Is this really synthesised?! I wouldn't have known until the end of the fortissimo section. Well done! It's a great way to hear some of the mad harmonies, and a lot of real quartets could stick a bit closer to the speeds...

Essentials

This piece is the reminder that society will always be corrupt, the dissonances, the themes, the structures, all replicate the sounds of modern living, an unstable mass of human life, continues on without halt. THE REALIZATION at the CLIMAX of the entire piece, 11:21 when listened dearly, signifies of the purification of harmony, the immense beauty that is the NATURAL world, mother nature, the earth's waves, clouds, flora and fauna, taking your soul in an aural flight. Taking yourself away from the hazards of societal corruption and objects, then soaring over land and sea, grabbing in the sights of beauty you have never imagined before, taking it in as much as you can before you are forced to return to modernization, where we go, along with the same corruption that lies. But we never return quite the same. This is why Beethoven named this the GREAT Fugue, something that could only be created out of perfectionism and dear meaning, the honesty of a genius. Through tribulations and lies we go through, but we must remind ourselves that we are animals, and we belong to keeping our earth as beautiful as it can be, in its natural cycles. We belong to the earth, we are all connected. I'm once you've listened and understood the piece enough like I have, you'll have no doubt this is what these sounds are meant for. Close your eyes, and don't be afraid to cry tears in front of the truth. ♥﻿

The trills are a bit off though, but this took 3 months to complete.

Beethoven's Great Fugue (Grosse Fuge), World's First Full Virtual Instrument Transcription Thereof

The recording from the Khymerikal's performance at the Servant Jazz Quarters on the 13th of August 2014. 

Olivier Messiaen - 'Quartet for the End of Time'

Antonio Lotti - Crucifixus à 8

Composed by F. Tarrega. Played by www.StanLeonard.com
Follow me on Spotify: https://open.spotify.com/artist/2G3gYHbQ46UPckIS7nrjk4?si=cG1_GQ-xSkaeS2BFt1dbSA

Written by Francisco Tarrega (21 November 1852 – 15 December 1909). Played and recorded by myself. 
(Wiki) Tarrega was an influential Spanish composer and guitarist of the Romantic period.
Francisco Tárrega's music and style of guitar playing became strongly influential in the twentieth century. He was central to reviving the guitar as a solo instrument in recital and concerts. His output was modest, having composed only 78 original scores and 120 transcriptions - mostly for his own use. Among his most popular works for the guitar are Recuerdos de la Alhambra, Capricho Árabe and Danza Mora.

He is also the composer of what has been claimed to be "probably the world's most heard tune": the Nokia ringtone, Nokia tune, or simply Nokia, also used in advertising spots, is based on Tárrega's Gran Vals. His music also inspired Mike Oldfield to arrange Tárrega's tremolo study Recuerdos de la Alhambra for the soundtrack of the film "The Killing Fields".

Capricho Arabe

Works 1965-1995

Music for 18 Musicians, Section VI

Colombian-American music artist William R. Valbuena, composing and choreographing original or directly-inspired Art to serve for the benefit of Humanitarianism, and the Human Condition and Emotion through the power of Music.

Beethoven's Great Fugue (Grosse Fuge), World's First Full Virtual Instrument Transcription Thereof

Valbuena

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