Sounds best through nice headphones or big speakers.
Contact me via MeowfaceMusic.com 



Films I like: Edward Scissorhands, Coraline, Amelie, Secret of NIMH, Never Ending Story, Wall.E, Pan's Labrynth, Secret of Kells, The Time Traveler's Wife, The Notebook, Powder, Field of Dreams, The Family Man, Sunshine Cleaning, Man in the Moon, The Painted Veil, What Dreams May Come, Million Dollar Baby, American Beauty, Romeo and Juliet, The Curious Case of Benjamin Button, Fried Green Tomatoes, Virgin Suicides, Road to Perdition, There Will Be Blood, Braveheart, Shawshank Redemption, V for Vendetta, Pride and Prejudice 2005, Sixth Sense, The Village, Lady in the Water, Meet Joe Black, Contact, Matrix, Crash, Tigerland, The Green Mile, Children of Men, The Pianist, The Others, The Exorcism of Emily Rose, Poltergeist, Ghost, Bella, Schindler’s List..... movies with depth, soul, and wonder.

In the rap game, flash-in-the-pan artists are called legends before they can legally drive. By those standards, Skatterman is a OG in the game. But his is a hard-earned title that comes after years of sweat and heartache. Negotiating the notoriously grimy music business is nearly as dangerous as growing up in the streets of eastside Kansas City, but Skatterman somehow avoided the pitfalls of both, making a name for himself in the process.
Starting as a teen, the syllable spitter knocked out hits with different groups, starting with Southside Rollers in 1999. In high school, Skatterman met rapper Snug Brim, and the two became longtime collaborators. When their 2001 album “Worth a Million” caught the attention of Tech N9ne and his label Strange Music, the duo signed on with Strange for a successful, seven-year run..
After 8 years as Strange Music's self proclaimed black sheep, 2011 marks the first official studio album for Indie Icon Tech N9ne’s former number one henchman. Skatterman has elevated his game even further since his separation from right hand man Snug Brim to develop a new sound and forge a new direction from a now solitary and more personal point of view.
With his new imprint "BiggShot Music and Films" and longtime friend, manager and business partner Eric Hawke, Skatterman is prepping the field for a Midwest movement the likes of which has never been seen. With the inaugural Mixtape “This is Kansas City; Vol. 1” and the subsequent release in November 2009 of "The Cook Book; Recipe 1", the industry veteran, breaks new barriers and provides fans with a little more insight into life away from his previous label base. Now after over 500 shows with Tech N9ne, Mims, Lil Flip and Paul Wall among others, Skatterman is ready to leave his own indelible mark on the music game.

Spring ushers in new things a season when everything turns green. Spring 2011 in particular, haters and detractors will be green with envy as the notorious KC Underboss Skatterman, drops his epic first solo album "Self Made"! The new album will feature an assortment of platinum class production and guest appearances from such notables as: Paul Wall, Too $hort, Jim Jones, Bun B, Freedom Williams, MIMS, Tech N9ne and Lil Flip (aka Mr Flip Gates).
Skatterman calls the project "pissed-off."
"It's about animosity," Skatterman says. "It's about the people who think they got me where I am, when it was me." Expect the rapper to pull no punches. Given the freedom to speak entirely for himself, Skatterman plans to immortalize on wax his frustrations with the music business, false friends and broken promises. A track called "Loyalty and Betrayal" expresses Skatterman's feelings on former label Strange Music, among other themes.
Though the sounds are evolving, Skatterman is still the same person he's always been. Skatterman says. "I have a lot of trust issues -- I don't trust anybody. I'm antisocial, so I arrive solo. This is finally my opportunity to do ME."
Trust this: Skatterman's "Self Made" will drop like a sonic blast.

“Skatterman is recognized as one of the most gifted poets of this new era! He is a modern day Shakespeare, a legend in the making”.
Stu Lennon – UK

“I am truly a fan of Skatterman, he is one of the realest cats out now!”
Freedom Williams – Formerly of C+C Music Factory

“Skatterman’s voice resonates when he spits, like a Hip-Hop Barry White, smooth and captivating on a track.”
Michell Perkins – vhopnation.com

“Skatterman is definitely a gifted story teller, you can feel every word.”
Juse – Omaha City weekly

Bato Bato Debut
Release Oct 9th 2018
12" Vinyl Ltd 300 Copies Worldwide
Hand Stamped & Numbered Artwork
Ships from California
Pre Order oi@batobato.org

Bato Bato
Side A 33 RPM
Son Castello [Son Castello]
Luna de Escape la Luz [Moonlight Escape]
Sendero de la Carded Decente [The Trail of Reckoning Descent]
Escalar la Pared de la Cueva [Scaling the Cave Wall]
Iluminacion de las Antorchas [Lighting of the Torches] (Ritual Mix)
Entrado en la Boveda [Entering the Vault] (One Way Tunnel Mix)

Side B 33 RPM
Albores de la Medianoche [Midnight Dawn]
Realizacion de Intentions [Realization of Intent]
Subterraneo [Subterranean]
Frustrado por el Sol [Foiled by the Sun]
Partiendo el Pan [Breaking Bread]
Completa Transición [Transition Complete] (Night Sky Compass Mix) 

All tracks produced, arranged, and tracked live by Henrik Jakobsson and Julian Smith. Featuring Nestor Casas Oché on Trumpet.
 
