World Wise Movement has been working with upcoming and major artists for years. Has had the support of radio,magazine as well as major labels and the support of a Def Jam Records A&R. World Wise is back once again ready to put all projects on major platforms every move made will be precise and accurate.

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Im a Hip Hop producer and emcee from BC Canada, Wise Basis is my name...looking to share my work and time with other lovers of hip hop, soul, jazz and all that good ish'. If you enjoy the music your hearing, click that little follow button, thanks for taking the time, and thanks for your support!

Recorder player aged 23. I studied at Oxford University (BA 2011-2014) and the Royal College of Music, London (MMus 2014-2016) and now work as a freelance musician. I am interested in too many things: memory arts, historical improvisation, sixteenth-century Ottoman music, midwifery, sheep and agrarian revolutions... I enjoy experimenting with sounds and ideas. 
Hope you enjoy my imperfect recordings!

Jose combines knowledge from several areas like research methods, business analytics, lean, six sigma, scrum, 3D-thinking, visual facilitation, organizational and cognitive coaching, Management 3.0 and more recently the Cynefin framework to create regenerative workplaces. Jose's background and experience span from food science, human clinical nutrition, civil servant (regulator), hotel pre-opening, service quality and more recently, change management, organization development & collaboration, OHS deployment, people analytics, human capital reporting and human capital foresight. 
Jose holds a MSc. Nutrology, by the Autonomous University of Barcelona, an MBA by the Catholic University Lisbon, majoring in Marketing (Celebrity Endorsement) and, currently starting his second year at the University of Macau as a Ph.D. candidate in Gaming and Hospitality. Since 1996, Jose started working with USDA food code sanitary regulations (HACCP) implementing HACCP plans across the food industry as early as 1997 and working at big events like World EXPO 98 at Lisbon wherein he was part of the local food safety unit. Later he joined the Macao Tourism Office as a regulator with different roles and contributions to the local travel and hospitality industry. In 2002, Jose got accredited as IRCA provisional auditor for ISO22000 (Food Safety) and ISO9001 (QMS). 
More recently, in 2011, Jose joined Sands China Ltd. (1928 HK) for the pre-opening of Sands Cotai Central aligning the training plan for opening (2012). Later, Jose became the in-house Lean-Kaizen-Six Sigma coach and coordinated several initiatives across the board, reducing costs, increasing revenue and customer satisfaction by designing lean systems through value-stream improvements. Jose designed and deployed an in-house mystery shopping program as part of the efforts of operational excellence in the company. In 2017, Jose created a large scale deployment of an Occupational Health and Safety initiative engaging a community of wardens and leaders and sustained a considerable reduction in the work injuries and absence from work. Currently, Jose serves as a Director of Human Resources overseeing Human Capital Foresight. His role covers HR intelligence and organizational resilience. This role entails looking at internal and external factors that impact Human Capital, therefore, anticipating, preparing for, responding and adapting to incremental and disruptive change. We has recently awarded with the accreditation on human capital reporting under ISO 30414 guidelines. 
Jose loves sailing and loves to teach sailing to kids. He is a member of the Macao Sailing Association and founder of the Macao Water Polo Association. Together with his friends Lloyd, Ian and Olivier started a community of Openwater Swimmers in Hong Kong. His proudest achievement was to swim across the Bosphorus river from Asia to Europe in 2016. He loves to travel, experiencing life at different quadrants of the world learning about people, how they live, what they eat and drink and how it connects to their traditions and history. He regularly cooks and bakes bread to share with his friends and created the bread tasting society at Facebook. He enjoys drawing, scribing and writes poems during special occasions.

This will be a wonderful day, a great day. A day to be yourself. Happiness is tangible in the track Great Day. But then again it’s no coincidence that the 29-year old Mara Sophie chose this particular track as the title for her second album. An album full of jazzy pop songs, with the accent on pop, including the first single: a rather autocratic cover of Aerosmith’ Pink. And what’s really remarkable is Mara Sophie’s  sound: deep and jazzy.

