"K.R.Y.T.I.C was born in Uganda and raised in Zambia, he is the perfect mixture of both worlds and so is his music. Having met him in person, he is a quiet person and there is just something about him, I wouldnt say anti-social but One can question. He sure is no doubt a lovely person. Once you hear his music, you understand why they say HipHop is poetry.

With a rap that goes well with the African legend songs and the rythme of unbeatable beats, swagga of a college kid and talent of a hiphop Legend fits his name.

K.R.Y.T.I.C is sure headed for greatness." states Lillian Elidah.

The track record is impeccable, the flow is malicious, the future of African hip hop is finally secure. Thanks to one Anthony Victor Muligisa...more commonly known as Krytic.

Weighing in at three years of none-stop good music, two mixtapes deep, and a much anticipated album, entitled Best Before Forever, Krytic is set for nothing but greatness.

Born August 9th in the small town of Jinja, Uganda. Krytic is the first of four. Due to all the civil unrest in his home country, his family relocated all across the Nile, for about two years, finally settling down in Zambia in '89. There is totally nothing cliche about this guy...because as much as everyone claims they got introduced to music at a tender age. Anthony was just your average kid next door and the girl next door would soon learn, a rather cute one at that.

There was nothing...not even his witty nature...that would have hinted the brightly lit future he now faces. His earliest experience with music were Michael Jackson's 'Dangerous' album, a tape that he got off his dad. He dabbled in writing slight poetry and by the time he got to his teens, his writing was getting the attention of high school poetry competitions.

Him and music finally made the connection when he overheard his neighbors recording verses over beat box instrumentals. He was instantly drawn towards the witty rhyme patterns, the kick, the snares ,the punchlines that make up the art form he now fights so passionately to defend.

Staying up late nights,sacrificing school grades and social activities...the young poet fought day and night to sharpen his skills on the mic.

After five years he tried his luck in a recording session and recorded his first track...Club It Out...produced by Didi, a resident producer that was causing a riot on the underground scene. The song didn't do very well on the local circuit, but it managed to get the attention of one Defenze, a rival rapper Krytic had taken a stab at on the ride out of the track. A small feud grew off this stab and things were set to heat up until Krytic and Defenze met at his old high school and sorted out their differences. That afternoon, what Krytic defines as "one of the most educative friendships of my life" was born.

The unlikely duo, Krytic and Deffy, took to the mic with insane ferocity, churning out Ndola city underground classics like: How Cold It Gets, Helping Hands, Silence remix and much later...Move featuring Steve.

For a while Krytic and Deffy seemed set to hold down Ndola City for eternity, but then...a wild card was introduce. A wild card called Calamity. Mulu, the producer Deffy had introduced to Krytic (and produced the previously mentioned songs) passed away. Both having been close to Mulu, Krytic and Deffy took his death really badly, and for a moment both seemed ready to give up the hip hop dream, now having nowhere to record. This however changed when Krytic met Steve, another MC that was coming up and getting major air play on radio. Steve introduced Krytic and Def to Bezariel Mwanza, his producer. Unlike anyone Krytic had ever worked with, Bez was more of a mellow producer, whose niche was live instruments. The combination with Krytic's lyrics brought about arguably one of Zambia's most soulful projects.

Seeing the future in him, Bez signed Krytic to his label and began working on his first album,THE NINETH LETTER. However, calamity had other plans, and this time they were closer to home.

On 31st October '06, Krytic's father passed away, leaving behind a wife, four troublesome children and a landslide of bills. Left to be the man of the house,for the first time in his life Krytic began to see the music thing as a means of paying the bills. His pain could be felt on "Shadows of a Glass" a song he wrote for his father.

As though pushed on by the new development, Krytic worked double time on the lyrics, at the same time enrolling in Law school in the capital city. Loaded with a CD of his promo, he took on the capital, and not before long he had got one of his songs on heavy rotation on Q fm. Endorsed by Dj's like Thrill, Chepa, Honey and Drex, the buzz was just sickening.

He began to work with other upcoming rappers from the big city, expanding his listenership in large bounds. His first mix tape...The Eleventh Letter-Mind of a Mad Black Man, included appearances such as Slap d, Dope Ghetto, J.rox and even a sampled verse from 2pac. As usual his spins were massive and "My Best Friend" off the mixtape, soon became a local favorite.

