Daily Drops

The ancient mystery about Men & Women, still trying to figure each other out!

Good luck w that 😊

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Samples used

Ella Fitzgerald - You don't know what love is
https://www.youtube.com/watch?v=3zkYRDMidxA

SRV - Little Wing
https://www.youtube.com/watch?v=An4uDegHB8s

Steve Vai - Tender Surrender ( small samples )
https://www.youtube.com/watch?v=Yw74sDWPH7U

Movie - Strangers when we meet (1960)
https://www.youtube.com/watch?v=19JXVQoQVUw

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Remixed by LS / 2022.

Woman, stop asking me these difficult questions

PS Perkins: Guitars, bass, lyre, vocals
Ron Thomas: Autoharps, Drums

Production notes:
---------------------------------------------
Very early on we wanted to use autoharps on this song to create a sort of swirling backdrop, reminiscent of the harps in Indian/Bollywood soundtrack songs of the seventies.

Right away there were challenges because the song is in B flat and is not wholly diatonic to begin with, utilizing a chord built on the augmented lydian scale in the choruses. So rather than transpose the song to a more amenable key (since the chromatic bits weren't going to work no matter what key we used) we instead re-tuned the autoharp. Moving through the strings one by one we tuned them either up or down a half step where applicable to bring them into key. Where the augmented chord hit in the choruses, we excluded those notes so that the autoharp was filling the diatonic parts of the chords and omitting the accidentals. It took us several tries to get it right. In the end we arrived at a chord progression that could be strummed on the autoharp and the modified chords could be played with existing dampers.

We also tuned the lyre so that the top half of the strings included the chromatic augmented notes while the lower register of the lyre was tuned using the diatonic, so the lyre could play the melody all the way through both parts of the song.

The inspiration for this song was essentially fourfold:
--------------------------------------------------------
First, H.P. Lovecraft's terrifying necromancer Joseph Curwen (from "The Case of Charles Dexter Ward") who masked his true identity in order to thwart suspicion from his fellow townsfolk. He has many secrets lurking in his underground catacombs where he performs acts of necromancy most foul, extracting the "salts" of the dead in order to raise them at will and learn the secrets of ancient eldritch deities.

Second, a poem by Rudyard Kipling titled "En-Dor" which was a warning against the rise of spiritualism and the cost of communion with the dead in the early 20th century.

Third, the biblical Saul who traveled in disguise to visit a witch at the city of Endor in order to summon Samuel from the dead and garner advice on defeating the Philistines, but who only prophesies doom for Saul. Saul dies later the next day in the battle of Gilboa.

Lastly, the story of Odysseus communing with the underworld where he enlists the help of Tiresias to have a chat with the dead and secure for himself a safe journey home.

They all seek communion with the dead for one purpose: to gain knowledge which only those who have crossed over between realms might possess. 

Lyrics:
-------------------------------------
A mask may reveal what it’s meant to conceal
From those who are standing beside us
Armor of pride, so we learn to abide
By the monsters which hide deep inside us
The monsters which lurk deep inside us
Oh, how they scratch and they bite us
The monsters which lurk deep inside us

Only to know what the professor knows

Eating black bread, wearing clothes of the dead
The soil soaked in honey around us
For fear if we failed, leave the ogre unveiled
And it’s back in the grave where they found us
Back in the grave where they found us
Freed from the ties which had bound us
Back in the grave where they found us

Only to know what the professor knows

In the catacomb vaults, we extracted the salts
From cadavers to lengthen our youth
Chanting the names at the edge of the flames
And a mirror to show us the truth
A mirror which speaks only truth
See how it seeks not to soothe
A mirror which speaks only truth

Only to know what the professor knows

In the underworld maze, in the night of no days
Concocting the plan we’re devising
Much to endure on the road to En-Dor
And to snatch from Elohim arising
To snatch from Elohim arising
Snatch from Elohim arising
Snatch from Elohim arising
Snatch from Elohim arising
Snatch from Elohim arising

BARDS:Of The Shimmering Seraphs

The Professor

Nat Daniels:  Vocals, Piano
Michael Kober:  Stereo Bass
Ben Juul:  Drums, Mix & Master
Dirk Taubenheim:  Vocals, Guitars

A million thanks to Nat for her beautiful adds! Original version by Lambretta. Thanks for the attention!

So unreal  ft. NAT DANIELS

Across the Desert Sand

L-Prefetching

When I need to lay my troubles down about things beyond my control, I take a stroll across the Indigo Bridge for safe passage over the Big Blue. The only toll required to crossover — temporarily letting your worries go. And, hopefully, you enjoy a songbird serenade on the trip to the other side. 💙✌️

70 bpm
DAW Apple Logic Pro X
MIDI Akai Pro MPK 
E-instruments:
Steinway Grand Piano
Boesendorfer Grand Piano 
SoCal Ballad Piano 
Deep Organ
Cellos
Upright Ballad Bass
Studio Brush Kit 
Studio R&B+ Kit
Lo-Fi Remix 
Latin Kit 

Audio of bird chirps recorded live June 29, 2024.

Cover art: Derived from a public domain photo of the Golden Gate Bridge via Wikimedia Commons
https://commons.wikimedia.org/wiki/File:Golden_Gate_Bridge,_San_Francisco,_California_LCCN2013633353.tif

Indigo Bridge

Album Summer Of The Seasonal Optimist 2024 
...with a little help from my friends...

