Essentials

This piece is the reminder that society will always be corrupt, the dissonances, the themes, the structures, all replicate the sounds of modern living, an unstable mass of human life, continues on without halt. THE REALIZATION at the CLIMAX of the entire piece, 11:21 when listened dearly, signifies of the purification of harmony, the immense beauty that is the NATURAL world, mother nature, the earth's waves, clouds, flora and fauna, taking your soul in an aural flight. Taking yourself away from the hazards of societal corruption and objects, then soaring over land and sea, grabbing in the sights of beauty you have never imagined before, taking it in as much as you can before you are forced to return to modernization, where we go, along with the same corruption that lies. But we never return quite the same. This is why Beethoven named this the GREAT Fugue, something that could only be created out of perfectionism and dear meaning, the honesty of a genius. Through tribulations and lies we go through, but we must remind ourselves that we are animals, and we belong to keeping our earth as beautiful as it can be, in its natural cycles. We belong to the earth, we are all connected. I'm once you've listened and understood the piece enough like I have, you'll have no doubt this is what these sounds are meant for. Close your eyes, and don't be afraid to cry tears in front of the truth. ♥﻿

The trills are a bit off though, but this took 3 months to complete.

Beethoven's Great Fugue (Grosse Fuge), World's First Full Virtual Instrument Transcription Thereof

The recording from the Khymerikal's performance at the Servant Jazz Quarters on the 13th of August 2014. 

Olivier Messiaen - 'Quartet for the End of Time'

Tried out some new techniques this time around and attempted to focus on melodic rhythms for this piece.

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The Island

Antonio Lotti - Crucifixus à 8

Jerusalem Theater, January 2nd, 2013. Live broacast from the Radio Kol Hamusica. jerusalem Symphony Orchestra, Frederic Chaslin, conductor.

BEETHOVEN 5th Symphony, JSO Frédéric Chaslin

Composed by F. Tarrega. Played by www.StanLeonard.com
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Written by Francisco Tarrega (21 November 1852 – 15 December 1909). Played and recorded by myself. 
(Wiki) Tarrega was an influential Spanish composer and guitarist of the Romantic period.
Francisco Tárrega's music and style of guitar playing became strongly influential in the twentieth century. He was central to reviving the guitar as a solo instrument in recital and concerts. His output was modest, having composed only 78 original scores and 120 transcriptions - mostly for his own use. Among his most popular works for the guitar are Recuerdos de la Alhambra, Capricho Árabe and Danza Mora.

He is also the composer of what has been claimed to be "probably the world's most heard tune": the Nokia ringtone, Nokia tune, or simply Nokia, also used in advertising spots, is based on Tárrega's Gran Vals. His music also inspired Mike Oldfield to arrange Tárrega's tremolo study Recuerdos de la Alhambra for the soundtrack of the film "The Killing Fields".

Essentials

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