Mara Sophie’s singing sounds so natural and relaxed, pure and flexible, that it’s easy to imagine that when she is singing in the shower, she sounds exactly the same as in Great Day. She has a voice to be proud of and it’s because of that voice she was admitted to the conservatory. She started at the classical department but found that jazz suited her much better so she switched to jazz at the Amsterdam Conservatory.

Obviously she knew she could sing and yet she experienced the years of classical training at the conservatory mainly as a struggle. “Everything I did there, was put under a magnifying glass. Why did you pick that song? Why did you interpreted it like that? What does it tell you about yourself? In music, intuition is very important and there it was not really stimulated. I knew that I had a nice voice but not what I wanted to do with it.” The switch to the jazz department was an enormous leap forward. “I experienced more autonomy than with classical singing, I felt more comfortable with jazz.” Mara Sophie could not have made a better choice, she graduated with honors. 

Even before her graduation her debut album Splendidly Imperfect was released - recorded in-house – which got her an iTunes Jazz Charts number 1. Despite the success, her natural perfectionism and the things she experienced during her studies, continued to trouble her. “I still was not completely satisfied, I could only think of the things I could have done better.” 

Then, one day, during a ride in the tramway, the moment came that Sophie afterwards marks as a turning point. “I still remember it very well. I looked outside and thought:  I want to do things differently, this doesn’t make me happy. I have to do what is right for me, separate from what others think, and to make my own choices.”
This sounds quite simple but it was exactly this decision which made that day a great day. She decided to start eating healthy and to start working out. And to say “no” for a change. To say goodbye to certain friendships. And to write her own songs. She did it, all of it. So she spent the following summer in her little music room with a notepad and her piano. “I said goodbye to the past and from that moment on, I decided how I wanted to sound and for the first time I wrote my own songs. It was really scary but I persisted.”

The first song she wrote during a big snow storm. She was sitting in her music room, not knowing what to do, outside the snow flakes kept falling. “I stared at the snow and thought: this whole process is really about letting go. And then I wrote the song Let You Out. It looks like a love song but it really is about me. I had to let go.”

Internationally renowned bass player and producer Ruud Jacobs saw the performance of Mara Sophie on the television programme Business Class hosted by Harry Mens and was much impressed by her singing talent. He got in touch with her, one thing led to another and a recording deal was signed with Wedge View Music.  

With the release of the jazzy pop album Great Day, the new approach by Mara Sophie became  a reality. Sophie, happy and proud of the result, is particularly thankful to her singing teacher Gé Titulaer: “he taught me to have confidence in myself and stimulated me to find my own sound. I was very happy when he heard this album and said: you’ve done it, Sophie!”

Even though Mara Sophie is still  young, she has ample stage experience. She was the supporting act at a performance by jazz legend Rita Reys and did backing vocals with the great Dutch singer Angela Groothuizen. She also sang  in the presence of her Royal Highness Princess Margriet of The Netherlands and Mr Pieter van Vollenhoven, in November 2010 and 2011 at the opening of the Peter Stuyvesant Ball in New York. 

This sounds all very adventurous. But her biggest adventure yet is about to start. Mara Sophie feels so much stronger, more self assured, but, above all, more authentic than ever. And this she wants to be heard through her music. The day she will share her album with the world, April 3d, 2012, will be a Great Day, no matter what.  

Biografie Nederlands

Het gaat een geweldige dag worden, a great day. Een dag om jezelf te zijn. Het geluk is voelbaar in de track Great Day. Het is dan ook geen toeval dat de 29-jarige Mara Sophie Peelen deze track koos als titel voor haar tweede cd. Een plaat vol jazzy popnummers, met de nadruk op pop, waaronder de eerste single: een eigenzinnige cover van Aerosmith’s Pink. Vooral de stem van Mara Sophie valt  direct op: diep en jazzy.

