223’s (prod. kakurokun x cxnfessixn)

An artist. lets connect by clicking on the links below 👇

YOLS - Year Of Lord & Savior 😇 "Ain't no harm in self inducing a snooze, It's Yolsmoove" - First AMV!! https://youtu.be/JNX0JZ8lU9U

24yrs old, my name is Lorenzo Patterson Jr. 
NO AUTOTUNE, an okay mic, raw talent and subliminal bars!!💣💣  Old School With The New School !!! 🔥🤘give my name @Yolsmoove a look up on google as well😁🤗 I have 1m+ followers total on all platforms combined! Check out my other music platform! https://clapperapp.com/Yolsmoove?is_invite=1&r=x5PxDlz3PW&c=in&m=co

Marcus Henry, known professionally as M3000 17, is a rising hip-hop and trap artist hailing from Broward County, Florida. Standing at 5'7", M3000 17 blends raw street energy with introspective lyricism, carving out a unique voice in the South Florida rap scene.

Drawing inspiration from his Broward roots, M3000 17 delivers gritty beats, emotional depth, and real-life storytelling that resonates with fans across the country. With a sound influenced by both underground and mainstream rap, he’s quickly building a reputation for pushing creative boundaries and staying true to his vision.

Whether he's dropping hard-hitting tracks or vibey anthems, M3000 17 is a name to watch in the new wave of Southern hip-hop. Stay connected for new releases, visuals, and upcoming shows.

Follow M3000 17 on all platforms and tap in with the next artist coming out of Broward, FL.

3$kshii ™
@tookurmomtobenihanas

ALBUM OUT NOW!!! https://music.apple.com/us/album/too-real-2-deal-pt-2/1668595397

@merceze.412
EMAIL:mercezebookings@gmail.com

Rare Phantom is the alter ego of a Massachusetts native who began making music during the pandemic. A time when silence was loud, and escape became necessary. What started as a private form of therapy evolved into something far greater: a voice, a vision, and ultimately, a persona that now echoes across the alternative music scene. 
 The name Rare Phantom wasn’t born from fame or strategy, it emerged during late nights filled with reflection, pain, and creative fire. “Phantom” represents the parts of ourselves we often hide: the trauma, the rage, the passion, the sensitivity. And the “Rare” is the boldness to own it all publicly. It’s the idea that showing your shadow side isn’t weakness, it’s power. Rare Phantom became the armor and the amplifier.
 Adorned in old world mafia elegance and covered in ink that tells its own story, Rare Phantom immediately commands attention. But it’s the music, a blend of dark melody, haunting vocals, and gut punch honesty, that keeps listeners coming back. Each song is a doorway into the internal battles and emotional landscapes he’s lived through.
 Rare Phantom isn’t about perfection, it’s about presence. Through this persona, Rare Phantom invites fans to embrace their complexity and reject the idea that image defines worth. His art is a rebellion against the shallow, and a home for those who feel too much

Visit rarephantom.com for more exclusive info 🫀

I am meant to be greatness! I will not stop untill i Win!!! Nobody remembers 2nd place🌋...

*I HIT MILLION VIEWS ON YOUTUBE*

https://youtube.com/channel/UCU2O9wzs1WqMJiDy3kgvCTw

‼️‼️‼️🚧SHOWTIME🚧‼️‼️‼️

SUPPORT THE LAVATEAM 🌋 AND PURCHASE A TICKET ‼️

***(OHIO/MICH)***


MORE CITIES AND STATES COMING SOON!!!


LAVATEAM LLC 🌋

I have played and recorded in international settings, a multitude of percussion instruments, guitar, bass, harmonica, some flutes, keyboard, and if you push me - a very fine jaw harp.

In fact, if I break it down.... I just love to offer-up music, in a living room, a bar, a concert hall or an intercontinental, interactive satellite coordinated concert. 
  
I became fascinated with percussive sounds from around the world… especially African and Latin American rhythms. I fanatically traveled the world collecting anything that you could bang, scrape or hit.
What I learned? Border customs people really don’t appreciate the true value of handmade African caxixi shakers or a Brazilian berimbau. They just want the serial number.
More importantly, a single clicking or ringing sound in a song can make or break that song.
  
I toured Canada, USA and Europe and recorded many “world music” albums (before it was called that), with my late, musical soul mate, Dario Domingues. We played in grand churches, the water reservoirs under Munich, on an island where 100,000 doves were released at the climax of our performance, the first-ever “simulcast”, live satellite, intercontinental concert and then, the humbling experience of being involved in Berlin, in front of 500,000 people, for a series of anti-apartheid concerts featuring ‘Sting’.  For our 'world music' efforts, we were awarded the Deutscher Schallplattenpreisan (1983) accolade by the Deutsche Phono-Akademie, an association of recording companies of Germany that recognizes outstanding achievement in the music industry.  
What I learned? Music is truly a universal language. Around the world people are drawn to music. Of course, different strokes for different folks! 
Whether you play in front of a half-million people in a field, or 10 people in a bar, your role as a musician never changes.  
 
“Dream of the Drum” – I was commissioned to compose and conduct a score for 40+ percussionists from all corners of the world... Jamaican fire dancers, Trinidadian steel drummers, Japanese kodo drummers, African djembe players, military drummers,... the list goes on.
What I learned? The language of music respects no geographic borders. 
Also, never start your outdoor concert, with a lone Native Elder's rain drum song. The drum's magic works!
 
I helped build three innovative recording studios plus, my current production studio. I academically taught musical acoustics and production for several years.
What I learned? All the mathematics and physics in the world can’t replace a good ear.
 
As a producer, I've had the wonderful opportunity to work in great studios in NYC and Nashville with amazing session musicians such as: Eric "Roscoe" Ambel - best known as lead guitarist of Steve Earle’s band the Dukes; Dan Baird of the chart-topping 'Georgia Satellites'; guitarist extraordinaire, Warner E. Hodges, founding member of 'Jason and the Scorchers'.
What I learned? Great musicians tend to be humble but they sure have opinions! In Nashville, I was bluntly told -"No, I won't raise the tom level - in country music, we use toms for holding our bourbon glass." I never did get the toms louder.
 
I spent many years as President of the Ottawa International Jazz Festival and met some of the greatest musical geniuses in the world.
What I learned? "Man, if you have to ask what jazz is, you'll never know."
 
Music for jingles on radio and TV. Documentaries.
My personal favourite was coming up with suitable music for the mating rituals of pigs or, how to create 60 minutes of Arctic wind sounds for the movie 'Never Cry Wolf'.  
What I learned?  You can tell an entire story in a 29.5 second radio jingle and music is the glue that holds a great video together.

223’s (prod. kakurokun x cxnfessixn)

M3000$