Mixed by Bato Bato at Mild Shock Studios, Spain
Mastered by Woly at Mechampe Studios, California

Bato Records | B001B
www.batobato.org

Ozkar started out in broadcasting as a “Disc Jockey” and “Air Personality” hosting weekly, late night top 40 pre-recorded programs on “WRLB 107.1” radio in Long Branch, NJ. The radio show was sponsored by NBS radio’s (National Broadcasting School) Kaleidoscope program in NYC; this is where he learned various aspects of the broadcasting industry and obtained his 3rd class F.C.C. license. From there, Mr. Fuller took to some of New York’s hottest underground clubs, where he became a prominent DJ & club promoter of the underground club scene, spinning at The Buttermilk Bottom & The Cuckoo's Nest and mentored by NYC's best, such as: DJ Nicky Siano & DJ Tee Scott. Ozkar along with partners Randy Flood & Franklin Smith owned and operated a nightclub in the Tribeca area of Manhattan known as PHOENIX. He then joined with Glenn Toby, Randall Toby & Reggie Smith who owned “The International Entertainment Network” where he co-produced, co-wrote, arranged, mixed and engineered several music compositions; “I Can Tell” by MSG aka Glen Toby and “I'm Gettin Paid” by rapper Positive K, etc. 

Ozkar founded the “Ozz Entertainment & Mgmt. Co.” an independent music production and artist Management Company. He then teamed up with Boyd Jarvis & Walter Briggins as a co-writer/producer.  The group produced and published several songs; Love Reaction by React, I Got The Music by B4 the Storm and many others as well as created a catalog of musical compositions ranging from Punk Rock, R&B, Hip Hop and House Music”. 

With the rapid changes in technology Ozkar enrolled himself at the Center for the Media Arts where he studied various courses in Audio Engineering, Midi Technology and Music for Media.  Through out all of his time at producing, writing, mixing and re-education he remained at a constant to his loyal club fans as a DJ, and Club Promoter. 

Ozkar partnered with DJ/Producer Jason Load to create the “The Fuller-Load Project” and was also one of the founding members of the “Urban Underground Network” (aka The Underground Network) Along with Promoter/Producer Willie Wall, DJ/Producer Don Welch, DJ/Producer Jason Load, Singer/Songwriter/House Diva Ms. Barbara Tucker and DJ/Producer David Morales. Mr. Fuller was instrumental in the launch and/or sustaining of several successful nightclubs such as: The Buttermilk Bottom, The Cuckoo’s Nest, Club Amadeus, Future Image Dance-a-Teria, Pan-o-Rama, Rock Hotel, Savage, The Sound Factory Bar, The Shelter, 667 Bar Gallery Lounge, Caviar Studios, The Duplex and various restaurants such as: Vybes Café in Brooklyn, 2 Steps Down in Brooklyn, Rio Dizio & The Psychic Café in Manhattan, as well as the producer of various small concerts, art exhibits & poetry exposés through out the Brooklyn & Manhattan areas of NYC. In 2001, Ozkar teamed up with Samuel Little and formed Metro-Lounge LLC an investment, development & marketing company dedicated to the night club & restaurant industry. Metro-Lounge focused its attention on failing businesses within the industry. “Metro Lounge” found The Chocolate Monkey a failing espresso bar in Park Slope, Brooklyn and turned it into a thriving bar lounge & hot spot for over six years. Because of Mr. Fuller’s wide range of exploits in the arts, entertainment & food service industry he has built & maintains a strong reputation as “The Go To” person amongst the community he serves.

Simon Cummings is a composer, writer and conductor based in the Cotswolds, in south west England. He composes instrumental and electronic music, both of which exist at the meeting point between emotionally potent extra-musical concerns and highly intricate algorithmic processes. These processes are rooted in carefully-defined behaviours and processes, the music emerging from stochastic relationships in which these behaviours are juxtaposed and intermingle. His work has received notable performances; Bromsgrove’s ‘Mixing Music’ Festival has twice featured his music, with acclaimed first performances of lent for solo clarinet and Orbus. (Fragment), the latter premièred by the Smith Quartet and broadcast on BBC Radio 3. His solo cello work, gravest one, won the SPNM/Huddersfield Festival composing competition in 2002, and was performed there by Arne Deforce. In recent years Cummings has composed works for a variety of soloists and ensembles, including Christopher Redgate, the Curious Chamber Players, BCMG, Thallein Ensemble, Icarus vocal ensemble and Thumb, and several of his works were featured in the 2014-15 Diva Contemporary concert series. Cummings’ electronic music draws liberally on noise and pitched material, also incorporating elements of an ambient persuasion. Several CDs of his electronic music have been released, including Dither • Pother • Roil, Simulated Music and Triptych, May/July 2009, in addition to a number of digital downloads.

