Widely considered to be one of the chief innovators in the genre of electronic dance music known as deep house, Kerri Chandler has carved out a unique musical vision brought to life in marathon sets known to go on for 6 hours or more, he infuses elements of soul, jazz, funk, and practically any other dance rhythms to create the vivid sound tapestry unique to him. That has earned this world-class DJ, producer the affectionate nickname the Stevie Wonder of House music.

As a skilled multi-instrumentalist and Dolby Atmos certified recording engineer with a propensity for tinkering under the hood, Chandler strives to understand every aspect of sound recording and amplification. Kerri is constantly pushing the boundaries of recording technology and live-performance sound systems. When this talented DJ, and producer is behind the decks at notable venues as diverse as Printworks in London and Sub Club in Glasgow, you are guaranteed to be awash in quality music that reflects his experience as a global performer. You can never anticipate what you’re going to experience. Seamlessly transitioning from live DJing to live jam session complete with keyboards, live vocals, and loops or perhaps merging mid- 20th century studio grade reel to reels as a mixing source combined with state-of-the-art custom projection mapping design, newly developed by Panasonic to create immersive 3D environments, complete with tracks Chandler blends together while simultaneously interacting with holograms of legendary vocalists that Kerri has collaborated with though out his career.

With a discography spanning three decades, Kerri's first release Super Lover/ Get It Off on Atlantic Records in 1991 set the stage for what was to become a signature sound. His creations launched a wave of admirers and imitators of his deep lush chords and soulful grooves that stir emotions and movement. In his continuous search to inspire and nurture new talent, he forged MadTech Records and the eclectic Kaoz Theory imprints soon followed becoming the flashpoint for such artists as the Martinez Brothers, Seth Troxler, and Tony Lionni.

Kerri having just released his latest album the 24-track homage to international nightlife “Spaces and Places”, jumps headlong into the world of spatial audio with Dolby Atmos This new immersive sound format allows sounds to travel through a space not merely backward and forwards but circles in all directions. With the international support of club owners and engineers, a total of 24 iconic night spots were transformed into recording studios infusing each track with the full sound characteristics of the rooms they were recorded in. Spaces diverse as London's Ministry of Sound, Paris Rex, Berlin’s Watergate, Barcelona’s Razzmatazz, or New York's Knockdown Center creating a whole new layer of complexity and accuracy. “If I wasn’t working doing the stuff I love doing, I’d probably work at Dolby,” Chandler says. “My job became my hobby, and my hobby became my job.”

Kerri's latest series of dates brings all of this time and attention full circle combining the meticulous attention to sound, atmosphere, and craft that ensures that you will be taken on a musical adventure second to none.

Management - Donal@purplewall.com 

Bookings Worldwide (excluding territories listed below): 
dave@arcade-talent.com

Italy / Portugal / Spain: 
maurizioclemente@mac.com

Saved / Armada /  Mother  / Kittball  / Roush /  303 Lovers / Lapsus / Freakin' 909 

Born out of the seminal UK rave scene of the ‘90s, Killed Kassette is an artist with an impressive story to tell. A pioneer of house music with a remarkable resume, composed of associations with some of the biggest artists and labels in the evolution of the genre (inc. remixes for Carl Craig, Kevin Saunderson, Chez Damier, Roland Clark and Paul Oakenfold's illustrious Perfecto Records imprint).

Once a member of a largely successful production duo, he made the break as a solo artist in 2013 and hasn’t looked back. Falling firmly on his feet, he quickly garnered the attention of none other than Kevin Saunderson’s iconic KMS Records imprint. That foot in the door and endorsement from one of house music’s most-respected outfits naturally led to breaking the scene and an ever-growing presence in the electronic music world.

Killed Kasste’s sonic palette is inspired by the underground music scene; a spectrum of flavours from rave and breakbeat through to old school techno, piano house and filtered disco. The many production methods and influential sounds used by such artists are an impactive factor on Killed Kassette’s output, as much is evident in his standout production signature.

His journey through the ever-changing world of house music has inspired releases on a variety of much-appreciated imprints. Signing music to the likes of KMS, Armada Music, Lapsus, Kittball, Roush, Simma Black and more have seen his creations championed by a plethora of industry heavyweights including Fatboy Slim, Roger Sanchez, Sasha, Maya Jane Coles, Groove Armada and Claude VonStroke, and even seen him hit global airwaves courtesy of airtime on the famed BBC Radio 1.

Killed Kassette’s exposure to clubland is just as impressive as his release catalogue. He has had the pleasure of featuring at the likes of T in the Park, We Are FSTVL events, Ministry of Sound, XOYO, Egg London, Snowboxx and more. Earning a spot with such reputable brands has seen him support artists like Joris Voorn, Riva Starr, Paul Woolford, Nic Fanciulli, Joey Negro, Basement Jaxx, Kerri Chandler, David Morales and a whole host of other major players

https://www.facebook.com/killedkassette?fref=ts

Founded in 2012 by pivotal underground artist Behrouz and his wife Megan Nazari, Do Not Sit On The Furniture started as a Miami nightclub and is now also
an underground music label and global brand dedicated to spreading the love for
underground music in a sophisticated yet welcoming atmosphere

Please send your demos to: behrouzpromo@gmail.com 

Thank you

Ephraim Mafuma is following