Artist: Gareth Wood
Title: We're Through (A Break-up Song)
Album: Exposure Therapy

https://www.youtube.com/watch?v=BoIDoqlJkD8&list=PL-6SKWA0F8S_rMeOXyq4DuIOVUww0_1hp

We're Through (A Break-up Song)

Ménissongs, many songs, chansons, instrumentaux ou reprises de Marc M.
Ménissongs, many songs, musics and covers by Marc M.

Photos Marc M : Monsieur Terpan
https://www.facebook.com/MonsieurTerpan

I'm a producer and an engineer who sometimes, becomes an "artist".  I love creating with motivated, talented individuals. If that's you...Let's work together...

Guitarist, Bassist and Drum Machine Enthusiast

I canto tell you why.
Little bluebird, flying away with a message to Michael.
Little baby blue girl.
Ok computer.

Contact me at @LinkedIn or @Academia.edu
Only for real.

Thanks.

* I do not use AI in my compositions.

Trey W, known by his moniker Church of the Undecided (COtu), is a multifaceted instrumentalist, musician, and producer with roots tracing back to grade school. His journey began as a percussionist, which laid a strong foundation for his diverse musical explorations.

Now focused on electronic music production (without the aid of AI), COtu thrives on the boundless possibilities of sound. Combining synthesizers, a drum kit, and unconventional instruments, he creates a distinctive sonic palette that seamlessly blends electronic elements with organic textures. The result is a rich, immersive musical experience that captivates and engages squirrels and centipedes.

I love music that takes me on a journey with unexpected twists and turns, painting pictures in my head. I hope my music does that for you.
 I have several albums available on Bandcamp (link below) and please also check out my YouTube channel where I did some music videos.

"If, after hearing my songs, just one human being is inspired to say something nasty to a friend, or perhaps to strike a loved one, it will all have been worthwhile." - Tom Lehrer

Gareth Wood is an independent and self-produced multi-instrumentalist songwriter and composer from Manchester, England. His debut album 'Juvenilia' was released on August 21, 2017. Gareth's second album 'Low Key' was released on July 20, 2018. His third album 'Rites of Passage' was released April 17, 2020. Gareth released a fourth album of instrumentals entitled 'Sweet Nothings' exclusively on YouTube on December 27th, 2022. On April 2nd 2024, a fifth album was released by Gareth called 'Exposure Therapy'. All albums can be found in full on both Bandcamp and YouTube. 

All songs written, performed and produced by Gareth Wood.

All links now active... 🎵 Original Music from Wirral, UK | Phil Dutton & Les Corlett AKA The DC Sound Project

The DC Sound Project. Eight albums deep and still going strong. It usually starts with a good old-fashioned jam session, then somehow ends in a coffee-fuelled recording marathon. We write songs about love, politics, heartbreak, and those occasional “what the hell is wrong with the world?” moments, all brewed fresh on the Wirral. Press play… it’s music therapy with better side effects!

We’re an independent duo creating everything from raw folk ballads to gritty blues-rock. Every video is carefully crafted with free footage and, sometimes, AI-generated visuals to tell the story behind the song.

💿 Albums: 
Snaggletooth (2025)
Addiction (2025)
Black Ice (2024)
Yellin’ at the Clouds (2024)
The Puppeteers (2024)
Burning Bridges (2023)
Rattlesnake (2023)
Melancholy Blue (2023)

🎶 Listen: SoundCloud • Spotify • Apple Music • Amazon • Facebook • Instagram • Twitch

Thanks for joining us on this journey, it’s all about the love of music! 🎶✨

Hanging out in the cloud forests of the Sierra Juárez mountains in Oaxaca, I’m tapping into the sounds of the universe like a mushroom-drunk nahual, reaching into the heart of nature to grasp at the mysteries of existence.

You’ll hear influences from deep time and across as many cultures as I can get my hands on. I get obsessed, man. Seriously, everything else melts away around me. I can spend days absorbed in an idea, like that stone statue guy—but with a stone guitar instead.

My approach to music? About as unpredictable as my ability to remember where I last saw my passport (pretty crucial when you live abroad all the time, right?). My unique way of processing the world often leads to an avant-garde approach to life. And yeah, maybe there’s been a mushroom-induced revelation or two along the way, but who’s counting? I don’t need a million-dollar studio—just a good instrument, a decent interface, a computer, and some monitors that hopefully survive my absent-minded chaos.

