Recorded with Loopy Pro. Additional FX and Mastering with Reaper

More on this 548th weekly Disquiet Junto project — Drone Vox (The Assignment: Make a drone using just your voice) — at: https://disquiet.com/0548/

More on the Disquiet Junto at: https://disquiet.com/junto/

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Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0548-drone-vox/

RP Vox Drone disquiet0548

This is my submission to the Disquiet Junto 549 and the assignment was "Get intentional with stereo". Usually I make a habit of putting all voices in my pieces purposefully on a position in the stereo spectrum or let them move around in a useful way. For this assignment I took this to a higher level. The kick and the snare are jumping from side to side. The hihat is happily hopping around. The bass just wobbles a bit. There are two melodies in which the stereoposition is connected to the pitch. There is a low melody on the left and a high melody on the right and they meet somewhere in the center.
More on this 549th weekly Disquiet Junto project — Sidelines (The Assignment: Get intentional with stereo) — at: https://disquiet.com/0549/

More on the Disquiet Junto at: https://disquiet.com/junto/

Subscribe to project announcements here: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0549-sidelines/

Everything's moving

Everything's Moving (disquiet0549)

Thinking about stereo...

More on this 549th weekly Disquiet Junto project — Sidelines (The Assignment: Get intentional with stereo) — at: https://disquiet.com/0549/

More on the Disquiet Junto at: https://disquiet.com/junto/

Subscribe to project announcements here: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0549-sidelines/

call and response [disquiet0549]

Starting with a bouncing table tennis ball and adding percussion, arpeggio and a very distorted bass, all the while messing with the stereo field with modulation (both Ableton native LFOs and CableGuys' ShaperBox).
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More on this 549th weekly Disquiet Junto project – Sidelines (The Assignment: Get intentional with stereo) – at: https://disquiet.com/0549/ 1

More on the Disquiet Junto at: https://disquiet.com/junto/

Subscribe to project announcements here: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0549-sidelines/

bounce (disquiet0549)

There was an incident at Suss Müsik headquarters this past week. During the overnight hours, a bird appeared to have met its abrupt demise as the result of an encounter with another animal—a cat or raccoon, perhaps. Nature is cruel and often mysterious. “[It is] in the womb of nature,” wrote the artist Paul Klee, “at the source of creation, where the secret key to all lies guarded.”

Dunno about that … but whatever took place, Suss Müsik’s porch was the stage for an ornithological unvermittelt featuring a random arrangement of blood, feathers, and at least one disembodied talon. Darwin might have described the scene as one species demonstrating “injurious variations” over another; in other words, natural selection at work. For Suss Müsik, it was an unexpected opportunity to test the garden hose’s pressure-jet feature.

(Apologies to squeamish readers. There’s no way to describe this creative process without a few gory details).

For this week’s project, Suss Müsik began with a photograph of the debris described above. The image was rendered for high-contrast in order to isolate the lines of the porch floor and placement of organic matter. The blood splatters comprised a basic three-part chord structure. Ten feather clumps were divided into two sets of five; one was used to design an arpeggio for piano, the other as a motif for grain synth and second piano using particle refactoring.

The piece is titled Tatort, which translates to “crime scene” in German. It was recorded quickly to 8-track in July 2022. The bird deserved a better epitaph. 

All images visible at the Disquiet Junto project discussion: Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0550-abrupt-probability/

More on this 550th weekly Disquiet Junto project — Abrupt Probability (The Assignment: Make music based on a chance graphic score) — at: https://disquiet.com/0550/

Thanks to Tobias Reber and Musikfestival Bern for collaboration on this project. More on the festival at:

https://www.musikfestivalbern.ch/
https://www.instagram.com/musikfestival_bern
https://www.facebook.com/musikfestivalbern

More on the Disquiet Junto at: https://disquiet.com/junto/

Subscribe to project announcements here: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0550-abrupt-probability/

Tatort [Disquiet0550]

This track was inspired by the Disquiet Junto Project 0550 on finding a score for a track in the random pattern of nature.
Looking into a bowl of my favourite muesli (https://www.hubermuehle.de/shop/de/Traum-Muesli-Mischung-500g.html) I was intrigued to interpret one strip of cereals as score of a track. Each different ingredient is represented by a sound.
Then I associated the cereals with the pebbles in the bed of a brook and added a field-recording I made during a hike (soon available on freesound). 

