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Co-Host / Producer / Engineer of the Real Good Show and Top Marks podcasts. Sports Announcer. Board Op / Producer @ Sportsnet 650. Formerly a play-by-play voice for the BCHL, NWJHL, and BasketballBC. Former Music Director and afternoon host on Peace FM in Chetwynd and Dawson Creek.

Extreme Health Radio is a show dedicated to helping you heal your body and take your life to the next level.  We talk about natural treatments for every known health condition known to man. We empower you to take charge of your health and your life so that you can get on with the business of realizing your potential and living your dreams. You can't do that if you feel horrible now can you? Listen live 4 days a week on our website!

Composer. Remixer. Sound Designer. Visionary. With 15 years of experience in the music, film, and video game industries, Justin Lassen is well versed in all aspects of the creative arts, and his blend of classical technique and modern methodology has defined his success in all manner of genres. His wildly popular instrumental series, Synaesthesia, has been highly praised by everyone from CGSociety to EQ and Playboy Magazines. Likewise, his dark, symphonic masterpiece, And Now We See But Through A Glass Darkly, has seen over 100 million downloads since its release in 2003. As a remixer, Mr. Lassen has worked with artists like Madonna, Garbage, The Killers, Lady Gaga, Lenny Kravitz, Robert Miles, Nine Inch Nails, Linkin Park, Evanescence, Apocalyptica and more, and has leant his production talents to high profile technology firms like iZotope, Cakewalk, Intel, Sony, Konami, Interplay and Department of Defense.

Justin Marshall Elias is a composer known for his minimalist, alien, and atmospheric piano compositions for film and art. With a disciplined approach to music creation and wide-ranging artistic collaborations, he is best known for his scores to the feature “Circle” and short film “Teens Like Phil,” and writes premier music for film makers through Music Vine. He also has a growing following with his Instagram project “Music+Art”, composing music for numerous up-and-coming visual artists and harnessing the power of social media to promote new art across mediums. From Electronica/IDM to well-constructed soundtracks from composers like Jóhann Jóhannsson, Justin is fascinated by the interplay between sounds and the images they are attached to or conjure up. Strong influences include Electronica artists like Aphex Twin, Boards of Canada, Venetian Snares, and Autechre. He is also drawn to more experimental and ambient artists like Machienfabriek, Alaskan Tapes, Chihei
Hatakeyama, Plaid, and Monolake for their atmospherically alien sounds and genre-breaking beats and textures. Born in California, Justin has spent most of his life amidst the quiet beauty of Idaho where he currently lives. A musicologist from an early age, music for Justin has often served as both creative outlet and as a way to process the challenges of depression, anxiety, and insomnia. He passed many sleepless hours experimenting with new sounds and compositions while studying Sound Design at Montana State University. To stand out amidst the competition of the Los Angeles music scene he would soon be in, Justin challenged himself to refine his creative process, quickly dissecting images and scenes into musical devices. Writing several songs per day, he would have over a thousand songs composed by the time he moved to southern California to pursue his music career. Before openly composing under his own name, his most common aliases were “Defending the Control,” “I Think We Should See Other Dimensions,” and “Secret Piano,” the last of which is credited with his SoundCloud experiment of composing an album for every letter in the alphabet. Having relocated back to Idaho, Justin’s primary canvas is the incredible variability of the piano, thanks to the infinite source of sounds via MIDI. He is inspired by the stark power of minimalism, and creates music that is ambient, electronic, and abstract. His music incorporates an experimental edge, playing with the intricate tile-laying of sounds, and he is fascinated by themes and motifs that are teased, revealed, and deconstructed in surprising ways. Justin values the initiative to create, which is what pleases him most about collaborating with fellow artists. He feels that music should be a conduit to the imagination, seeking his own inspiration from work that is honest, original, and daring. He is happiest when his music is incorporated with other art forms, especially dance, and when it inspires the listener to feel, imagine, and create.

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