He met 2wo-1ne at a recording studio and the synergy was just insane. From this friendship came the much acclaimed, BURG CITY ON LOCK ONE mixtape, a venture which not only put a new face to local hip hop, but also solidified Krytic's position as 'lyricist of the year' which he got voted later that year. There is no end to the number of insane punchlines that he brings forth. And he says he Is just getting warmed up. With a solid past, a bright future and a thousand plus fans behind him, Krytic doesn't seem to even be slowing down.


When asked what he thinks about the buzz around him he replies, with a smirk "I THINK I WELL EARNED IT."

The fight is at hand, the fighter is ready.


I'm a folk blues guitar playing singer/songwriter
 I'm signed to malicious damage records both my albums (THREEFOLD RETURN) and (ALL THIS IS THAT) are available on line at http://www.maliciousdamage.co.uk/ or at the usual outlets.
 what the press say:.......
 Bridging the great divide from South London to the Deep South, Bob Meyer is one of those individuals who, while showing no desire to crave the spotlight, assimilates and homages his influences to emerge with statements of unadorned and unrelenting honesty.Sounding like they could be recorded in your front room, the songs on his second album, Threefold Return, intimately straddle anyone from Nick Drake to Blind Willie Johnson but what shines through is the man’s honest and restless, questing musical passion.Bob’s also a shit-hot guitar player, first picking up the instrument at the age of ten courtesy of his older brother, who built them. Maybe put off by his own left-handedness, Bob didn’t touch a guitar again until the age of 31when he did a Hendrix by turning the instrument upside down along with his teach yourself handbook. Within a month he was writing songs, later recording his 2006 debut album All This Is That in one afternoon at the Chocolate Box in Wood Green – all tracks first takes with no overdubs. AmericanaUK described the album as, “Primordial blues, tough and dirty, that harks back to Robert Johnson's template and at times comes close to being as powerful. Meyer has a real feel for the music and delivers real blues in a classic style.” Guardian Unlimited called Bob, “an extraordinarily talented acoustic blues guitarist, a man who sings like his heart is buried in a Mississippi swamp…”.Although the album didn’t catapult him into a position to give up his day job as a truck-driver it paved the way for a second outing which throws out an uncanny timeline with America’s 60s troubadours lashed with the stark guitar stylings of the blues musicians he reveres, particularly Blind Gary Davies, Leadbelly and Son House. This blues fixation surfaces on tracks like Tilt and the stridently atmospheric I’m A Fool. Southwark Bridge recalls the drowsy observations of Nick Drake while As She Flows and When I’m Gone recall Greenwich Village singer-songwriters like the Tims Rose and Hardin.The most enthralling excursions are instrumentals like Rollin’ Part 3 and stunning Fast River Of No Return which recall nobody so much as the late John Fahey, the mysterious American genius who revolutionised the six-string steel guitar in the early 60s, inspiring names like Leo Kottke and Robbie Basho to develop their own individual styles. It seems as if Bob’s quietly become one of the few contemporary UK guitarists to do the same, emerging as Streatham’s answer to Blind Joe Death while as equally at home on the dark blues holler of Mary Lou as the gentle instrumental Escondedo. By the closing Time To Go the album has simply cemented itself as a modern folk album without hype or unnecessary trimmings: these days something of a rare beast, as is its creator. you'll be hard pushed to find another artist like him this side of the Mississippi. If the blues is about anything, it's about the raw passion that flows into both the voice and guitar. "Threefold Return" is imbued with that passion and spirit. The loose, deceptively simple guitar drags you right back to the basics, get the notes right and the rest follows. You don't need layers of instruments if one guitar and a voice is enough. It's bang on the mark....... www.fatea.co.uk Threefold Return has manifold rewards, This is a hypnotic slow burner that demands repeated listening. Bob speaks of deeper truths than mere plastic materialism and is touched by the left hand of God...... JDC He is a musical extremist, a radical player, somebody from whom the music simply flows and allows us to participate in it....... BLUES NEWS Even Nick Drake would have been proud of the sense of ominous portent Bob Meyer creates on this acoustic offering. A simplistic description of Threefold Return would be miserabilist. These, most certainly aren't songs of joy designed to electrify...... BLUES IN BRITAIN "...primordial blues,tough and dirty,that harks back to robert johnson's template and at times comes close to being as powerful ...meyer has a real feel for the music and delivers real blues with classic themes.....from south London maybe,but unadorned and untarnished the real thing"....AMMERICANAUK "Bob's songs are modern folklore,backed up by guitar picking of a different age....it is unpretentious,and allows for your mind to move through the songs...his music rises and dives with assurance and manages to create bonafide country blues out of his obviously fresh brain....." BLUES IN LONDON "one undoubted star at the recent clock machine gig was the extraordinarily talented acoustic blues guitarist bob meyer.a man who sings like his heart is buried in a mississippi swamp".....NEIL PERRY THE GUARDIAN