De zang van Mara Sophie doet natuurlijk aan en klinkt zo relaxt, puur en wendbaar dat het niet moeilijk voor te stellen is dat ze onder de douche precies zo zingt als op ze Great Day klinkt. Ze heeft een stem om trots op te zijn. Dankzij die stem werd zij toegelaten tot het conservatorium. Ze begon aan de klassieke opleiding, maar kwam erachter dat jazz beter bij haar paste en stapte over naar de jazzopleiding aan het Amsterdams conservatorium.
 
Ze wist dat ze kon zingen, maar heeft de klassieke opleiding als worsteling ervaren. “Bij alles wat ik zong werden vraagtekens gezet. Waarom kies je dat nummer? Waarom zing je het zo? Wat zegt dat over jou? Onbevangenheid is heel belangrijk in de muziek en dat wordt op een conservatorium niet echt gestimuleerd. Ik wist wel dat mijn stem mooi was, maar wat ik er nou mee wilde?.” De overstap naar de jazzopleiding was een enorme stap voorwaarts. “Een stuk vrijer dan klassiek, het paste beter bij me.”  Een betere keuze had Mara Sophie niet kunnen maken, getuige de 9,5 die ze kreeg voor haar eindexamen.
 
Nog voor haar afstuderen verscheen haar, in eigen beheer opgenomen, debuutalbum, Splendidly Imperfect, wat haar zelfs een iTunes Jazz Charts nummer 1 notering opleverde. Ondanks het succes, speelden haar natuurlijke drang naar perfectionisme en de ervaringen die ze had opgedaan tijdens haar studie, haar enigszins parten. “Ik was zelf eigenlijk nog steeds niet  helemaal tevreden, ik dacht alleen aan de dingen die ik beter had kunnen doen.”
 
Op een dag, tijdens een ritje in de tram, kwam het moment dat ze achteraf als keerpunt ziet. “Ik weet het nog zo goed. Ik keek naar buiten en dacht: het moet anders, hier word ik niet gelukkig van. Ik moet gaan doen wat goed voor mij is, los van wat anderen denken. Voor mezelf kiezen.”
Het klinkt simpel maar het was dit besluit dat die dag tot ‘a great day’ maakte. Ze besloot gezond te gaan eten en te gaan sporten. Ook eens nee te zeggen. Afscheid nemen van  vage vriendschappen. En haar eigen nummers te gaan schrijven. Ze deed het. Allemaal. Met als gevolg dat ze zichzelf een zomer lang opsloot in haar muziekkamer met een notitieblock en een piano. “Ik gooide alle ballast overboord. Vanaf dat moment bepaalde ik zelf hoe ik wilde klinken en maakte ik voor het eerst eigen nummers. Het was heel eng, maar ik heb doorgezet.”
 
Het eerste liedje schreef ze tijdens een hevige sneeuwbui. Ze zat in haar muziekkamertje, met de handen in het haar, buiten bleven de sneeuwvlokken vallen. “Ik staarde naar de sneeuw en dacht: het hele proces gaat eigenlijk over loslaten. Toen schreef ik Let You Out. Het lijkt een liefdesliedje, maar het gaat over mij. Ik moest  durven loslaten.” 
 
De internationaal vermaarde contrabassist en producer Ruud Jacobs zag het optreden van Mara Sophie op tv tijdens een uitzending van het programma Business Class van Harry Mens en was zeer onder de indruk van haar zangtalent. Hij nam contact met haar op, wat leidde tot  een platencontract  bij het label Wedgeview Music.
 
Met de release van het jazzy popalbum Great Day wordt de nieuwe weg die Mara Sophie is ingeslagen een feit. Sophie, trots en gelukkig met het resultaat, is met name haar docent Gé Titulaer dankbaar. “Hij leerde me op mezelf te vertrouwen en stimuleerde me mijn eigen stem te zoeken. Ik was dan ook heel erg blij toen hij dit album hoorde en zei: het is je gelukt Sophie.”
 
