You may know him as Jah Cure. Perhaps you know him by his given name, Siccaturie Alcock. But as the saying goes, “What’s in a name?” Most importantly, you must know his message. His music is at once his spirit, his all-consuming passion, and his personal declaration of a belief in a universal consciousness based on love and positivity.

Born in Hanover, Jamaica on October 11th, 1978, the global force that is Jah Cure has been a long time in the making. From as little as three years old, this child of slight build would captivate those around him with his innate musical virtuosity. As he and his love for the art grew, the young man whose voice would make any songbird green with envy would sneak out of his bedroom window late at night to visit local dancehalls and stage shows. It was here that he became immersed in the stylings of the undisputed greats: Bob Marley, Peter Tosh, Burning Spear, Beres Hammond, Marcia Griffith, Garnett Silk, Yami Bolo, Jacob Miller and Black Uhuru. A young Siccaturie knew that he would dedicate himself to achieving membership of this superlative group.

Initially using the name ‘Little Melody’, Siccaturie’s voice started to leave an indelible impression in the streets and he soon became the talk of Jamaica. At the age of fifteen, he moved to Kingston. The name Jah Cure was bestowed upon him by the world-renowned Capleton and the David House Crew. This was primarily due to the vast amount of herb he smoked in the quest for spiritual enlightenment - a daily custom of his Rastafarian religion and commitment to natural living. Using the plants of the land for medicinal purposes, the singer looked young and healthy. He was ‘well-preserved’ or ‘cured’. Jamaican music icon, Beres Hammond, subsequently took Cure under his wing and became his mentor and producer.

However, Cure’s journey would be unexpectedly interrupted when in 1998 he was stopped and arrested late one night in Montego Bay. He was charged with four crimes, all of which he vehemently denies to this day. A non-jury trial was convened (one in which a single judge decides both questions of law and fact) and unfortunately, despite a total lack of visual confirmation of his involvement in said crimes, Cure was given a 15 year sentence.Not letting this setback disrupt his dream, Cure recorded and released many #1 singles from jail. The songs "Jamaica" and "Longing For" were both local and global successes. Cure’s first album, FREE JAH’S CURE, was recorded and released in 2001. On this project, Cure conveys his gratitude for life. He believes his incarceration was Jah’s way of teaching him humility, kindness, forgiveness and love for his fellow man. Consequently, he has relinquished any resentment for those who judged him unjustly. In 2003, Beres Hammond produced Cure’s second album, GHETTO LIFE, which featured the acclaimed single Divide and Rule.

On his first day of freedom Cure publicly stated that his only remaining life goal would be to use his music as a means of spreading love, peace and healing. Since 2007, Jah Cure has topped the charts with several # 1 singles - Call on Me, featuring Phyllisia, followed by You’ll Never Find, and Unconditional Love, which quickly became the #1 reggae single worldwide. The song Like I See It, featuring Rick Ross, and the remix with dancehall king Mavado, undeniably rocked the international reggae scene.Released in 2013, the album WORLD CRY featured collaborations with the talents of Tupac, Keri Hilson, Mavado, MDMA, Rick Ross, Jazmine Sullivan, Shyne and several others. It can confidently be described as an auditory explosion that crossed and entwined the genres of reggae, hip hop, R&B, Latin and pop.

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His most recent album, THE CURE, dominated the billboard reggae charts for a phenomenal 36 weeks and was nominated for Best Reggae Album at the 2016 Grammy Awards.

AM I THE DRAMA?
Available September 19

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In a dark kitchen in the middle of a sweaty night in Las Vegas, all 6’4” of Dan Reynolds is hunched over a laptop, slapping beats on the table and crooning lyrics into a tiny microphone. Before long, he and the other three members of indie rock band Imagine Dragons would be playing “It’s Time,” that same laptop-demo-turned-supersized-anthem, from the roof of a parking garage to a wave of thousands of screaming fans. This song title to the single from their 2012 debut KidInaKorner/Interscope release “Continued Silence EP” is an all too apt descriptor of the band’s hard-earned success—but it’s also emblematic of the deep-seated anxiety Reynolds and the rest of the band experienced leaving behind any realistic expectation of a normal job to do the thing they love most.

A third-generation Las Vegas native, Reynolds is no stranger to the adage “the house always wins,” choosing to pave his musical career with a near obsessive work ethic and hundreds of unused demos rather than roll the dice with the first songs that sprung from his mouth. It’s no surprise, then, that he was drawn to guitarist Wayne Sermon, another founding member of Imagine Dragons. Having practically grown up in a recording studio and graduated Berklee College of Music, Wayne had been practicing his guitar through meals and other socially inappropriate situations as long as he could remember; he challenged Dan in a way that was both uncomfortable and exactly what they both needed. When they began writing songs together and recognized something special was happening, Wayne called up his Berklee friend Ben McKee, who promptly dropped out of school with only a few credits left, moving across the country to play bass for the band. This sort of reckless/genius behavior is typical for Ben, who has an uncanny penchant for spicy food and a suitcase full of unbelievable road stories. More recently, the band was joined by drummer Daniel Platzman, another Bostonian schoolmate who seems way too nice to be playing rock and roll until you actually see him in action.

Several tours and three self-released EPs later, Imagine Dragons had made a serious name for itself, particularly in the west coast circuit. Although their songs vary from nearly whimsical and light to brooding and powerful, listeners are drawn to the inherent honesty in the music. The only rule of thumb for the band, it seems, is to write from a true place; the result is songs that literally run the spectrum of human emotion. Attend a concert, and it becomes clear that the live performance of deeply personal songs has a real effect on people. And the band itself is not immune, as demonstrated when Dan literally passed out into the drum set during a finale song, sending cymbals and drum stands crashing while the rest of the band played on until the close.

Great songwriting is bound to be noticed eventually. As proof that the harder you work, the luckier you get, one of those people who noticed was Grammy winning producer Alex da Kid (Eminem, Rihanna). Alex and Dan began collaborating on projects, and soon the band had developed a relationship with Alex and his team. The alchemy resulting from Alex’s hip hop sensibilities and Imagine Dragons’ anthemic rock is nothing short of explosive. The byproduct of this creative collision is “Continued Silence,” a six song in-your-face sonic grenade that breaks musical boundaries and yet is strangely relatable by its improbably diverse audience.

Despite it all, on any given day when they aren’t on the road playing shows, you can still find Imagine Dragons huddled away in a rehearsal room somewhere, banging out song after song in search of the next perfect track. Like most things in Vegas, the band is angled at going big or going bust. For the sake of those who love great music, we hope it’s the former.

DO YOU STILL LOVE ME?
FEBRUARY 6TH, 2026.
10 SUMMERS RECORDS!
for all inquires: meko@10summers.co

Welcome to the future of R&B; RnBass.

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A new breath of fresh air to the sound of R&B music; RnBass simply put is modern day R&B. A hybrid genre combining R&B, Hip-Hop, Pop with other elements & moods put together. Hear the new wave as it unveils. 
- J Maine

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