Born and raised in Central PA, DJ Quenique knew early in his youth that music was a permanent element of the fiber of his identity. From DJing at a large local skating rink for the majority of his teenage years and embracing the early electronic music scene while skateboarding with friends to delving into the EDM scene after moving to Los Angeles, California, he has never forgotten the ever present love and stability music has created in his life. Quenique moved back to Central PA in 1998 and quickly established himself as a funky house DJ, moving to many other genres of EDM as well. Finally, Quenique found himself in love with the funky breakbeat. Quenique can please any crowd and is considered to be a top east coast Breakbeat DJ. He has truly become a Breakbeat icon; recently playing alongside top national and international DJ's including: NineLives The Cat, DJ Icey, Deekline, General Midi, The Breakfastaz, Baby Anne, The Autobots, John Digweed, Jen Lasher, Reid Speed, Keith Mackenzie, DJ Fixx, 30 Hz, Far Too Loud, Sam Hell, DJ Trashy, Rick West, Malicious Mike, J-Break, DJ Micro, John Tab, Carbon Community, Channel Surfer, Graham Gibbons, Mike Myers, The Swarm, Chloe Harris, J Smooth and Effex; to name a few. He has played the Earth Day and Earthdance celebrations in San Diego, the 2008 Winter Music Conference in Miami and currently holds a weekly online radio show on Unitedbreaks.fm (2008-present).

Dj Quenique bounced back and forth between San Diego and Pennsylvania since 2005. Finally calling California home in 2010. With interest at a peak both east and west, you are sure to see him on the 1's and 2's coast to coast! Que has been busy in the studio as well; currently producing his own tracks which will be making him a commodity to the electronic music scene in all aspects of the game! Dj Quenique started from the ground and worked his way up to the complete package. From DJing and producing to owning a production company, he knows the industry extensively and has put that knowledge to good use! When you see the master at work in the DJ booth and hear what comes out of his studio, you will soon understand why he has become the man in high demand! 

REVE Antivirus was established in 2014 with the aim to offer the online user a safer digital experience. It is a part 'The REVE Group', a Singapore-based company working in different areas including IP communication, roaming application and the web-based software. The company offers a range of antivirus solutions for ultimate protection against malware, spam, viruses and other online threats. REVE Antivirus not just offers simple antivirus solutions; rather, the company strives to offer unmatched quality of the software and constantly brainstorm for innovative ideas. The developers work day in, day out to offer ultimate protection against the ongoing cyber attacks. The R&D team performs advanced research on different spyware and malicious elements to offer protection against new threats.


