ambi

20220617

Winter track list

diviser par zéro

Highschool Ost45

this tune without the voice : http://nurykabe.com/stockage/audio/stems/kv/le%20grand%20machin%20bleu%20kv.wav
sheet : https://musescore.com/morusque/le-grand-machin-bleu

le grand machin bleu

"Archive" by Nuage is a compilation of his early works. Available exclusively on Bandcamp: microfunk.bandcamp.com/album/archive

"The idea to make an archive of music I started my career from came to me spontaneously. I collected 24 tracks, some of which have been released, some are unfinished demos and others have been shared as freebies. I re-rendered the tunes from my DAW and leave them unmastered so you can hear them exactly how I’m when was creating them. I took out vocals from most of the songs to keep the attention to instruments and also leave the original project titles of the tracks.

Today, at the Archive release day, I deleted all those projects to completely let that music go and free my mind for new music experiences. I hope you’ll share some nostalgic moments with me listening to Archive." — Nuage

@nuagesounds

Microfunk pages:
instagram.com/microfunkmusic
www.fb.com/microfunkmusic
microfunk.bandcamp.com
twitter.com/microfunkmusic
vk.com/microfunkmusic

Bandcamp

Nuage - process rns

posting this to set a new bar for myself

I have been absent from making music firstly because my computer had been broken since the last time I posted. The second is because everything I had made has not been up to my standards. after all, I want to make music I like and this track is a track that I like (ill probably hate it in a year or so but whatever). I have been trying to make an ep for a while now but I keep on dumping tracks because I don't think I'm good enough. BUT I'm improving, all be it slowly im improving. hopefully, that ep will see the light of day before summer rolls in. thank you for listening to me and I hope you enjoy(ed) this track
- you're friend torobi


Edit: the .flp track didn’t save so yeah

Infinite Things

Marina Herlop - Pripyat
Label: PAN
Cat.No. PAN 128
Format: DL
Release Date: 20 May 2022
Purchase: pan.lnk.to/Pripyat

Marina Herlop is often described as a pianist, a lingering remnant of her classical training. But what strikes the listener on Herlop’s breakout track miu is the intricate trickery of her voice, tracing rhythmical clusters around the subtlest of musical beds, in a technique inspired by Carnatic music of Southern India. 

miu, the opening track of Herlop’s new studio album Pripyat, was among the first songs that the young Catalan artist made on a computer, after two albums - 2016’s Nanook and 2018’s Babasha - that brought spectral elegance to the sound of piano and voice. This spirit of adventure continues into Pripyat, Herlop’s first full album produced on a computer, and her most intensely emotional work to date. 

Listening to Pripyat you can feel the emotional toil and creative endeavour that went into the record. Fans of Nanook and Babasha will recognise the combination of melancholic piano and elegant vocal lines that is found on Pripyat tracks like abans abans. But Pripyat has a far fuller, almost chaotic sound when compared to Herlop’s previous work, with the addition of electronic drums, electric bass lines and a wealth of sublime production effects. 

Added to this production expertise are songs of incredible grace and poise. Kadish is a spectral torch song rendered in emotional 3D by Herlop’s gorgeous voice; ubunto has a feeling of deep longing and lingering sorrow; and shaolin mantis is like a pop song refracted through disorienting production effects and percussive vocal cut ups. Pripyat is the perfect combination of computer production trickery and intimate emotional release. 

Songs composed, produced and performed by Marina Herlop. 
Mix: James Ginzburg 
Mastering: Joker 
Mix and mastering of 'miu (choir version)': Borja Ruiz 
Ukulele and ending synth in 'shaolin mantis': Adri González 
Electric guitar in ‘lyssof’:Òscar Garrobé 
Electric bass in ‘ubuntu’ and ‘miu’: Òscar Garrobé

lyssof

abans abans

this is currently the truest expression of myself (interlude)

tell me what station I should meet you at, what city you want me to fly toward, where in the universe you want me to be, and I will meet you there, without hesitation

Remix of a Balinese Gamelan piece (Terambil dari Gong Pangkoeng, Beka_1934) from the archives of Musée Guimet, Paris. Comissioned by Tsuku Boshi for the Guimet Nocturne, 2018.

Mastered by Taylor Deupree.

we go candied in the marrow

Daydream meadow

Tout crédit revient à l’auteur nekobolo (sasanomaly)

Vidéo originale Youtube: 
https://youtu.be/eOKODfx5INg

nekobolo - life game

【飛行船】

歪な輪郭
鏡に映るの
誰にも見えない

飛行船 落ちる 落ちる
僕らを乗せて 落ちる 落ちる

知らない人達の声が
溶けて混ざってく幻覚

飛行船 落ちる 落ちる
僕らを乗せて 落ちる 落ちる 夢へ

光が 氷の粒が ほら
消し飛んでく
機械仕掛けの空 止まるよ
落ちる 落ちる

飛行船 落ちる 落ちる
僕らを乗せて 落ちる 落ちる 夢

this is currently the truest expression of myself (interlude)

user-177606668