Summer Of The Seasonal Optimist

Watch the video on Youtube:
https://youtu.be/cWoWGl3O2zg

A Century Of Loneliness

SitnThere

Its is a songwriter blues singed in the relax way of Tim Hardin, with some message useful for a meaningful construction of peace. I use a twelve string guitar, the strato and a bass plus the drums.

Labels For The Mind

Angel let me free

Cast of Characters:

Llanpsych-- @llanpsych -- Tez – foundational acoustic and electric guitars, distorted electric guitar, and the seed idea

Mistermark – @user-432503709 – Mark – vocals, lyrics, high organ, toy piano, percussion, sound effects, production, editing, mix

TexMex Shaman– @texmex-shaman –Stephen– 5-string banjo solo, electric guitar

J.J. Terrell-- @j-j-terrell—JJ-- low organ, piano, synth flute, sound effects

K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken–drums, percussion 

Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – 4-string fretless bass

Composition – The Eclectic Collective

This song began its life as a hauntingly exquisite guitar chord progression that Tez came up with and shared with the rest of us. He also stacked a couple of other guitar tracks in there for good measure. 

Ken was first up, adding his drums, then later his pots and pans percussion. As he was doing that, Josh was coming up with his bass line, and they did their little dance of back and forth until the rhythm section was set. 

Mark came in around the same time, though, and added his unique, Waitsian vocals with the lyrics that he wrote for it, too. He also added some really amazing organ parts, a toy piano which you can hear right after the banjo solo, and percussion that add a solid foundation for his voice and add magic throughout the song. 

Stephen followed shortly after with the big stroke guitar chords, and also came up with the amazing banjo solo you hear in there, too. Last, but not least, JJ came in with his organ and electric piano to seal the deal with the melodies and ambience. Then he and Mark added the cool sound effects you hear throughout, too.

  Every great song needs a great producer, and Mark filled the duty on this one. He has proved himself to be a masterful editor, producer, and mixer, and we are lucky to have him as part of the team.

  This one is an homage to Tom Waits in a deliberate way. We're all big fans, and tried to do something in his unique style. We hope you enjoy listening to this as much as we enjoyed creating it.
 
Original lyrics by Mistermark:
I got something hidden in my closet 
that I don’t want you to see 
A little like a shady deposit
And it’s bound to incriminate me

Well now some might call it a skeleton 
Like a raincoat filled with bones
See I been hangin’ it there since I don’t know when
And I just can’t leave it alone

Me and Bill rolling bones in a gambling hall 
I threw snake eyes but Bill counted three
I took his accusation just a little too far 
Then everybody went quiet as they stared at me

Now the finger bone’s connected to the trigger
And the hand bone’s connected to me
And every day my secret’s gettin’ bigger
Soon enough I’ll be swinging from a tree

Coz I got something hidden in my closet 
that I don’t want you to see 
I done made a shady deposit
And it’s bound to incriminate me

Well now some might call it a skeleton 
Like a raincoat filled with bones
See I been hiding it there since I don’t know when
And I just can’t leave it alone
(repeat)

Bones - (Eclectic Collective)

The schoolyard

The boys played marbles, the girls jumped rope 
It was springtime, early may
Mrs Milgram was very convinced
She told us of our sins
And then we dropped the stone

The schoolyard was just a hole
The teachers left us alone
Finally through 
In the end no one knew,
but the blister and the poking

The schoolyard

Original music by : FPMORINSTUDIO/Francois Pierre Morin musicien composer indie

REVELATION ROCK INDIE 2024

Mats Elorgel 1992

Say again. ( 1992 ) Eddy Mango ( Eddy )

Rust and Gasoline is a warm, intimate instrumental built on fingerpicked acoustic guitar, with light pedal steel accents and a gentle, rolling rhythm.
It feels like a late-summer road trip on dusty backroads — the scent of gasoline in the air, rust on the guardrails, and the bittersweet pull of places you’ve left behind.

Melodic, organic, and full of nostalgia, it’s perfect for projects that need a reflective, yet quietly uplifting atmosphere.

This track is released under the Creative Commons Attribution 4.0 License (CC BY 4.0).
You are free to:
✔️ Use
✔️ Edit
✔️ Share
✔️ Monetize
➡️ As long as you credit properly:

📌 Music: LIMO RS
📌 Track: "Rust and Gasoline"
📌 Music provided by: LIMO Recording Studio
📌 License: CC BY 4.0
→ https://creativecommons.org/licenses/by/4.0/

🎧 Also available on:
Spotify / Apple Music →
https://open.spotify.com/artist/2FQDVrwYQWwNuZs3uITyCB
https://music.apple.com/us/artist/1821964829

📺 YouTube:
→ Artist: https://youtube.com/@LIMORS-cj3yd
→ Studio: https://youtube.com/@LIMORecordingStudio

Free Download

Rust and Gasoline

Heavy Punk Rock 'n' Roll band turns into Synthwave nowadays! Brand NEW album "Ultraviolet Cosmos" available NOW!

... Maybe I'm putting too much emotion into it, well... that's how I am...

Summer Of The Seasonal Optimist

nowyyorg ( Seasonal OptiMist )

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