons De Rien

"I Want to Go" digital single b/w "I Can Help" taken from the PDA LP: http://bit.ly/14zrr6f

PDA is out 7/9 on Mexican Summer. Pre-order on LP / CD / MP3 http://bit.ly/10HPfk4

Also available on iTunes:
http://smarturl.it/PartTime_IWantToGo

and on Amazon:
http://amzn.to/19lWLt0

Part Time - I Want to Go

Stream 'Bystander' Album : https://coolsounds.fanlink.to/bystanderlp

Bystander

Stream

Cool Sounds - Netherlands

Dandy in the Underworld (Super Deluxe Edition)

Groove a Little (Trident Rough Studio Rehearsal)

Stream 'You and Me' : https://naturetv.fanlink.to/youandme

Brighton dream-pop specialists Nature TV share new cut 'Hey Man' today with Nice Guys. Straddling a line between the hazy suburbia of Real Estate and the waterside stillness of Nick Drake, the band’s latest offering sees them hone in on their ‘indie-pop’ sound, masterfully crafting a crescendo of effortlessly silky guitars and tender, dreamy vocals to perfection.

With contemplative nostalgia and a emotive soundtrack of faded relationships, uncertainty and heartbreak taking centre stage throughout their music, the rising quartet are well-placed to capitalise on last year’s acclaimed ‘Lady Luck’ EP, having become a firm favourite amongst key industry gatekeepers (DIY, Dork, The Line Of Best Fit, Clash, Gigwise), earned support across the BBC Radio 1 airwaves (Huw Stephens) and opened for the likes of Swimming Tapes, PINS as well as touring with Trudy and the Romance.

Spring songs arrived 01

lightbeam