I'm a folk blues guitar playing singer/songwriter
 I'm signed to malicious damage records both my albums (THREEFOLD RETURN) and (ALL THIS IS THAT) are available on line at www.maliciousdamage.co.uk/ or at the usual outlets.
 what the press say:.......
 Bridging the great divide from South London to the Deep South, Bob Meyer is one of those individuals who, while showing no desire to crave the spotlight, assimilates and homages his influences to emerge with statements of unadorned and unrelenting honesty.Sounding like they could be recorded in your front room, the songs on his second album, Threefold Return, intimately straddle anyone from Nick Drake to Blind Willie Johnson but what shines through is the man’s honest and restless, questing musical passion.Bob’s also a shit-hot guitar player, first picking up the instrument at the age of ten courtesy of his older brother, who built them. Maybe put off by his own left-handedness, Bob didn’t touch a guitar again until the age of 31when he did a Hendrix by turning the instrument upside down along with his teach yourself handbook. Within a month he was writing songs, later recording his 2006 debut album All This Is That in one afternoon at the Chocolate Box in Wood Green – all tracks first takes with no overdubs. AmericanaUK described the album as, “Primordial blues, tough and dirty, that harks back to Robert Johnson's template and at times comes close to being as powerful. Meyer has a real feel for the music and delivers real blues in a classic style.” Guardian Unlimited called Bob, “an extraordinarily talented acoustic blues guitarist, a man who sings like his heart is buried in a Mississippi swamp…”.Although the album didn’t catapult him into a position to give up his day job as a truck-driver it paved the way for a second outing which throws out an uncanny timeline with America’s 60s troubadours lashed with the stark guitar stylings of the blues musicians he reveres, particularly Blind Gary Davies, Leadbelly and Son House. This blues fixation surfaces on tracks like Tilt and the stridently atmospheric I’m A Fool. Southwark Bridge recalls the drowsy observations of Nick Drake while As She Flows and When I’m Gone recall Greenwich Village singer-songwriters like the Tims Rose and Hardin.The most enthralling excursions are instrumentals like Rollin’ Part 3 and stunning Fast River Of No Return which recall nobody so much as the late John Fahey, the mysterious American genius who revolutionised the six-string steel guitar in the early 60s, inspiring names like Leo Kottke and Robbie Basho to develop their own individual styles. It seems as if Bob’s quietly become one of the few contemporary UK guitarists to do the same, emerging as Streatham’s answer to Blind Joe Death while as equally at home on the dark blues holler of Mary Lou as the gentle instrumental Escondedo. By the closing Time To Go the album has simply cemented itself as a modern folk album without hype or unnecessary trimmings: these days something of a rare beast, as is its creator. you'll be hard pushed to find another artist like him this side of the Mississippi. If the blues is about anything, it's about the raw passion that flows into both the voice and guitar. "Threefold Return" is imbued with that passion and spirit. The loose, deceptively simple guitar drags you right back to the basics, get the notes right and the rest follows. You don't need layers of instruments if one guitar and a voice is enough. It's bang on the mark....... www.fatea.co.uk Threefold Return has manifold rewards, This is a hypnotic slow burner that demands repeated listening. Bob speaks of deeper truths than mere plastic materialism and is touched by the left hand of God...... JDC He is a musical extremist, a radical player, somebody from whom the music simply flows and allows us to participate in it....... BLUES NEWS Even Nick Drake would have been proud of the sense of ominous portent Bob Meyer creates on this acoustic offering. A simplistic description of Threefold Return would be miserabilist. These, most certainly aren't songs of joy designed to electrify...... BLUES IN BRITAIN "...primordial blues,tough and dirty,that harks back to robert johnson's template and at times comes close to being as powerful ...meyer has a real feel for the music and delivers real blues with classic themes.....from south London maybe,but unadorned and untarnished the real thing"....AMMERICANAUK "Bob's songs are modern folklore,backed up by guitar picking of a different age....it is unpretentious,and allows for your mind to move through the songs...his music rises and dives with assurance and manages to create bonafide country blues out of his obviously fresh brain....." BLUES IN LONDON "one undoubted star at the recent clock machine gig was the extraordinarily talented acoustic blues guitarist bob meyer.a man who sings like his heart is buried in a mississippi swamp".....NEIL PERRY THE GUARDIAN

L-Lucre aka L, aka New Yorker. Is A San Diego Based Hip Hop/Rap Artist, who was born In the Bourough of Manhattan New York, New York. At age 9 His Mother Viviana Ivette Ortiz Moved Him to Provo, Utah, along with His Older Brother David QOne Quinones and his now deceased grandmother "Rest In Peace Ines Rodriguez Born: Dec. 30 1914 Died: Feb. 10 1996. Just one Day Before Luis Lucre`s Day of Birth. The lost of his Grandmother really took its toll on Luis, so did what most young fatherless teenge kids did. Hit the streets in search of a love that only he knew would fulfill his empty space within his heart. Music and the life of a Rap Star or artist such as 2Pac, Big Pun, Nas and Dmx, Dr. Dre Snoop and many more. Had a huge influence on the life style L chose to live. As the years passed, of being in and out of youth detention centers,work crew camps, and on juvenile probation. Luis was unable to finish High school but got his GED in JAIL! So the law breaking reblious way continued to follow L like a black shawdow filled with fear and self doubt. When L Turned 18 he moved from Provo Utah to Salt Lake City, Utah. To the Rose Park Area. Were He began to sharpen his craft and gift of rythme.. Hanging out and freestyling at local open mics at clubs in the downtown Salt Lake City area. House parties is were New Yorker was born "So To Speak" Being new to the area L decided to make his image EAST COAST... even though he could flow in many other styles he went with what helped him survive. The Wild Wild West that is The Valley of Salt Lake County. Considering himself a man stuck in the middle and to avoid being to deep into any gang affilation. And by him being from N.Y.C originally he used the fact that GANGS at the time were more of a West Coast thing. This kept him from getting jumped into any local gangs but he was also able to earn the Street respect he deserved. Drinking and partying and flowing and cyphering in the early 2000`s with many well known local artist in the 801 area today. Such As SavvyYola and Coleone From the Commission. Lam of Self expressions music..Mz Malicious Of Sick Lake records/Staxx N WAXX Muzik Just to name a few. Recently L moved out to sunny San Diego were he now lives with his mother of his child and his 2 1/2 year old daughter. Feeling the pressure from being layed of from his job and lack of any college degree, Luis began to souls search and pray on his next move.. 3 Years after leaving Salt Lake City 3 years of no music, took its toll on the Luis mindstate. You see music is L`s Passion, his love, his medicine, his outlet...So nowadays L is working on putting together his 1st self released offical album while collecting unemployment!!...So for now enjoy some of L`s music to get a small taste of L-Lucre`s great music. Trust when I say...He has more in Store.. Keep your eye's and ears open!!

