Don’t blame me for the poor quality, especially vocals because I make music using my phone.

Hey! Mercy

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|||  ACROSS THE MILES  |||
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Set Sail on the ocean's blue!

Break the Champagne * Wave Her away!
Over the ocean * And pray She'll be safe.
Across the miles * Bridge the gap with flags and smiles!
Across the miles * With Neptune at your side.

Bless this ship * Bless this ship * Bless this ship and all who sail in her!

Stripes are for me * Stars for you!
Stripes are for me * And the stars for you!
Stripes are for me * And the stars for you!
Stripes are for me * And the stars, the stars are for you!

Guide her through * Guide her through * Guide her through the ocean's blue!

The finest steel * Built with pride
Touched by Polaris * Her Guardians riding high
With watchful eyes * Encompassing the great divide
Nautical miles * With Neptune at your side.

 * Stripes are for me * And the stars are for you *
 * Guide her through the ocean's blue *

*******************************

Lyrics/Moir 2009



Across The Miles

nobody , nowhere

Nobody , Nowhere

L'histoire continue ! 
The story goes on - - - - - - - 
EN speakers : see translated video here :
https://www.youtube.com/watch?v=76eJeiqRQH0

Thanks  ! - - - - - -- -- - - - - -  -

Histoire d'une invention  - chap. 7 : L'hôtel de ville

Fruit Monkey broken thought

Words and music by Roger Whittlesey. Lead guitar by Audric Jankauskas. Bass by Noel Barrett. 2024.

Crossfire

I imagine I have a piano on the beach. I hear the sound of the sea, sit down at the piano and play along.

Ich stelle mir vor, ich hätte ein Klavier am Strand stehen. Ich höre das Rauschen des Meeres, setze mich an das Klavier und spiele dazu.

The Piano by the sea

Pages of the unwritten book

MJ-Brewer @user777114915 on bass
TexMex Shaman on the rest

Jingle Bell Rock w/ MJ-Brewer

A pulse from the shadows. A Tale From The Dark Moon unfolds like a dream caught between light and gravity — mysterious, melodic and hypnotically precise. Rolling beats drift beneath shimmering synth layers, while a haunting hook pulls you deeper into Popshop’s trademark world of cinematic electro-pop.

Dark yet inviting, it’s a story told in rhythm and reverb — the sound of emotion orbiting in slow motion.

#Popshop #ATaleFromTheDarkMoon #SynthPop #ElectroPop #DarkWave #IndieElectronic #NewMusic #DreamWave #CinematicPop #SynthVibes

A Tale From The Dark Moon

The Transitions [251116]

Thank you  for visiting my world, I'm happy to share! Listening is free, commenting is priceless.

I 've been composing electronic music for more than 23 years but only started this new project 3 years ago, when the band in which I played bass splited.

 A large amount of the music I love was recorded in the 70's. Among these revered groups , Yes, Genesis, Pink Floyd, Jethro Tull, Ange or King Crimson stand out. Over the years, I've also been very fond of many diverse bands and songwriters (The Doors; The Beatles; Bowie; Neil Young; Deep Purple; Led Zep; Patti Smith; U2; The Police; Massive Attack; Chemical Brothers; Killing Joke; Marillion; Morphine; Nirvana; The Young Gods; Dominique A; Noir Désir, Conil, Aurora ...). 
More related to my own synth music production, one could find influences from Vangelis, Jarre, Björk, Oldfield, Numan, Kraftwerk, Schultze and other pioneers. Finally, I should mention the great soundtrack composers such as Ennio Morricone, Wendy Carlos or Hans Zimmer.
Above all those great musicians stands the beloved statue of Ludwig van Beethoven, the visionary, the prodigy, the most sensitive man.

My desire is to be a tiny part of the admirable family of human composers and musicians in order to explore the infinity of musical combinations that our mind offers... To achieve this goal, I will continue to mix my own set of diverse influences in my own imperfect human way, without surrendering to any type of AI composer. My approach questions the astonishing way in which skills, sensitivity, aesthetic and personal history provide the fuel and oxygen for our creativity, while chance, curiosity and current feelings provide the spark. What matters the most is the process, not the result, the “product”. 
I often start my new pieces with a vague idea of the genre and mood I want to explore. Then, by playing with one of my synths, I let the sound impose its nature and call for other sounds it wants to play with.  My role as a composer is like that of a sailor acting on his rudder and his sails. I am neither the wind nor the sea and I have no map, but my instinct should allow me to avoid the reefs and I will eventually land somewhere, most likely a strange and unexpected place.
My pieces will always reflect the result of hundreds of micro-choices I made, consciously or unconsciously, that's what makes it fun, right?
Feel free to comment or criticize my plethoric prod because reading your feedbacks is the only reward I expect.

Bandcamp: https://loyajirga.bandcamp.com/
Spotify: https://open.spotify.com/intl-fr/artist/0bohy1SDB37BBZLksRM9GY

Pages of the unwritten book

Loya Jirga