WOW this song is so beautifully made!! 🥹 thanks so much for connecting with me 🫶🏽

Well, finally a creative and interesting soul here at SoundCloud!!!

Our joint voice against war. Against all wars! This is a very important release for me, created with the help of old friends and new acquaintances. In forced emigration. Peace to everyone and all over the world!

Ni! - composer, synyhs, woodwinds
Texter - lyric, vocal
Alex Nekrasov (Lazy Killer) - bass
Dyroplane - scratch
Andy Cool - mixed, produced

Cover by Kochneva Daria, Ni!

War Zone ( feat Texter)

I Cant Recall

track 4/8 from Head in the Clouds

it supports me a lot if you follow me here and there :)

www.notimefortapes.com

thanks so much for listening!

credits for the cover art go to my lovely wife!

Head in the Clouds

Oak Tree

Bandcamp

Weird Flex

/
All Mantra All Beginning - To Primordial Sound

excerpt from the transcript translated into English:

"Om is therefore a mantra, Amen is a mantra. And, if the world is sound, and if this sound—the world itself—is ultimately unreachable for us mortal humans on a rational level, then we need reflections, symbols, parables of the primordial sound. Not least so that we can make ourselves understood, both to ourselves and to others."

//

Primordial sound refers to the original, eternal, and unstruck cosmic vibration underlying all existence. It is often described as timeless, beginningless, and endless—a sacred universal frequency sometimes identified with the sound "Om" or "Aum." This sound is considered the source from which all creation and sounds emerge. In various spiritual traditions, like Hinduism and Taoism, primordial sound represents a foundational vibration of the universe that connects all life and existence beyond the physical realm.

Om represents not only the cosmic sound but also the very process where breath (life force) turns into sound (word), connecting spiritual energy and expression. This is why sacred traditions emphasize chanting Om as both a meditative and creative practice, harmonizing body, breath, and spirit.​

​Thus, Om is the symbolic "location" or moment where breath becomes word, merging the invisible force of life with its audible expression.

Regarding original sound concepts like "Om" or "Amen," these are seen as human attempts to replicate or invoke the primordial sound—the sound from which breath becomes word and creation arises. "Om" especially is regarded in Vedic tradition as this original cosmic vibration encompassing all sounds and existence.

//
Joachim Ernst Berendt was a visionary German music journalist, author, and producer best known for bridging the worlds of jazz and spiritual sound. His groundbreaking book, The Jazz Book, became an authoritative global reference on jazz, influencing listeners and musicians for generations. However, Berendt reached even wider audiences with his exploration of the metaphysics of sound, especially through his seminal work Nada Brahma: Die Welt ist Klang (The World Is Sound).

Crucially, Nada Brahma was not just a book: Berendt himself narrated and produced powerful audio versions of this material. Originally created as radio broadcasts, these recordings featured his narration interwoven with evocative music and soundscapes, bringing his ideas to life for listeners. Available on cassette (K7), CD, and later streaming and digital download, the audio releases—including "Die Welt ist Klang – Nada Brahma"—last several hours and are celebrated for making his philosophical vision accessible and immersive to a new generation. 

Berendt’s Nada Brahma series investigates the principle that the world is sound, blending spiritual traditions, science, and world music. His work offered listeners—and especially young audiences, thanks to these audio sessions—a profound experience of sound as the origin and essence of reality, demonstrating how attentive listening connects us to universal harmony.

The book "Nada Brahma: Die Welt ist Klang" by Joachim Ernst Berendt was first published in 1983. The original audio version was created as a two-part radio feature, first broadcast by Südwestfunk in Germany on November 28, 1981, reaching a wide audience and later leading to the publication of the book. The audio versions were subsequently released on cassette (K7) in the 1980s and later on CD and digital formats.

Joachim-Ernst Berendt (July 20, 1922 in Berlin – February 4, 2000 in Hamburg)

::
I am infinitely grateful that his work reached me on cassette tape in my youth.
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Sunday, November 9th 2025
2 pm Central European Time Zone
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All Mantra All Beginning - To Primordial Sound

DJ Rascal - Crystal Tears

He told me he would ‘love me always’ but that was a lie! This song is about freedom. About walking away when things don’t feel right. 

I have thought about this song for such a long time. I wanted to write something that wasn’t just another song, but something that gave you hope.
This is the song you play when you suddenly doubt yourself. It’s the song you play for courage to walk away from something or someone. 
It’s the song you play at night when you are alone with your thoughts, and the voice in your head casts doubt on your most difficult decision. 
Karma!

