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Booking/Features:  lakeyah@theforefrontgroup.co 🔥

Lakeyah Danaee is putting on for both the Midwest and Atlanta with a versatile sound that bridges that gap between velvety R&B and hard-hitting bars. The Milwaukee-born rapper, singer and star-in-the-making rose into the spotlight in 2019 with a remix of a City Girls track for the viral “First Day Out” Challenge, which gained traction online and caught the eyes of Quality Control Music and City Girls’ JT, who reposted her track. In early 2020, Lakeyah followed up with The Keymix II project, which introduced the world to her unmatched range, effortlessly swinging between aggressive, braggadocious rap and soulful, earnest R&B tracks. Later that year, she remixed Lil Baby’s “Sum 2 Prove” and “We Paid.” Again, her “We Paid” remix was quickly reposted by Lil Baby online, but this time Quality Control wasn’t waiting for someone else to recognize her untapped potential and signed her immediately. Ever since, Lakeyah has consistently fed her fans with music, releasing Time's Up in 2020 and In Due Time in 2021. Her momentum continues with the latest release of her No Pressure Part 1 EP via Quality Control Music/Motown Records. The project boasts recent singles "I Look Good," and "Mind Yo Business" [feat. Latto], which showcase her clever flows, cutting-edge delivery, and undeniably catchy hooks. With a unique style, natural talent and so much range, there’s no doubt that Lakeyah will gracefully climb the ranks toward stardom.

Known for her viral Hip Hop and R&B remixes of popular music. In 2017, she became an overnight star, with millions of people watching her. Leveled Up Music Group Artist Layton Greene is the next big thing of this Generation Z.

Layton is a Nashville, TN native but raised in E. Saint Louis. “I didn’t grow up in a musical family, but my Daddy loves music and my love for music started there”, says the singer. At 18 years old she started taking singing seriously.

Greene began making videos of herself singing some of her favorite tunes and posting them on social media. One of them was a version of Kodak Black's "Roll in Peace," with Greene putting her own spin on the lyrics. To her surprise, after posting it, the clip began attracting attention far beyond her circle of friends, going on to receive more than a million views. 

Layton Greene next partnered with producer G-Styles, recording a more professional version of what she called her "Roll in Peace Remix," and after it was posted online in November 2017, it exploded, receiving over three and a half million plays. The track became popular enough to rise to number 12 on the Hot R&B Songs chart. A few days before the end of 2017, Greene dropped her second studio track, an interpretation of Derez De'Shon's "Fed Up" that she called "Fed Up Remix." With G-Styles once again at the controls, Layton had recorded another success, and she celebrated by quitting her day job at a restaurant to focus on music full-time.

May 2018 Layton Greene debuted her original music and first single titled “Myself”.

Official City Girls. Booking - Info@CityGirlsBooking.com

Hailed by Rolling Stone as being “the hottest duo in rap,” the City Girls has successfully claimed their stake as being the most notorious power players in female Hip Hop. Yung Miami (Caresha Romeka Brownlee) and JT (Jatavia Shakara Johnson), known for being authentic, uncensored and unapologetic, took the world by storm with their first two projects Period and Girl Code, followed by their contribution on Drake’s number one pop hit “In My Feelings.” The first ladies of Quality Control Music, Yung Miami and JT’s knack for storytelling mixed with their infectious personalities are responsible for empowering a cult following of women who not only have something to say but aren’t afraid to say it. 

City Girls’ presence and ascent, as their lyrics suggest, are attributable to their resilience, pride and just a little bit of finesse. From “Take Yo Man,” “Pussy Talk,” multiplatinum and gold-selling single “Twerkulator,” their recent release “Top Notch,” and their latest release “Good Love ft Usher,” there’s no shortage of bravado, pleasures (both carnal and material), or pursuit of opportunities in their songs, which brim with a buoyant nonchalance, as if begging for someone to challenge them. This ownership over who they are—without shame or pause—that oozes from their music, carrying the proud, sex-positive hustler’s DNA of the Florida rap that preceded them.

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