Hypermnésie est une oeuvre mixte et improvisée pour violoncelle et électroniques en direct,  exploitant deux principaux univers soient celui du violoncelle - intégrant dissonances et microtons, battements, saturation, grain, harmoniques et multiphoniques - ainsi que l’univers du feedback.  Elle se veut une intégration de ces deux textures en une recherche sonore et timbrale, prenant son inspiration dans des esthétiques noise et ambiante.

Version jouée et enregistrée à mon examen terminal le 4 mai 2023.

Hypermnesia is a mixed and improvised work for cello and live electronics, exploiting two main universes: the cello universe - integrating dissonances and microtones, beats, saturation, grain, harmonics and multiphonics - as well as the universe of feedback. It wants to be an integration of these two textures in a sound and timbral research, taking its inspiration from noise and ambient aesthetics.

Hypermnésie

performed by Schallfeld Ensemble at the Klangspuren Schwaz Composers Lab

live recording, September 18, 2023, Schwaz, Austria

conductor: Pierre-André Valade
recorded by ORF Austrian Public Radio

Before you were born | for piccolo/alto flute, saxophone, accordion, piano, violin, and cello (2023)

For contrabass flute, oboe, piano, percussion, violin and cello.

Abattoir I - 6 instruments | 2023

Live Recording
Ensemble Kollektiv @ MaerzMusik, March 2024.

Teeth

These two miniatures have undergone several processes of “translations" - some (but not all) of their musical material began in a piece I composed several years ago, which I desired to re-cultivate under different circumstances. Sparse but with a tense energy, they are inspired by Italo Calvino's "Invisible Cities," which are desolate but contain a distinct sense of hope and remain open-ended. I see this piece as both a source of rejuvenation and an ongoing process to continue into the future.
— HAB

Bailey Wantuch, violin
14 November, 2024
Schulich School of Music, McGill University, Montréal, Québec
Lorenzo Paniconi, recording and mixing 
Image: Invisible Cities (cover), Italo Calvino; Vintage Classic edition (Penguin)

Book of Hidden Cities (i, ii) (2024)

O lente, lente nuit... o mon fusil si lourd... (for orchestra, 2024)
Title translation: O slow, slow night... o my gun so heavy...
Title drawn from the poetry of Guillaume Apollinaire

Premiered by the Yale Philharmonia on the New Music New Haven series, December 12th, 2024, Conducted by Ezra Calvino

Program notes:
O lente, lente nuit… o mon fusil si lourd… (O slow, slow night… o my gun so heavy…) is a tone poem for large orchestra. Embracing internal contradictions, the piece explores the cohabitation of diverse musical materials including prolonged and ever-shifting chromatic clusters, teeming nightscapes, and soaring melodies, among other sonic characters.

O lente, lente nuit... o mon fusil si lourd... (for orchestra, 2024)

RADIO SILENCE for 14 instruments. Performed live at New Music New Haven on November 7, 2024.

Performers:
Laurel Gagnon, violin
Josh Liu, violin
Ayano Nakamura, viola
Jiyeon Kim, cello
Patrick Curtis, bass
Sophia Jean, c flute & bass flute
Maren Tonini, oboe
Nikki Pet, clarinet
Darius Farhoumand, bassoon
Sam Hart, horn
Grace O'Connell, trumpet
Jude Morris, trombone
Chad Beebe, percussion
Miu Ishikawa, piano
Ezra Calvino, conductor

Album art by John Vaccaro

Program notes:
RADIO SILENCE represents the beginnings of an existential reflection on the brutality of modern imperialism and its representation in mass media. The metaphor of the screaming solo bassoon against an unflinching layer of “broken radio” noise represents an individual’s struggle to make sense of the world while being surrounded by unclear, interrupted, and/or disturbed communications. With textures ranging from subtly expressive to harsh and unrelenting, the piece aims to capture and distill complex and irreconcilable feelings, and to explore their inherent tensions in the framework of musical discourse.

RADIO SILENCE

Wasteland_apparent emptiness
for ensemble
Commissioned by ensemble proton bern

ensemble proton bern
Mathias Kuhn, dir.

"Approaching the matter until the borders disappear is like going into a continuum that seems not to know anymore (or yet) distinctions, separations. In the vertigo of indistinctness, hands, eyes and ears strive to identify relations in order to divide the matter and bring it back to a more human, finite dimension.
Touching, seeing, listening become the way to know and recognize at the same time, to give a name and a place to things. But these things change for constant interaction, so the attempt to frame the universe around us becomes imposition of form, establishment of relations.
Musical form as the process of its own creation".

score published by Edizioni Suvini Zerboni-Sugarmusic S.p.A.

Wasteland_apparent emptiness (2017) [use headphones!]

abgrund, for ensemble (2017) 

Lucerne Festival 
KKL Luzern 23.08.2017

Lucerne Festival Alumni Ensemble:
Raoul Cho flute
Tomonori Takeda clarinet
Vitaliy Kyianytsia piano
Bill Solomon percussion
Marina Kifferstein violin
Rachel Koblyakov violin
Francesco Tosco viola
Simon Thompson cello
Juan Díaz double bass
Conducting:
Mehdi Lougraïda

abgrund, for ensemble

No Hay Banda
http://www.nohaybanda.ca

Piano: Daniel Áñez
Trombone: Felix Del Tredici
Percussion: Noam Bierstone

X's Apartment (2018)

piece for e-guitar, accordion and electronics
Duo Promenade Sauvage. 
e-guitar: Maarten Stragier 
accordion: Luca Piovesan
http://www.promenadesauvage.com
2019

Abattoir I - 6 instruments | 2023

Alexandre Amat