Cummings’ composition studies began at Coventry Centre for the Performing Arts, with Christopher Best. After this, he studied composition, conducting and organ at the Birmingham Conservatoire, and directed their contemporary music group, Thallein Ensemble. Upon graduation he was awarded the Creative Studies prize. Aided by a substantial grant from The Countess of Munster Musical Trust, Cummings undertook the Sonology and Masters degree programmes at the Royal Conservatory in The Hague, at the same time studying privately with Richard Barrett in Amsterdam. He is currently pursuing a PhD in composition at the Birmingham Conservatoire under the supervision of Howard Skempton. The primary focus of his research is the development of extended algorithmic and stochastic techniques, presently directed towards a group of works for orchestra. He is also engaged in an ongoing series of electronic studies, exploring audible processes and the time/pitch organisation of music from an entirely visual perspective.

Cummings is an accomplished writer about new music; he is the author of the contemporary music blog 5:4, and is a contributor to a number of print and web journals, including Opera, Bachtrack, Pan (journal of the British Flute Society), Mexican arts magazine La Tempestad and Fluid Radio. Most recently, he has written an introduction to Marko Ciciliani's book/audio DVD Pop Wall Alphabet and a major retrospective essay for the ebook Imperfect Forms: the Music of Kenneth Kirschner, published by Tokafi in late 2014. As founder and artistic director of the ensemble Interrobang, Cummings has directed numerous new works; these include the UK premières of Paul Dolden's The Heart Tears Itself Apart with the Power of its own Muscle, Ryoji Ikeda's op. 1 and Chiyoko Szlavnics' (a)long lines; we'll draw our own lines, alongside works by, among others, Kenneth Hesketh, Galina Ustvolskaya, Sorabji and Stockhausen, as well as student compositions.

An unusual band active in London between 1992 and 1997.

An important note on the recordings: please play on headphones or hi-fi stereo speakers at a significant volume to approximate the initial intention, never through tiny tinny computer speakers or similar built-in audio of a mobile device.

Initial postings will be to cover all put put compilation pieces.
All tracks are downloadable in the format of 44.1/16 AIFF.

Click on the track title for full details on each piece.

Put One
Michael Ritchie
Andrew Jacques
Howard Jacques

Put Two
Andy Diagram
Stephen Thrower
Andrew Jacques
Howard Jacques

Put Three
Stephen Thrower
Andrew Jacques
Howard Jacques

Put Four
Andrew Jacques
Howard Jacques

Put Co-Labs
Alex Rodgers - Live once
Dave The Rave - Live once
Emma Bathgate - Live once
Jim O'Rourke - Live once
John Wall - Studio sessions
Ben Ponton - Live once
pan sonic - live once

.

EST's ten favourite live gigs of 1994 ...

The Blue Humans / Put Put (Disobey, London, July) The Blue Humans are much as expected: all-out free jazz twin-drum-one-guitar assault (although they prove to be considerably better two days later in the tiny, cramped Rough Trade Shop). Put Put, however, steal the show with their relentless trance-rock, a rawer, more stripped down version of everything Faust, Can and This Heat ever attempted.

VITAL, The Netherlands...

"Put Put's unabashed hi-octane jets of air stress the gaskets, slice like invisible knives".



Once again I offer up a melding of song and slapstick bass 140 In physics with a vibration sound.

Album comen soon ful throtel so get a me if you wont it....

Brayden Thomas(PanMan) is on SoundCloud so i know my fans are happy to see that. An if they dont know im an upcoming hip hop mc. Ill have show times an dates for my bookers now, so thanks for your time an be a part of my come up. That is my bio, Thats what i'v been doing for the last 11 years.....PEDA lost a lot this year sacirfice to much it gon be a long road to the top but im half way there..........stay on my wall an thanks to my fans for all the comments............PAN MAN>>>

mr.hughhart@gmail.com makes twisted Americana rockers and writes freelance stories for Los Angeles Times, NewYorker.com and elsewhere. Inspired by current madness to record BYE BYE DONNY in Laurel Canyon cottage. LYRICS: Megalomaniac shallow as a thumb tack dumbing down the facts hot as a ticking bomb dripping with the napalm you need lithium
Fake tan bully man 
We cannot take any more ego 
Don’t wanna psychopath heading for a blood bath drooling phony math
how do ya justify every day a new lie, what you gotta hide?
Blow hard, change the guard w
We cannot take any more - - white sheets
Grease in the frying pan Mussolini con man ravaging our land 
Red white black and blueYellow and brown America says
We never wanna wall hurting one you hurt all better take the fall 
Crushing the sick and poor Russian at the back door  pay your semi-whore 
BYE BYE DONNY
MEGA MEGA MEGA MEGA Megalomaniac
Grease in the frying pan Mussolini con man ravaging our land  
Fat lip talking loud rabid as a mad cow shut down your mouth

Autumn Brandee is following