Very cool track. You can feel the seconds slipping away…. 👏👏👏

Really dig the ending. That breakdown reminds me of Karma Police. A disintegration.

Tic-tac! Parfois, le temps n'est pas un ami. Une fin sombre pour une merveilleuse création musicale! 👏👏👏❤️

The song's composition is wonderful. The vocals and backing choruses that express the next scene from each other are all wonderful creations, and if it were a painting, it would be a piece that you would want to stop and look at forever. Yes, the ending is also unusual. It's cool!

Love this! Feels like I'm inside a clock.

Lyrics and Music by Jonas L. Cockson

Copyright 2024

"Colder"

Video : https://www.youtube.com/watch?v=484U5K-mi24

This piece represents a sonic journey of introspection and renewal, inspired by moments of burnout and the desperate need for respite.

Close your eyes and let the music carry you away. 

Experience the gentle sway of the tide, the warmth of the sun on your skin, and the whispers of the sea breeze. Dive into a world where reality blurs with hallucinations, where the boundary between dreams and waking life dissolves

"Oceanic Fever" is a reminder to pause, to breathe, and to find beauty in moments of stillness.

Oceanic Fever

Sidetracked

Running out of Time

method: field recording and vst
narration: honouring a place that hosts humans
image: images taken in clara zetkin park, leipzig, germany, copyright jo richter

poem / copyright jo richter:

pervasive peppermint aroma permeates
the cat's olfactory self as it passes
the ice-cream truck nestled next to
the bridge made of slowly flowing steel,

thermal tarmac and as red a coat of paint
as cinematic cone cells can fathom - elsewhere,
a heron's solitary silhouette complements selves
unabashedly spread across playground noise -

if humans had never touched down
on these waters, soils, the river would
have run another course - wind
might have shed its aeolean pride,
for arrival does not alleviate
the ringing shock of departure

clara zetkin park

Clara Zetkin Park

Jazz practice with my fretless playing the theme and solo over a backing play along track  including drums, guitar and upright bass.

How Insensitive  Jazz Standard Fretless Theme And Solo

EP: Hedera Helix

Nettle ft. Hega

Strange Memories

reposted collection of all/most of my original breakcore/liquid/d&b tracks from years ago, as well as a few tracks i never put out from the same time-

some have been slightly edited from the originals... most are left untouched

enjoy :)

OVERHEAD

dream

Beans and Rice

Thank you  for visiting my world, I'm happy to share! Listening is free, commenting is priceless.

I 've been composing electronic music for more than 23 years but only started this new project 3 years ago, when the band in which I played bass splited.

 A large amount of the music I love was recorded in the 70's. Among these revered groups , Yes, Genesis, Pink Floyd, Jethro Tull, Ange or King Crimson stand out. Over the years, I've also been very fond of many diverse bands and songwriters (The Doors; The Beatles; Bowie; Neil Young; Deep Purple; Led Zep; Patti Smith; U2; The Police; Massive Attack; Chemical Brothers; Killing Joke; Marillion; Morphine; Nirvana; The Young Gods; Dominique A; Noir Désir, Conil, Aurora ...). 
More related to my own synth music production, one could find influences from Vangelis, Jarre, Björk, Oldfield, Numan, Kraftwerk, Schultze and other pioneers. Finally, I should mention the great soundtrack composers such as Ennio Morricone, Wendy Carlos or Hans Zimmer.
Above all those great musicians stands the beloved statue of Ludwig van Beethoven, the visionary, the prodigy, the most sensitive man.

My desire is to be a tiny part of the admirable family of human composers and musicians in order to explore the infinity of musical combinations that our mind offers... To achieve this goal, I will continue to mix my own set of diverse influences in my own imperfect human way, without surrendering to any type of AI composer. My approach questions the astonishing way in which skills, sensitivity, aesthetic and personal history provide the fuel and oxygen for our creativity, while chance, curiosity and current feelings provide the spark. What matters the most is the process, not the result, the “product”. 
I often start my new pieces with a vague idea of the genre and mood I want to explore. Then, by playing with one of my synths, I let the sound impose its nature and call for other sounds it wants to play with.  My role as a composer is like that of a sailor acting on his rudder and his sails. I am neither the wind nor the sea and I have no map, but my instinct should allow me to avoid the reefs and I will eventually land somewhere, most likely a strange and unexpected place.
My pieces will always reflect the result of hundreds of micro-choices I made, consciously or unconsciously, that's what makes it fun, right?
Feel free to comment or criticize my plethoric prod because reading your feedbacks is the only reward I expect.

Bandcamp: https://loyajirga.bandcamp.com/
Spotify: https://open.spotify.com/intl-fr/artist/0bohy1SDB37BBZLksRM9GY

Running out of Time

Loya Jirga

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