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20220617

my user uploads

diviser par zéro

this tune without the voice : http://nurykabe.com/stockage/audio/stems/kv/le%20grand%20machin%20bleu%20kv.wav
sheet : https://musescore.com/morusque/le-grand-machin-bleu

le grand machin bleu

"Archive" by Nuage is a compilation of his early works. Available exclusively on Bandcamp: microfunk.bandcamp.com/album/archive

"The idea to make an archive of music I started my career from came to me spontaneously. I collected 24 tracks, some of which have been released, some are unfinished demos and others have been shared as freebies. I re-rendered the tunes from my DAW and leave them unmastered so you can hear them exactly how I’m when was creating them. I took out vocals from most of the songs to keep the attention to instruments and also leave the original project titles of the tracks.

Today, at the Archive release day, I deleted all those projects to completely let that music go and free my mind for new music experiences. I hope you’ll share some nostalgic moments with me listening to Archive." — Nuage

@nuagesounds

Microfunk pages:
instagram.com/microfunkmusic
www.fb.com/microfunkmusic
microfunk.bandcamp.com
twitter.com/microfunkmusic
vk.com/microfunkmusic

Bandcamp

Nuage - process rns

can't return to

shoutout my brudda for letting me sample his track .

https://monosleeep.bandcamp.com/album/a-world-of-possibility check it out

silent voices

BRA1Z BREAKCLUB

yoooo
im so fried
jus made this

buy beats :)

dats crazy 135bpm (tg)

https://soundcloud.com/dragoste1245/portalsayako

｡.｡

Marina Herlop - Pripyat
Label: PAN
Cat.No. PAN 128
Format: DL
Release Date: 20 May 2022
Purchase: pan.lnk.to/Pripyat

Marina Herlop is often described as a pianist, a lingering remnant of her classical training. But what strikes the listener on Herlop’s breakout track miu is the intricate trickery of her voice, tracing rhythmical clusters around the subtlest of musical beds, in a technique inspired by Carnatic music of Southern India. 

miu, the opening track of Herlop’s new studio album Pripyat, was among the first songs that the young Catalan artist made on a computer, after two albums - 2016’s Nanook and 2018’s Babasha - that brought spectral elegance to the sound of piano and voice. This spirit of adventure continues into Pripyat, Herlop’s first full album produced on a computer, and her most intensely emotional work to date. 

Listening to Pripyat you can feel the emotional toil and creative endeavour that went into the record. Fans of Nanook and Babasha will recognise the combination of melancholic piano and elegant vocal lines that is found on Pripyat tracks like abans abans. But Pripyat has a far fuller, almost chaotic sound when compared to Herlop’s previous work, with the addition of electronic drums, electric bass lines and a wealth of sublime production effects. 

Added to this production expertise are songs of incredible grace and poise. Kadish is a spectral torch song rendered in emotional 3D by Herlop’s gorgeous voice; ubunto has a feeling of deep longing and lingering sorrow; and shaolin mantis is like a pop song refracted through disorienting production effects and percussive vocal cut ups. Pripyat is the perfect combination of computer production trickery and intimate emotional release. 

Songs composed, produced and performed by Marina Herlop. 
Mix: James Ginzburg 
Mastering: Joker 
Mix and mastering of 'miu (choir version)': Borja Ruiz 
Ukulele and ending synth in 'shaolin mantis': Adri González 
Electric guitar in ‘lyssof’:Òscar Garrobé 
Electric bass in ‘ubuntu’ and ‘miu’: Òscar Garrobé

lyssof

abans abans

lyrics on original: https://soundcloud.com/7senss/4uu

senses - #4u (user cover)

mfw literally cannot fall asleep

rain in my cheeks
repose in my reach
i wonder why i cant sleep

maroon in my eye
a word that i write
a wonderous world's release

stories untold
for all that i know
restless are nights that seep

for reasons unknown
connections unsewn
a bountiful web to weave

they should make melatonin work again in the new update

YOU KNOW THE SONG IS GOOD WHEN THE WAVEFORM IS A RECTANGLE

https://genius.com/Thebajancanadian-hunger-games-lyrics

YOU CAN TAKE MY FIREFLIES BUT YOU CANT TAKE AWAY MY SKRILLEX

kmoe - blisters but different

peel your skin away
forgive me if i stay
i get its hard to trust
so lets just keep in touch
i understand these days
when i feel disengaged
they shine a different hue
on those where i feel new
so i'll be alive for you
then i'll be alive...

me when the underscores sample pack

user-177606668