Ook al is Mara Sophie nog jong, ze heeft al ruime podiumervaring. Zo stond ze in het voorprogramma van jazzlegende Rita Reys en verzorgde zij backing vocals voor Angela Groothuizen. Ook zong ze in aanwezigheid van prinses Margriet en Pieter van Vollenhoven, in november 2010 en 2011   bij de opening van het Peter Stuyvesant Ball in New York.
 
Allemaal zeer avontuurlijk. Maar het grootste avontuur begint nu. Mara Sophie voelt zich sterker,  zelfverzekerder maar vooral authentieker dan ooit. En dat wil ze laten horen. En de dag dat ze haar muziek gaat delen met de wereld, 3 april 2012, wordt hoe dan ook een ‘great day’. 

Simon Cummings is a composer, writer and conductor based in the Cotswolds, in south west England. He composes instrumental and electronic music, both of which exist at the meeting point between emotionally potent extra-musical concerns and highly intricate algorithmic processes. These processes are rooted in carefully-defined behaviours and processes, the music emerging from stochastic relationships in which these behaviours are juxtaposed and intermingle. His work has received notable performances; Bromsgrove’s ‘Mixing Music’ Festival has twice featured his music, with acclaimed first performances of lent for solo clarinet and Orbus. (Fragment), the latter premièred by the Smith Quartet and broadcast on BBC Radio 3. His solo cello work, gravest one, won the SPNM/Huddersfield Festival composing competition in 2002, and was performed there by Arne Deforce. In recent years Cummings has composed works for a variety of soloists and ensembles, including Christopher Redgate, the Curious Chamber Players, BCMG, Thallein Ensemble, Icarus vocal ensemble and Thumb, and several of his works were featured in the 2014-15 Diva Contemporary concert series. Cummings’ electronic music draws liberally on noise and pitched material, also incorporating elements of an ambient persuasion. Several CDs of his electronic music have been released, including Dither • Pother • Roil, Simulated Music and Triptych, May/July 2009, in addition to a number of digital downloads.

Cummings’ composition studies began at Coventry Centre for the Performing Arts, with Christopher Best. After this, he studied composition, conducting and organ at the Birmingham Conservatoire, and directed their contemporary music group, Thallein Ensemble. Upon graduation he was awarded the Creative Studies prize. Aided by a substantial grant from The Countess of Munster Musical Trust, Cummings undertook the Sonology and Masters degree programmes at the Royal Conservatory in The Hague, at the same time studying privately with Richard Barrett in Amsterdam. He is currently pursuing a PhD in composition at the Birmingham Conservatoire under the supervision of Howard Skempton. The primary focus of his research is the development of extended algorithmic and stochastic techniques, presently directed towards a group of works for orchestra. He is also engaged in an ongoing series of electronic studies, exploring audible processes and the time/pitch organisation of music from an entirely visual perspective.

Cummings is an accomplished writer about new music; he is the author of the contemporary music blog 5:4, and is a contributor to a number of print and web journals, including Opera, Bachtrack, Pan (journal of the British Flute Society), Mexican arts magazine La Tempestad and Fluid Radio. Most recently, he has written an introduction to Marko Ciciliani's book/audio DVD Pop Wall Alphabet and a major retrospective essay for the ebook Imperfect Forms: the Music of Kenneth Kirschner, published by Tokafi in late 2014. As founder and artistic director of the ensemble Interrobang, Cummings has directed numerous new works; these include the UK premières of Paul Dolden's The Heart Tears Itself Apart with the Power of its own Muscle, Ryoji Ikeda's op. 1 and Chiyoko Szlavnics' (a)long lines; we'll draw our own lines, alongside works by, among others, Kenneth Hesketh, Galina Ustvolskaya, Sorabji and Stockhausen, as well as student compositions.

We are Young and Wise. Singer Hannah van Noort and guitarist Shaun Murray came together and created this acoustic album. Thanks for all your support.