More on this 550th weekly Disquiet Junto project – Abrupt Probability (The Assignment: Make music based on a chance graphic score) – at: https://disquiet.com/0550/

Thanks to Tobias Reber and Musikfestival Bern for collaboration on this project. More on the festival at:

https://www.musikfestivalbern.ch/ 1

https://www.instagram.com/musikfestival_bern 1

https://www.facebook.com/musikfestivalbern

More on the Disquiet Junto at: https://disquiet.com/junto/

Subscribe to project announcements here: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0550-abrupt-probability/

A Brook Ripples Over A Bed Of Muesli (Disquiet0550)

Score derived from a photograph of a blanket we have on our bed for our two cats. The photograph was then pixelated to represent an octave, then the pixels lightened until the white pixels were knocked out to leave chords. The image was then converted to MIDI with velocities based on the darkness of the pixels. The MIDI was also inverted. Once instance played through Felt Instruments Helenko and the inverted one through Ciemno. Both were processed by Unfiltered Audio's Silo. Meanwhile, the lowest notes of the original pixelation were played through Softube Monoment.
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More on this 550th weekly Disquiet Junto project – Abrupt Probability (The Assignment: Make music based on a chance graphic score) – at: https://disquiet.com/0550/

Thanks to Tobias Reber and Musikfestival Bern for collaboration on this project. More on the festival at:

https://www.musikfestivalbern.ch/

https://www.instagram.com/musikfestival_bern 1

https://www.facebook.com/musikfestivalbern

More on the Disquiet Junto at: https://disquiet.com/junto/

Subscribe to project announcements here: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0550-abrupt-probability/

cat blanket (disquiet0550)

Any break or interruption in tempo might classify as a form of bond fission. To compose a piece that celebrates fracture as a creative element, Suss Müsik sought to understand how to locate bonds in non-musical terms. Enter Colorado School of Mines geochemistry professor Mark Eberhart, author of the book Why Things Break:

“Picture yourself flowing in space. Off the right and left are atomic nuclei. Neither can be seen, however, as each is surrounded by a dense cloud of electrons. Move up or down, backward or forward and, as if you were descending through a cloudbank, the fog diminishes. Alternatively, move toward one of the nuclei, and the electronic fog engulfing you becomes denser. Follow the path to the nucleus along with the electronic fog is densest and you are moving along the bond.”

That’s the approach Suss Müsik took with this weird piece for piano, fake strings, and rudimentary homemade synth. A simple, repetitive chord sequence was twinned on two instruments in 4/4 time. An occasional blip of piano arpeggios exceed the time signature while staying relatively in tempo. 

Things bust loose midway through the piece, as the strings succumb to excessive glitch refactoring at a much higher tempo (moving toward the “nuclei” of the arpeggio tempo). Meanwhile, an electronic gadget burps in approval at the same rate. In true Sun Ra fashion, the piano tries to hold it all together before the primary chords resume their respective places, this time accompanied by a fake cello mirroring the arpeggios. 

The piece is titled Homolysis, a form of fission by which each broken part of a bond retains fragments of the other.

More on this 553rd weekly Disquiet Junto project — Break That Cycle (The Assignment: Record in a steady tempo but break it on occasion) — at: https://disquiet.com/0553/

More on the Disquiet Junto at: https://disquiet.com/junto/

Subscribe to project announcements here: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0553-break-that-cycle/

The image shows a detail of a mural painted by the artist Pablo “Raíz” Ruiz Arroyo at the record store Noise in San Francisco.

Homolysis [Disquiet0553]

Disquiet Junto Project 0554: Cage Chord

L'accordo musicale completo viene usato dagli strumenti che producono la fascia continua di base. Le singole note dell'accordo servono invece per creare gli elementi ritmici che si sovrappongono a questa base, che sono loops di percussioni/batteria processati da campionatori granulari.

The full chord is used by the instruments that produce the basic continuous sound. The single notes of the chord are used instead to create the rhythmic elements that overlap the base, percussion / drum samples processed by granular samplers.

E5A#4E4D#4Db3C3 (Disquiet 0554)

Messing with the Minibrute 2S running through an Octatrack.

MiniBrute 2S Jam

Curious mathematician, musician, and homesteader

MiniBrute 2S Jam

Bee Kind