Zora is a brutal death metal band screaming its extreme hate from Southern Italy. The band born in 2003 and with first cd-demo Dismembered Human Race shoot its first scream of total repulsion for all those attitudes and for all those people who day after day bastardizes every sphere and aspect of the human world ... therefore a new work, U.V.A. ( Undisciplined Violent Aggression ), was born in 2004, a mini-cd composed by new six songs and prod again, like the previous, at Sound Farm Studio ( Italy ). During 2005 the italian label Eyes Of The Dead Productions reprint the first demo-cd Dismembered Human Race to produce a split cd, always in 2005 Zora signs a contract of production with the american label Malicious Intent Records which reprint mini-cd U.V.A. . In 2009 is out a new split cd called 4 Ways To Scream Your Hate and one year later the austrian label Bloodred Horizon Record  releases their first full-length cd Gore, composed by ten new songs, signing a new contract for the production and distribution with the band. In 2011 is out a new single Slave of mind followed by another single in 2014, Abracadacab, both contained in 2015 on an ep called Two Shots.  In  2016 Zora, with GLK Molè on guitar, Giampiero Serra on drums and Tat0 on vox and bass, release a new full length called Scream Your Hate, nine song of pure extreme rage brutal death metal. 
During the summer of 2018 they publish a new single, this time it is a cover of The Exploited, Beat The Bastards, contained in a new ep called Mad-e in Italy, out in November 2019. 
In July 2021 is out, for Maxima Music Pro (ID), Wings Of Destruction (RU) and Old Metal Rites Records (BR), the third full length, called Soul Raptor, 10 new tracks and always the same hate!

British Woman is currently on trial in Dubai on charges of kidnapping her own son maliciously instigated by her ex husband.

Please support our campaign to defend this injustice, where a British woman could go to jail for “kidnapping” the son she has lived with and nurtured since the day he was born.

Trapped in an abusive marriage and having left her husband, Afsana found herself subject to a campaign of intimidation, threats and trumped up charges for the last three years. In a bid for custody of their toddler son, her wealthy French ex-husband has successfully exploited the UAE system to his own advantage. For the last 3 years, he has mired her in numerous judicial processes which she has been forced to fight these malicious claims to clear her name. The trial started 21st January and ruling is due 11th February.

Her passport was confiscated by the Dubai police in 2011 due to continuous malicious allegations from the ex-husband, although she was never charged with any crime. We urge the British and UAE governments to intervene and have Afsana and her son returned to the UK.

Afsana is innocent of all charges and we appeal to the British and Dubai authorities have the case thrown out case and her son must be allowed to return to the UK. Afsana has broken no laws and has an exemplary reputation for helping disadvantaged groups in London.

Besides jamming to The Prodigy at thirteen with my sister,  the first time I got into Techno was when I was 15 and started going to Ozone back in the day. The first songs I remember were Orgasm and Higher State of Consciousness.  I am a long time fan of all the local dj's in the Tampa Bay area.  I loved R. Fresh, Santana, Mondo, FBI, Rick West,Chris Craze, Tony Faline, Malicious Mike, Huda Hudia, DJ X, Icey, Baby Anne, Trashy, Gemini, and in the days of Painted Puppy when nobody knew what painted puppy was!  I am a break beat girl and will always love it!  

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