i cant fuck with most these artist
most these pussys pedophiles
like how u praise up on a god 
and go and touch a fuckin child
their wack ass fans are cool with it
i think that shit is fuckin wild
your favorite artist touching kids
again he is a pedophile

these lame ass rappers fuckin with trump 
i hope they kill themselves
you lame ass bitches smokin on runts 
mines on a higher shelf
half these rappers beating on women
like ur a fucking loser
half these rappers really is bitches but that aint nothin newer

homophobic fucks admit u suck that dick
its quite okay
thinkin about some penis more than me
and i am kinda gay
i aint fuckin with no trump
that faggots pretty lame
i cant fuck with ice
i got some family that aint from the states
just some pussies with a mask 
butt buddy brigade
you a pussy 
u a bitch
i hope u die today
i bet ur wife is fuckin dudes that live right down the way
and shit shes fuckin on me too 
she sent a time and place

i cant fuck with most these artist
most these pussys pedophiles
like how u praise up on a god 
and go and touch a fuckin child
their wack ass fans are cool with it
i think that shit is fuckin wild
your favorite artist touching kids
again he is a pedophile

damn, why u losers fuck with pedophiles(x2)

i dont give no fucks about no stacks if ur a fuckin weirdo
i dont give no fucks i share my pack and stacks with all my people
youre a fuckin loser stop pushin facades that ur are evil
youre a fuckin loser theres no point to even thread the needle

theres no point to complicate my words ik im fuckin right
beefin with these streamers wtf u doin with ur life
thats a nice ass car u prolly take it back tomorrow night
why u flexin shit u renting right off fucking enterprise

i aint flexin shit
im real af 
im poor af
all my money go to pack and lifting homies up
all your money wasted on just lookin like u got that shit
like where u find that chrome and where tf u find it counterfit
u the type to rock vlone
like bitch thats now a zumiez fit
u the type to spark a blunt and put it down right off 2 hits
im the type to smoke some fatter on some dope as yola shit
crack into my fuckin batter get right back to punchin in

i cant fuck with most these artist
most these pussys pedophiles
like how u praise up on a god 
and go and touch a fuckin child
their wack ass fans are cool with it
i think that shit is fuckin wild
your favorite artist touching kids
again he is a pedophile(x4)

i just cant (prod. @yvngonce_)

bleedawaythepain prod velly bands

Las Vegas. 702. Sin City. All the monikers

My Father

Sin City

Dark Nights

​Duo for Flute and Marimba - Music by Robert Paterson
Duration 15'
Performers: Sato Moughalian, flute; Robert Paterson, marimba

Publisher: Bill Holab Music: http://www.billholabmusic.com/store/index.php?main_page=product_info&cPath=103_137&products_id=1209

For more information: https://robertpaterson.com/duo-for-flute-and-marimba-six-mallet-version

NOTE: this work is also available as a version for four-mallet marimba:
https://robertpaterson.com/duo-for-flute-and-marimba-four-mallet-version

PROGRAM NOTES
There were two particular goals I had while writing Duo for Flute and Marimba. I wanted to write a piece that was substantially longer than a usual five-minute, one-movement chamber piece, and I also wanted to write a work with a marimba part that uses six mallets for someone other than me. Ingrid, being one of my most courageous friends, offered to learn this difficult technique if I would write a piece for Kesatuan.

This duo is constructed in three contrasting movements. Although the two outer movements have more in common with each other than with the jazzy second movement, shared motives, melodic fragments, textures and rhythmic ideas permeate all three. The flutist has an opportunity to use an alto flute in the last movement, and the marimbist uses six mallets in the first movement and five mallets in the third. My general goal with this duo is to squeeze as much color, contrapuntal interplay and excitement out of this combination of instruments as possible.

The first movement, Allegro Misterioso, is meant to have a somewhat soothing quality, defined by lightly ornamented flute lines and ostinati in the marimba part. The structure of this movement is essentially a simple A, B, A’ form.

The jazz-influenced second movement, Playfully Seductive, is written for a friend I met during the summer of 1998 named Elyse, with whom my wife Victoria and I became good friends. Elyse not only has a beautiful singing voice but also happens to be a flutist. During one discussion, she told me that her father played the role of Tony in the first Broadway production of Leonard Bernstein's West Side Story. A few times, we had fun playing and singing through her West Side Story songbook. During this movement, I refer to West Side Story and also to Elyse, her bass-playing ex-boyfriend (now her husband), Victoria and even myself through thematic leitmotifs. The form of this movement is similar to the first, in that the introductory material is re-introduced near the end of the movement.

The third movement, Vivace, is similar to the first movement in that it also contains ornamented flute lines and marimba ostinati. Themes are borrowed and developed from the first two movements, and both the first and third movements contain flute cadenzas. The end of this movement provides an exciting conclusion to the entire three-movement work.

Six Mallet Marimba

Duo for Flute and Marimba - II. Playfully Seductive

“A Welcome Ghost” 

This room, empty now, 
But not before, there was much more, 

Silence now, without a sound, 
It Used to sing, more than anything, 

years have gone, and so have you, 
This place takes on a different hue, 

These memories they haunt it’s true, 
But a welcome ghost of what I knew, 

A welcome ghost of what I knew, X3
These memories I keep of you, 

This tree, where I would sit, 
Deep in thought, at all life brought, 

You found me there, and I am still, 
But new limbs have grown, since last you’ve shown, 

Years have gone, and so have you, 
The leaves they bloom a different hue, 

These memories they haunt it’s true
But a welcome ghost of what I knew, 

A welcome ghost of what I knew, x3
These memories I keep of you, 

This river, still it flows, 
And ships float on, down currents strong, 

Behind the trees, along the bank, 
The gold sun set, And I won’t forget, 

Years have gone, and so have you, 
And the sky It burns a different hue, 

These memories they haunt it’s true, 
But a welcome ghost of what I knew, 

These memories I keep of you.

A Welcome Ghost

Made this song with my newborn son. Had to put em on a song with me.

Let's Get Married

It's Hym - Let's Get Married

From the beginning till the end, there will always be lessons to learn. Be willing to go thru each and every trial/tribulation, and learn/grow from it. #SCFIRST #unsigned #upcoming #new #TeeWill

Lessons To Learn

@vinsebeats (VIN$E BEATS) 

*Beatstars Link In Bio.

Screams (Prod. By VIN$E) 65 BPM

ADRENALINE Prod. by SFP - 130 bpm *Available @beatstars*
Dm 4 info

Lessons To Learn

Tee Will