Come On, You Gotta Get It Done

Very fun to create a new piece with a same base but this time worked by another lovely fellow 
open collab offer by https://soundcloud.com/muterial
original track: https://soundcloud.com/muterial/off-the-rails
music by https://soundcloud.com/mzrpklps

full playlist: https://soundcloud.com/muterial/sets/off-the-rails-collaborations

my vocal contribution written below

salt and sugar look the same
could be mistaken but that's okay
mistake do happen yeah
mistake do happen every day
every day of life

all those things I didn't mean to break
all these things I didn't mean to forget
I didn't mean

straighten your shoulders, girl
take a deep breath or wash your face girl
but don't get stuck girl

to brood about
linger over
crying over failures again
cry on your grave
flowering your grave
carry your cross
to the death
flowering your grave
while you are not dead yet

Love and pain don't feel the same
but sometimes you're lost
and feel love is pain
mistake do happen yeah
mistake do happen every day

secrets that I forgot, yes indeed
dreams that I gave up, not really meant that
people that I forgot, on purpose
houses I will not build up, on purpose

Cannot see the world as it is
through filters
greed, hate wrath
whatever it is
it affects your judgment
don't brood about
try to by wise
instead of crying over failures
that happen every day
take the lesson with you

Open Collabs 2023

Salt & Sugar

Salt & Sugar (Kaerian and MZRPKLPS / Muterial Off the Rails Open Collab)

Fake Smile

B-Alice in Psychedelic Land

Written and performed by BBright (Wolfgang Schwarz)

Weißes Kleid

UnBoxed January 2024

Original lyrics and vocal performance by the superb Shivonne @misssm

[ d o w n l a d a b l e ]

Batteries Don’t Come Included (Featuring Shivonne)

Music and Painting by Paulina Gomis
Human architecture. The portrait of your sacred geometric being. Being is perfect in its human essence. this portrait is of my friend Amir Ebrahim Bozorgi Heerd . With love.

They are the portrait of the essence. Telepathic divination to balance and stabilize the human structure in all its beauty. With the blessing of love.

Prod. By P.G For Amir Ebrahim Bozorgi Heerd

Coulda been a line on a map...nearly 
invisible - yea
I coulda been that
and I might've been the rod that takes the lick o lightnin
and I might've been caught
cause my grip has been tightening
waitin on the thunder clap
and the wrath of god
O whoa woa
coulda been...coulda been...all of that
but instead I'm the inch worm...inching along
nearly invisible...yea
just inching my way cross this iron horse highway
and it's almost biblical...the proportions
conveyed...cause that horse is a giant
a goliath to my dave
yea
awwww yea
coulda been coulda been all that
O
could've been a line on a map
nearly invisible...yea
I coulda been that

Coulda Been

Cast of Characters:

mistermark-- @user-432503709 -- Mark--sax (VST), organ, tremolo guitar chords (synth), harmonica, composition, production, arrangement, mix

Mysterious Decibel--@themysteriousdecibel --MD—lyrics and primary vocals

TexMex Shaman–@texmex-shaman –Stephen– second electric guitar solo, mastering

J.J. Terrell–@j-j-terrell –piano and electric piano

K2 and the Three [and the Four]--@k2andthe3, @k2-kara -–Ken–drums and percussion

Entheogenic Psychonaught (Josh Clary)–@josh-clary-1 –-four string fretless bass, first electric guitar solo, rhythm guitar comping 

      This is a song started when Mark came up with its architecture, recorded in a  slower, more laid back version on his own. However, he wanted a more souped up version with solos in turns. So, he turned to The Eclectic Collective to fill in the pieces. He originally had solos in all the parts which he laid down on the keys, and he had some lyrics, too. However, once he heard The Mysterious Decibel's excellent lyrics and vocals, the song totally changed the direction and the vibe, for the stellar. 

       But MD didn't start the whole thing. As happens sometimes, even without Tez on this one, we still needed to clear out some space to let everyone have their say. So, Mark went in and lengthened the song mechanically. Once we had a final form, Ken, as always, came up with the foundation for the song, allowing Josh to add his version of Mark's bass line. Then, after MD gave us the vocals to form the song, we got down to adding the solos. JJ first added his thrilling opening piano solo, as well as the electric piano solo right after the first verse, which Mark is also playing a VST sax solo in, as well. Then Josh added his guitar solo, which is the first of the two, with a very clean tone. Right after that, Stephen added his fiery solo, which follows right after with a more overdriven tone. Finally, Mark stepped back in and added his killer harp solo at the end. Of course, it needed to be mixed well, too, so we turned to Stephen for that important role, once again, which he fulfilled expertly.  

       This past Tuesday, we released a fun little series of interviews over a compilation of some of our favorite musical moments. If you want to hear our voices and some of our thoughts about music, check it out. I realize it's a big ask at twenty minutes, but you might really enjoy it, especially if you follow us, and have been for a while. It's a celebration of all of our work over the past almost year together in various forms. This song was supposed to be a showcase of all of our skills, except Tez isn't in on this one. He'll be on the next one, though, for sure.

       We hope you enjoy this jazzier side of the EC as much as we enjoyed making it. MD's lyrics are about a psycho killer artist who hides clues about his murders in his paintings. 

Original Lyrics by The Mysterious Decibel:

Some might say he's crafty and planned.
With a shade of black and a brush in his hand
Some might say the world is his oyster
But no Pearl lays inside just a conjuring blur

He'll paint you a murderous scene
With the blending of  sin all between pigments of green
He's a shady fella Who hides behind the canvas!
I spy something with my little eye
This art might show just where he died

Will you find it?
The secret
Some freak shit
are you so sure you'll really wanna Keep it ?
The secret
Are you so sure you'll really wanna keep it?
Ahhh a little secret
Are you so sure you'll really wanna keep it?
It'll haunt your mind like it does him too
He's a swifty one he'll come for you!
The secret
The secret
The secret
Are you so sure you'll really wanna keep it?

I spy something with my little eye
This art might show just where he died

His art might show
might show
might show
just where he died

Artwork: Josh Clary

A Brush With Death-Eclectic Collective

Guilty pleasures:

1.  70's synth wig-outs
2.  Guitars put through modern amps with fuzz, ping-pong delay and a s**t load of reverb
3. Mellotron choirs...

ESP (Weaponised)

🥁🥁🥁Insta🥁🥁🥁artist reels❤️artist feels
Alrighteeee den...range returnin!!!! get set......
https://www.instagram.com/reel/C8gBRvyNLCr/?igsh=MTBqaDZ5bTNiYjJxdQ==



🤟🏼Working on new patterns and techniques in composition, production, and performance of both instrumental(classical/acoustic guitar) and voice- pieces are built (loops and beats)..on BandLab @nyla_k00  and Soundtrap (new)

I have removed the (amp) tag for consistency in distribution- acoustic pieces I perform will be tagged as ‘acoustic’ (apologies for page reorganization)

TBH, I aspire to be a guitar 🎸 but I’ll settle for being able to play competently what I hear when I write...(one day, Alice...to the moon)

I study under Duncan L. Wood and am grateful for his guidance and patience. Most of my influences are Folk/Blues/Indie, but inspiration arrives in many forms so HT to Hip Hop, Rap, Classical, especially Chamber trios. Current tracks are first cuts and I may update them in the future with cleaner versions, thank you for listening as I learn.

Coulda Been

Nyla K

Recent comments

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~Mark F

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