rest

Assembler

Leech

'Ants From Up There', out now on Ninja Tune: https://bcnr.lnk.to/afutSo

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Ants From Up There

The Place Where He Inserted the Blade

@stacksofvoices

With pleasure we announce the next album by Stacks, called ‘Love and Language’.

Stacks is the Belgian duo of Jan and Sis Matthé. These Antwerp residents build and undress different timbres and textures into vocal-hooked songs, flouting the rules of pop in the process. We at Knekelhuis appreciate this immensely and are delighted to work with them. ‘Love and Language’ is a romantic, moody pop-not-pop record in which everything falls perfectly into place.

Love and Language

A2. Stacks -  Above Ground

Instrumentalepathy

Shred You To Bits

HOAX

ASFT Ruff

Yugoslavskiy Groove

Spiderland

Washer

Allah-Las

Catamaran



<a href='https://theartistunion.com/tracks/54d74c'>Download for free on The Artist Union</a>

left behind

Rough Trade Electronic '11

Space Is Only Noise If You Can See

That's Harakiri

Great God Pan

Mule Variations

Big In Japan

Lily of the Valley

We Only Attack Ourselves

La contrapposizione dell'eterno andar di fretta al rallentare per non rischiare di rovinare tutto, fa di “you’ve run so fast” un'istantanea di un periodo particolare della mia vita. Il brano rappresenta la presa di consapevolezza della coesistenza degli opposti in tutte le cose che viviamo, che poi è anche il tema centrale dell'EP “opposite states”.

Seppur sembrerà banale, è ovviamente nato da una storia d'amore che non è finita proprio nel modo in cui speravo, in cui avevo messo più di quello che pensavo sarei stato capace di creare.

“you’ve run so fast” è malinconia consapevole, o almeno mi piace definirlo così. E' rivivere “lucidamente” un ricordo, con un'intensità simile a se fosse ancora in corso, ma solo per il gusto di esplorare il più possibile sè stessi. E' rassegnazione, distacco, opposizione e unione allo stesso tempo.

-------------------------
fuck i've run so fast
fuck i do it all the times
'till i was a child
wasting what i've done

why can't stop going fast
crashing in a women's car
did i waste my time
running fast like that?

(wasting //)

nothing was thrown away
all words are on their way
is not wasting time
is just running fast

am i yours or not?
i don't really know
is just my life and me
staring at my lies
wasting all my time

fuck i've run so fast
fuck i do it all the time
'till i was a child
wasting what i've done

why can't stop going fast
crashing in a women's car
did i waste my time
running fast like that?

(wasting //)

'cause you've run so fast

fuck i've run so fast
fuck i do it all the time
'till i was a child
wasting what i've done

why can't stop going fast
crashing in a women's car
did i waste my time
running fast like that?

(fuck fuck fuck fuck)

am i yours or not?
i don't really know
is just my life and me
staring at my lies
wasting all my time

i don't really know
is just my life and me
staring at my lies
wasting all my time

fuck i've run so fast
fuck i do it all the time
'till i was a child
wasting what i've done

why can't stop going fast
crashing in a women's car
did i waste my time
running fast like that?

(fuck fuck fuck fuck)

am i yours or not?
i don't really know (care about your problem, baby)
is just my life and me
staring at my lies
wasting all my time (lies)

am i yours or not?
i don't really know (care about your problem, baby)
is just my life and me
staring at my lies

opposite states

you've run so fast

Ruinism

Petty Passion

A Different Age

A Museum Of Contradiction

dimeback

Amnesia Scanner — Tearless
Format: LP / DL
Cat.No. PAN 108
Release Date: 19 June 2020
Purchase: pan.lnk.to/Tearless

Berlin-based duo Amnesia Scanner have announced the impending release of their sophomore LP, Tearless, a sonic reflection of how it feels to experience Earth at a time when collapse is emerging as the prevailing narrative. As Amnesia Scanner founders, Ville Haimala and Martti Kalliala watch their icy home country of Finland thaw- the staggering scale of political recalibration and the worldwide climate crisis blows open old norms. “There’s a looming sense of radical change,” they noted pre-COVID, connecting the period of making the album to a fin de siecle horror and curiosity regarding what new world is being ushered in. Tearless has been referred to as “a breakup album with the planet”, to which Amnesia Scanner responds, on the LP’s closing track: “You will be fine, if we can help you lose your mind.” Amnesia Scanner are previewing the album in the form of a video for their accidental quarantine anthem “AS Going,” a clip featuring a cascade of images of spiraling humans.

Tearless marks a turning point in the duo’s trajectory, one begun in 2014 with the AS Live [][][][][] mixtape, followed by audio play Angels Rig Hook, two EP’s for Young Turks, and their 2018 debut album, Another Life (PAN). For Amnesia Scanner in 2020, the walls of the nightclubs, galleries, and institutions fall away and are replaced by full-scale theatrical productions complete with jumbotron stages, animatronics, and a surrealist costumed cast (literally so in the XL version of the album’s live show, Anesthesia Scammer). Likewise, the musical scope of the album is expansive, with guest vocalists — the Peruvian artist Lalita and the Brazillian DJ/producer LYZZA — descending into a vast uncanny valley of sound. With the crossfader on Tearless sitting closer to pop than abstraction, so too does the audience for this record widen in scope. Opener “AS Enter” sets a sombre tone until the fucking riffs of the second track (the titular, Lalita-helmed “AS Tearless”) make clear there’s plenty of roaring to come. A feature from metalcore band Code Orange on “AS Flat” follows, along with “AS Trouble” (feat. Oracle, the third, machinic ghost-member of Amnesia Scanner) and together they hit as black-metal-gaze dirges. Closing Tearless is the sadboy grunge of “AS U Will Be Fine” with a clear statement of intent: doom, despair, insanity, absurdity, it’s all natural, all cathartic, and all OK.

For the art direction of this release, Amnesia Scanner collaborators PWR scavenged the pop cultural unconscious, as if ventilating memory dissociated by trauma. The gatefold vinyl reveals a four-panel comic, full of iconic pre-millennial motifs, which arrive cut up and reassembled collage-style: fitting visuals for an album that channels Deftones as much as reggaeton, menace as much as the drop-outness of grunge. Refuse like the ‘90s and party like the ‘20s—if that seems senseless, you are doing it right.

The album is mastered by Enyang Urbiks, featuring visual direction from PWR Studio.

@amnesia-scanner
http://p-a-n.org

Tearless 

Amnesia Scanner - AS Labyrinth (PAN 108)

Downy ft. 1600j (Cashcache)

'For the first time', out now on Ninja Tune: http://bcnr.lnk.to/ftftSo

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For the first time

Athens, France

rest

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