contact: otismacmusic@gmail.com

The sounds of Shuggie Otis and Michael McDonald inspired a man to write a song. A couple of Mondays later, that song inspired an Identity. The name is Otis McDonald. The mission? Good Music. 

From the mind and ears of producer/multi-instrumentalist, Joe Bagale, comes a sound that is fresh but tangibly rooted in nostalgia. When taking a listen, one may recall the soul of the 60s or the funk of the 70s. Or perhaps it’s pop radio from the 80s or the boom bap beats of the late 90s. What ever it may be, Otis McDonald is the sound of an artist who manifests a lesson in versatility and growing perspective.

The production can be dense at times, yet through it’s syncopated rhythms and unexpected harmony, Bagale is able to find the space that counts. Starting out as a studio experiment, Otis McDonald was developed over a 3 month period which found Bagale writing short snippets of music, playing all of the instruments, sampling those snippets, playing more instruments and and eventually creating entirely new songs. 

Musically it’s both playful and emotive, while giving listeners a sense of optimism and joy. Just because it’s rooted in the blues, doesn’t mean it has to have the blues. There are beats that’ll make you wanna sweat on the dance floor. A thumpin’ bass that inspires folks to make love. Synths, guitars and horns that’ll cut through to your core, and a voice that reminds us all what it’s like to be human. 

In 2015, Bagale put out 30 tracks for free, under the name Otis McDonald. Released as copyright free music, exclusively through the YouTube audio library, these tracks have been downloaded over 5 million times, streamed over 10 million times and already have appeared in thousands of youtube creators’ videos. Take a second and search Otis McDonald on YouTube and you’ll find pages upon pages of videos featuring these songs. This being a very unusual way to release music, it may be the best music nobody has ever heard. Funny how the business works. As of 2016, Bagale has formed the Otis McDonald live experience, featuring some of San Francisco and Oakland’s finest players. He’s recorded new music, soon to be released for sale and for streaming, and at least 10 new free tracks for the YouTube audio library, due out later this year.

Combining the skills of a musician, with the power of both old and new technology, the sound of Otis McDonald was born, reminding us that music is a universal language that will always have a past and always have a future. 

Perfect Place (stream EP)
→ https://superdream.bfan.link/perfect-place

Label @sanshuiledepalme

Contacts
 
For Management Enquiries:
Aude Malhere
aude@nowadaysrecords.com

For Booking Enquiries : 
Vincent Cron
vincent@bleucitron.net

Bio 
Fakear's electronic collages are inspired by influences as divergent but inspiring as the post-dubstep scene in London, and the films of Miyazaki. 
Having established a fervent fanbase in his native France, Fakear has gifted his globally-tuned dance music to an even larger audience after dates supporting Bonobo and ODESZA across the US and Canada. He’s made waves in the UK as well, garnering deserved notice from a consistently attention-catching figure herself—M.I.A.— who tapped the young phenom to produce tracks on her latest record and asked him to perform at her Meltdown Festival in London. His last record "Talisman" sees him tap in his old influences, but with the experience and techniques of his 10ish years experience in music producing.

“oOo (that’s my type)” and “omg” out now

MGMT: 
af@loyaltmgmt.com

BOOKING:
N/S America, Asia, Australia: 
mmarquis@paradigmagency.com
max@amonly.com 

UK/Europe:
nick@codaagency.com 

Act One, the debut full-length from songwriting duo Marian Hill, was written and produced in its entirety by Jeremy Lloyd (music/lyrics/production) and Samantha Gongol (music/lyrics/vocals). The multi-talented duo, who have been collaborating in one form or another since high school, have shifted the classic paradigm of a woman on a stage and a man with a piano to a woman on a mic and a man with a laptop -- and the results are seductive and vivid. Tempting paradox with a blend of blues and bass, acoustic and digital, classic and modern, Marian Hill have arrived.

Two years ago Sam and Jeremy wrote and recorded “Whisky” over spring break in Jeremy’s parents’ basement. When they released it for free on Soundcloud later that summer it was the only song they’d written for the project, and in a little over a year’s time they had recorded their first EP in a bedroom, amassed millions of plays on various platforms, sold out shows across the country and featured in high profile commercials. They signed to Republic Records in early 2015, released the Sway EP, and settled in to write and record their debut album over the course of the following year with a plan to push their unique sound to its fullest potential.

For the first 50 seconds of “Down” you might think you’re at a supper club in the 1920s, but when the bass drops out of nowhere you couldn’t be anywhere but 2016. Act One then takes you on a journey through the complexities of modern relationships, with each song inhabiting a specific and charged relationship lyrically, melodically, and sonically. “I Know Why” constantly transforms and reinvents itself as the vocals grapple with a secret while “Mistaken” is the hardest of sax trap with a classic songwriting backbone. “Same Thing” is the saddest part of the album, a haunting ballad depicting serene resignation of a doomed relationship, but castanets rise from the ashes as “I Want You” closes out the night in a pure moment of optimistic electricity, a glance across a crowded room that changes everything.

Marian Hill’s one of a kind sound is present throughout — blues harmonies blend with sparse hip hop drums, horns blast under classic vocal melodies, and soloistic vocal chops sit side by side with clear, intimate lyrics. You’ve never heard this before, yet it’s surprisingly familiar. And it’s only the beginning.

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