Bookings & Management: Liam Peete, faceoff@outlook.it 

Mark Wise is a techno producer and DJ from New Jersey. He grew up listening to grunge, metal, and classic rock, and started playing the drums in middle school. His taste for electronic music began in his late teens and blossomed through his college years when he began DJ’ing and then started producing during graduate school. Mark officially entered the techno scene in 2017, and over the next few years, he developed a unique sound blending elements of different styles like minimal, progressive, house, and trance. This hybrid approach eventually led Mark to develop his signature sound - heavy metal techno, fusing the musical loves of his past and present in a unique way. With tracks that have been supported by names like Carl Cox, Nakadia, Fjaak, Juliet Fox, Brennen Grey, Cosmic Boys, Cristian Varela, Spartaque, Ilario Alicante, T78, Vikthor, Anna Reusch, Mosher, Sebastian Mora, and Horatio, Mark Wise has forged a unique techno sound that will make him a force for years to come.

"Dedicationz" is dedicated to all the people for posting and publishing their feelings to others. World is full of feelings from love to friendship, from happy to sad, from good to bad, … Okay, let me think of possible feelings:

OPEN
HAPPY
ALIVE
GOOD
understanding
great
playful
calm
confident
gay
courageous
peaceful
reliable
joyous
energetic
at ease
easy
lucky
liberated
comfortable
amazed
fortunate
optimistic
pleased
free
delighted
provocative
encouraged
sympathetic
overjoyed
impulsive
clever
interested
gleeful
free
surprised
satisfied
thankful
frisky
content
receptive
important
animated
quiet
accepting
festive
spirited
certain
kind
ecstatic	
thrilled
relaxed
satisfied	
wonderful
serene
glad
free and easy
cheerful	
bright
sunny
blessed
merry
reassured
elated
jubilant
LOVE
INTERESTED
POSITIVE
STRONG
loving
concerned
eager
impulsive
considerate
affected
keen
free
affectionate
fascinated
earnest
sure
sensitive
intrigued
intent
certain
tender
absorbed
anxious
rebellious
devoted
inquisitive
inspired
unique
attracted
nosy
determined
dynamic
passionate
snoopy
excited
tenacious
admiration
engrossed
enthusiastic
hardy
warm
curious
bold
secure
touched
brave
sympathy
daring
close
challenged
loved
optimistic
comforted
re-enforced
drawn toward
confident
hopeful
Difficult/Unpleasant Feelings
ANGRY
DEPRESSED
CONFUSED
HELPLESS
irritated
lousy
upset
incapable
enraged
disappointed
doubtful
alone
hostile
discouraged
uncertain
paralyzed
insulting
ashamed
indecisive
fatigued
sore
powerless
perplexed
useless
annoyed
diminished
embarrassed
inferior
upset
guilty
hesitant
vulnerable
hateful
dissatisfied
shy
empty
unpleasant
miserable
stupefied
forced
offensive
detestable
disillusioned
hesitant
bitter
repugnant
unbelieving
despair
aggressive
despicable
skeptical
frustrated
resentful
disgusting
distrustful
distressed
inflamed
abominable
misgiving
woeful
provoked
terrible
lost
pathetic
incensed
in despair
unsure
tragic
infuriated
sulky
uneasy
in a stew
cross
bad
pessimistic
dominated
worked up
a sense of loss
tense
boiling
fuming
indignant
INDIFFERENT
AFRAID
HURT
SAD
insensitive
fearful
crushed
tearful
dull
terrified
tormented
sorrowful
nonchalant
suspicious
deprived
pained
neutral
anxious
pained
grief
reserved
alarmed
tortured
anguish
weary
panic
dejected
desolate
bored
nervous
rejected
desperate
preoccupied
scared
injured
pessimistic
cold
worried
offended
unhappy
disinterested
frightened
afflicted
lonely
lifeless
timid
aching
grieved
shaky
victimized
mournful
restless
heartbroken
dismayed
doubtful
agonized
threatened
appalled
cowardly
humiliated
quaking
wronged
menaced
alienated
wary

Richard Noa is following