Space Daze

Related tracks: Like We Used To

These pieces are failed attempts to compose true Ambient Music, that is to say avoiding strong melodies or marked rhythms. Atmospheric sounds you can listen to or simply ignore. I tend to think of Ambient as a difficult genre for it  opens up free spaces beyond the secure frame of tonality and standard grooves. With more freedom comes more responsibility and the risk of getting lost...

A real Ambient piece cannot be memorized, so you have to listen again and again, if you like it...

Playlist / Reveries

From the album "Where The Light Doesn't Go"
https://sunnygianni.bandcamp.com/album/where-the-light-doesnt-go-2020

Created: 2020

Smile

Sonically exploring outside the corporeal nature of existence...

At Swim Two Birds

Survey Drone 7

Baltic Reverie

A reverie around the theme "Soon" from the album "Relayer" by Yes

Eternity

meter

XoXo

Strange Colors In The Sky

Taken from the upcoming debut full length album (planned to be released mid-2024 - "Rock and Roll Kills").
(p) & (c), 2024.
youtube link: https://www.youtube.com/watch?v=jtnXGGtwzSQ
--------------------------------------------
lyrics:
Like we used to
---------------
We don't play in gigs like we used to
We don't play in the streets like we used to
We don't hang out in squares like we used to
and we don't drink ice cold beers like we used to

and now we grew up, became strangers we fell on trap 
and the days are not the same, like we used to...used to

We don't jam at all, like we used to
we don't grill outside the yard, like we used to
we don't party as friends like we used to
we don't say hello like we used to....used to

and now egos stood up, became cold and all that crap
and the years are not the same, like we used to...used to!

Rock and Roll Kills

Like We Used To

I C U Q T

Another Foundation track. It was the bass synth that inspired the track, it made me think of an anti-gravity engine... 
The "machine gun" guitar is a Fender Telecaster bi-amped to give that meaty punch. The warbling guitar is a Deusenberg Paloma with a vibrato pedal, reverse delay and fuzz box put through a plexi amp.

The Edge

Atonal Reverie

La longue nuit

The Threat

"You do not need to leave your room. Remain sitting at your table and listen. Do not even listen, simply wait, be quiet still and solitary. The world will freely offer itself to you to be unmasked, it has no choice, it will roll in ecstasy at your feet."  - Franz Kafka

windupspaceship 
Live - improvisational - electronica - for - headphones -

Tom Klosowski - Bass guitar, Warwick 5, Zoom EFX. 
Joseph F Grossman - Keys, Roland FA06, HandSonic (Electronic drum).
Charlie Bryant - Keys, Impulse 49, Various iPad Applications, Engineering.
Gary Andreozzi, Guitar, Godin LGXT, Roland Guitar Synth, Line 6 EFX, eBow (electronic bow).

~ t a b l e a u . q u a t r e ~

"Without music, life would be a mistake."
- Friedrich Nietzsche

~ live improvisational electronica ~ windup spaceship ~ WS ~
Charlie Bryant - Keys, Impulse 49, Various iPad Applications, Engineering.
Gary Andreozzi, Guitar, Godin LGXT, Line 6 amps & EFX, Roland GR synth sax, Ebow (electronic bow).
Joseph F Grossman - Keys, Roland FA06, HandSonic (electronic drums).
Tom Klosowski - Bass, Warwick 5, Zoom EFX.

t a b l e a u ~ c i n q

Thank you  for visiting my world, I'm happy to share! 
I 've been composing electronic music for more than 23 years but only started this new project 3 years ago, when the band in which I played bass splited.

 A large amount of the music I love was recorded in the 70's. Among these revered groups , Yes, Genesis, Pink Floyd, Jethro Tull, Ange or King Crimson stand out. Over the years, I've also been very fond of many diverse bands and songwriters (The Doors; The Beatles; Bowie; Neil Young; Deep Purple; Led Zep; Patti Smith; U2; The Police; Massive Attack; Chemical Brothers; Killing Joke; Marillion; Morphine; Nirvana; The Young Gods; Dominique A; Noir Désir, Conil, Aurora ...). 
More related to my own synth music production, one could find influences from Vangelis, Jarre, Björk, Oldfield, Numan, Kraftwerk, Schultze and other pioneers. Finally, I should mention the great soundtrack composers such as Ennio Morricone, Wendy Carlos or Hans Zimmer.
Above all those great musicians stands the beloved statue of Ludwig van Beethoven, the visionary, the prodigy, the most sensitive man.

My desire is to be a tiny part of the admirable family of human composers and musicians in order to explore the infinity of musical combinations that our mind offers... To achieve this goal, I will continue to mix my own set of diverse influences in my own imperfect human way, without surrendering to any type of AI composer. My approach questions the astonishing way in which skills, sensitivity, aesthetic and personal history provide the fuel and oxygen for our creativity, while chance, curiosity and current feelings provide the spark. What matters the most is the process, not the result, the “product”.
My pieces will always reflect the result of hundreds of micro-choices I made, consciously or unconsciously, that's what makes it fun, right?
Feel free to comment or criticize my plethoric prod because reading your feedbacks is the only reward I expect.

Bandcamp: https://loyajirga.bandcamp.com/
Spotify: https://open.spotify.com/intl-fr/artist/0bohy1SDB37BBZLksRM9GY

Strange Colors In The Sky

Loya Jirga