Lyrics - 

It’s only been a month
Anniversary 
Enough was enough
I set myself free

I’m calling your bluff 
I’m sure your ex would agree 
Remember you told me she was crazy 
Learning a lot about you lately 

Turns out we’ve both heard the same empty promise 
Scars in all the same places
Everyday you’d say i’ll love you always 
Everyday LYA

You said this love was for the rest of your life 
Warning signs yeah they couldn’t get any higher
I should have seen it coming in those eyes 
Set your promise on fire  
Guess that makes you a liar 


Was good while it lasted 
Said nobody ever 
One day I might come back to ya
How about never 

Still feel it in my gut 
Sure your ex would agree 
Remember you told me she was crazy 
Learning a lot about you lately 

Turns out we’ve both heard the same empty promise 
Scars in all the same places
Everyday you’d say i’ll love you always 
Everyday LYA

You said this love was for the rest of your life 
Warning signs yeah they couldn’t get any higher
I should have seen it coming in those eyes 
Set your promise on fire  
Guess that makes you a 
L.Y.A.

L.Y.A (Love you always) (Liar)

/
Go Go Claim Liberty Go


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9 Track EP
Compelled To Do - So Be It
https://soundcloud.com/fictionalive/sets/compelled-to-do-so-be-it
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.
;;

Go Go Claim Liberty Go

This recording is another from the late-morning rehearsal/jam session on 22.11.2025 at Brandt Bierhalle. It features guest guitarist, Desta Fiyori, the extraordinary Simone Lauer's bebop-infused Reggae drumming chops, and the indominable Dietrich Meier on his Fender Jazz Bass. Enjoy!

Desta Fiyori... guitar
Deitrich Meier... bass,
Simone Lauer... drums
Petra Joy Fischer... live dub

Produced and curated by Petra Joy Fischer, Simone Lauer & Jah Bozo

Die Einheimischen - "Eco-Dub Dilemma Cult Jam"

~inshin denshin~

In the hazy heart of London's underground, Kaleido existed in a perpetual swirl of vivid, mind-expanding color. Their sanctuary was a smoke-filled loft studio in an abandoned warehouse overlooking Camden Lock—a chaotic haven drenched in the heavy scent of incense, scattered with threadbare cushions soaked in spilled wine and sweat, flickering candles casting shadows on walls alive with hand-painted mandalas that seemed to pulse with hidden life.

Days blurred into nights of raw, uninhibited inspiration, fueled by acid's electric visions and the velvet surrender of psilocybin dreams. Orion Kaleido sprawled cross-legged on the floor, his notebook a portal for feverish poetry that poured out like cosmic revelations. Jasper “Drift” Vale teased shimmering, feedback-laced riffs from his electric guitar and hypnotic drones from the sitar, notes bending and twisting like lovers' bodies in ecstasy, lingering in the air as iridescent haze. Milo Brine hammered primal, throbbing rhythms on drums and shook the tambourine with feverish intensity, driving pulses that echoed the heartbeat of the collective.

This was the throbbing core of the free love revolution, and Kaleido embodied it without restraint. Their studio drew a constant flow of artists, drifters, mystics, and hungry seekers—a fluid commune where boundaries dissolved in waves of shared ecstasy. Connections formed not just through words or music, but through raw, intimate touch: tangled limbs on piled cushions, heated skin against skin, breathless explorations of desire that blurred into one another. They paused not merely to rest, but to revel in carnal recharge—passionate embraces, lingering caresses, and uninhibited group intimacies that they believed channeled pure creative energy, turning lust into sonic alchemy.

As darkness descended, Kaleido emerged into the pulsating neon underbelly of the scene. They played in dimly lit beatnik dens, hidden tea houses thick with hash smoke, and fog-shrouded basements where applause came in finger-snaps and knowing glances. Their performances were erotic rituals disguised as concerts: swirling projections dancing over nude silhouettes, incense mingling with the musk of aroused bodies, music that throbbed like a lover's heartbeat—electric guitar stumming in psychedelic rhythm, sitar weaving Eastern mysticism, drums pounding relentlessly, tambourine shimmering in hypnotic frenzy—opening doorways to altered states where inhibitions shattered and collective euphoria reigned.


Fish in the River

I like making music and gaming. Feel free to message me, I'm down to collab or make some friends.

DIscord: pianolord

I Cant Recall

Inventing Time Travel

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