Extract V5

(Written by Terry Reeves)
Terry Reeves: Vocals
Gary Reeves: Drums
Hans-Michael Albers: All other instruments, Arrangement & Production

Despite it happening over a hundred years ago, the sinking of The Titanic is a subject which continues to fascinate.  Many may believe the ship’s misfortune in striking an iceberg was the simple reason for her demise but the true story is a catalogue of human error.  Investigation of the circumstances have unearthed a plethora of  mistakes that in their own way, all contributed to the disaster.  

In 1985, a secret mission to find the wrecks of two nuclear submarines unwittingly discovered that of The Titanic and since that time, ongoing scientific expeditions have discovered that the metal structure has created a species of bacteria that will eventually consume the entire ship, recycling the nutrients into the ocean ecosystem.  You can’t fight Mother Nature.  And you can’t fight those who'll always spot a way of making huge amounts of profit, no matter the grisly events from which they evolve. 

By 1998, tickets were put on sale at $32,500 each for tourists to view the remains and since then, fewer than 250 people have visited the site.  By 2021, OceanGate, who owned the Titan submarine, were offering tours to view said remains at a cost of up to $250,000 per person.  

Whilst understanding the continued scientific interest, I do find it macabre that the graves of those killed aboard Titanic, many from poor backgrounds, should become a tourist playground for the rich and privileged. That isn't to say I wasn’t glued to the news, hoping for a positive outcome in the rescue bid for those aboard the Titan sub.  It was deeply upsetting to discover that they had perished.  Some five years before the fatal implosion, specialists had warned OceanGate that the venture could very possibly end in such a disaster, yet I very much doubt the occupants, who had paid so much, were made aware of the fact.

I wanted to write a song that reflected how little we have learned in the century or so between Titanic and Titan.  It seems that, for rich and poor alike, the arrogance of greed will always be with us. (Terry Reeves)

(For those wondering what ‘CQD’ means, it was the first signal the wireless operator aboard Titanic used to call for assistance and means “All Stations.  Distress!” Later though, he did also transmit the more universally used code, ’SOS’). 
 
Underwater tour, down in deep watery waves
Two hundred and fifty thousand to visit the graves
The ghosts of 3rd class continue to descend 
Death has no pleasure, haunting message to send

Can’t believe 
No I can’t believe it’s happened again
It’s happened again ( x4)

Sad moments of time forgotten names of the past
Imagine the screaming ending in silent broadcast 
Locking caged doors using padlocks and chains
No consideration given to lower class remains

Can’t believe 
No I can’t believe it’s happened again
It’s happened again ( x4)

CQD, CQD, CQD, CQD….

Can’t believe 
No I can’t believe it’s happened again
It’s happened again ( x4)
 
The rich need to own hold what no one else has
A brief chance to look down on the poor and the sad?
Excepting the science knowing lessons to learn
But not for amusement boasting others to yearn

Can’t believe 
No I can’t believe it’s happened again
It’s happened again ( x4)

Arrogance sank ‘Titanic’ built for luxury and speed
Now laying very static on the bottom of the sea
Arrogance imploded the ‘Titan’ Carbon submarine 
Sadly reminding too much money can be obscene

Can’t believe,  No I can’t believe 
Can’t believe,  No I can’t believe it’s happened again
It’s happened again ( x12) 

Can’t believe, Can’t believe 

CQD, CQD, CQD, CQD….

TITANIC TO TITAN - CRIPPLE CLUB

Drum Chicago Kit: MikaJ Saturn
Percussion Kit
Brass 1 and Chord Progression - Unison audio
Bass - MikaJ Saturn
String - MikaJ Saturn
Brass Quartett - MikaJ Saturn
Grand Piano - MikaJ Saturn
Vinyl Keys   - MikaJ Saturn
arranged and composed by MikaJ Saturn 2023

My Mirrorsoul

This EP is my second for 2024 and is dedicated to my daughter, Tyra Claire. There is a track named after her and it is the most beautiful piece of music that I have composed to date. My continued to gratitude to the folks at Disfunction Records and Euphoria Entertainment for their support in this release.

Obsidian Circuitry Ritual

Rendezvous In Versailles

JunoDownload

In my daydream, I get a phone call from a late show associate producer asking me to appear as a music guest. And this is the first song I would play.

There's not a place in the sun
That can keep me warm when you're gone
I write you letters
But they're all returned

I'm dried up like a leaf
In the autumn when you leave
Your cryptic communications
Are causing me concern...

Won't you tell me where you are
The Salton Sea
Or a distant star
I'll parry to your rescue
And fight your nemesis
Are you trapped in a disco
High above San Francisco?
I'll boogie to win your freedom
Getting down just like this...

Trapped In A Disco

Back together joining the wonderful Paul Racle, who has again created such a fun track to share.  Paul's super funky groove sets the tone and lets me play - check out and follow Paul's deep collection of originals https://soundcloud.com/paul-racle
https://soundcloud.com/paploviante2

and for a playlist of over 20 tunes together - https://soundcloud.com/jamie-rhind/sets/playing-with-paploviante

Thanks as always for your generous time listening, for your comments and for your shares

EverGreen - Paul Racle / Jamie Rhind

The day gets longer

'flaws & scars & all'

Scotty: lyrics, vocals, epiphone casino, fender squier 3/4 bass, casio organ, pearl export acoustic kit.
amp: fender mustang III; Derek champ (guitar), beauty clean (bass), movie tremoloux (organ)
pedals: uni-vibe, cry baby wah (organ)

I don't know what's goin' on.
But it's gone on for too long.
It's so hard now to stay strong
when everything you feel seems wrong.
I used to wear an open heart
until our kind tore it apart.
I was to blame, or once I thought.
But we're the same, just different flaws.
And scars. And all. 

I used to cry myself to sleep.
And fear the words I used to speak. 
I've come to learn that I'm unique
and beauty hides between the seams.
So, now, although I walk alone,
I've learned to love myself and grown
into this man all on my own.
Now, please, fuck off, I'm getting stoned.


flaws & scars & all

Crystals (2018) Anthology CD4 Track 11

Peep Dream (Original)

digital control

Trevayne is from Melbourne Australia and is an electronic music composer and producer devoted to creating and manipulating original electronic sounds in the pursuit of the essence of true deep tech house.

His work spans more than two decades, includes international stage performance, live TV, studio session work and has been recently translated into a growing number of recorded works - EPs, Studio Albums and other collaborative efforts.

These recordings capture a devotion to experimental, melodic deeper beats that are facilitated through the unique combination of organic sounds, distinctive samples and warm analogue synths that are interwoven throughout.