I’m a multi-instrumentalist who loves complexity, especially when it sneaks up on you through unexpected rhythms or harmonies from the far corners of the globe. From Carnatic ragas to garage rock grooves—why not just mix every cool sound and see what happens? Maybe I’ll start with a harmonic progression from Bach’s Goldberg Variations and slap it into a Hindustani 7/4 thaal (that’s rhythm, if you’re wondering). It’s a bit technical but, trust me, as cool as—well, let’s just say it’s the kind of vibe that might inspire a dream-like hallucination about nailing the perfect groove. (Music available for film, TV, and media licensing.)

Yeah, I am a Ph.D. trained evolutionary biologist, and... that sounds impressive until you find out I bailed on it the second I landed a good job. I was bored out of my mind. People look at me like a guy who won the lottery and then spent it all on the greatest collection of rare video games (I mean, I’m not that bad, right?). But switching from science back to music wasn’t just quitting—it was finally tuning into something deeper. Music and science might seem like distant cousins, but to me, they’re intertwined—both ways to unlock the secrets of the universe.

Now, I live in Capulálpam De Méndez, a mystical town in the Oaxacan mountains. The ancient Zapotec culture runs deep here, and creativity flows as freely as the mezcal at the fiestas (and trust me, there are plenty of fiestas).

Art is for everyone, and I’m always pushing to create something that connects—whether it’s a complex harmonic structure or just the right amount of groove to make you forget your troubles (or your keys, in my case).

So if you’re into music that teeters on the edge of chaos but mostly lands right where it needs to be—well, welcome. Just don’t expect me to remember how I got here, or where I left my bag. Seriously, my passport might’ve been in there… Was it the tuk-tuk? (sounds like a joke right... Err.. its not....)


--------------
Relajándome en los bosques nublados de la Sierra Juárez en Oaxaca, estoy sintonizando los sonidos del universo como un nahual borracho de hongos, llegando al corazón de la naturaleza para intentar comprender los misterios de la existencia.

Escucharás influencias de tiempos profundos y de tantas culturas como pueda explorar. Me obsesiono, hermano. En serio, todo lo demás desaparece a mi alrededor. Puedo pasar días absorbido en una idea, como ese tipo de las estatuas de piedra—pero con una guitarra de piedra en su lugar.

¿Mi enfoque hacia la música? Tan impredecible como mi habilidad para recordar dónde dejé mi pasaporte (bastante crucial cuando vives en el extranjero todo el tiempo, ¿verdad?). Mi forma única de procesar el mundo a menudo me lleva a un enfoque vanguardista de la vida. Y sí, tal vez haya habido una o dos revelaciones inducidas por hongos en el camino, pero ¿quién está contando? No necesito un estudio de millones de dólares—solo un buen instrumento, una interfaz decente, una computadora y unos monitores que, con suerte, sobrevivan a mi caos despistado.

Soy un multiinstrumentista que ama la complejidad, especialmente cuando te sorprende con ritmos o armonías inesperadas de los rincones más lejanos del mundo. Desde ragas carnáticas hasta los grooves del garage rock—¿por qué no mezclar todos los sonidos geniales y ver qué pasa? Quizás empiece con una progresión armónica de las Variaciones Goldberg de Bach y la meta en un thaal hindú de 7/4 (es decir, un ritmo, por si te lo preguntas). Es un poco técnico, pero créeme, es tan genial como—bueno, digamos que es del tipo de vibras que podrían inspirar una alucinación soñadora sobre encontrar el groove perfecto. (Música disponible para licenciamiento en cine, TV y medios.)

Sí, tengo un doctorado en biología evolutiva, y eso suena impresionante hasta que descubres que lo dejé en cuanto conseguí un buen trabajo. Estaba aburrido como una ostra. La gente me mira como a un tipo que ganó la lotería y luego lo gastó todo en Beanie Babies (no soy tan malo, ¿verdad?). Pero pasar de la ciencia de nuevo a la música no fue simplemente abandonar—fue finalmente sintonizar con algo más profundo. La música y la ciencia pueden parecer primos lejanos, pero para mí, están entrelazados—ambas son formas de desentrañar los secretos del universo.

Ahora vivo en Capulálpam De Méndez, un pueblo místico en las montañas de Oaxaca. La antigua cultura zapoteca corre profundo aquí, y la creatividad fluye tan libremente como el mezcal en las fiestas (y créeme, hay muchas fiestas).

El arte es para todos, y siempre busco crear algo que conecte—ya sea una estructura armónica compleja o solo la cantidad justa de groove para hacerte olvidar tus problemas (o tus llaves, en mi caso).

Así que si te gusta la música que oscila en el borde del caos pero que la mayoría de las veces aterriza justo donde debe estar—bienvenido. Solo no esperes que recuerde cómo llegué aquí, o dónde dejé mi bolsa. En serio, creo que mi pasaporte estaba allí... ¿Fue en el tuk-tuk? (suena como una broma, pero... ehh, no lo es...).