Variations sur un texte de Christophe Tarkos 

Ensemble ICTUS, Johanna Vargas et Marie Ythier

Johanna Vargas : Voix
Jean-Luc Plouvier : Synthétiseur
Tom Pauwels : Guitare électrique
Michael Schmid : flûtes  
Aisha Orazbayeva : violon
Marie Ythier : violoncelle
Hugo Abraham : contrebasse

Tom de Cock : direction

Enregistré live à l'abbaye de Royaumont le 4/09/2022 dans le cadre de l'académie Voix Nouvelles 

Son : Marion Bénet et Clément Tranchant

Texte : Christophe Tarkos, Op Op CCC, Oui, dans Ecrits poétiques édité chez P.O.L, 2008 

Image : Tarkos 1 quai 13002 in l'Encyclopédie des Images de Pascal Doury, 1996

Op Op CCC Variations (2022) pour voix et ensemble

Longisolitudinal

Hisolat is immensely proud to present Lulll, Sarah McCauley's debut album, a tranquil and restful series of hallowed meditative melodies and fervent compositions in which sound is fragmented or fused together, shifting between the mournful and balmy serenity before it decrescendos into pure quietness.

*꒦ິ꒳꒦ີ

Sarah McCauley is a producer and composer who works with digital synthesis and recorded sound material to create shifting textural songs and longer compositions. Her debut album Lulll was made over several years between Ireland and Australia. Drawn to its characteristic glissandi and microtonal capabilities, this release is the result of her work with the ondes musicales which is gently reshaped alongside digital and recorded material in simple, circling and emotive pieces.

Dierstein Ondes Musicales from the Melbourne Electronic Sound Studio collection.

Mastering : Abel Roux
Cover : James Crowhurst

Limited series of silkscreen prints on our Bandcamp.

Hisolat [HR5]
© all rights reserved

Lulll

Sarah McCauley - comets

Flinch & bones - hymns of woe
Dissolves in mouth
Mopes denounced

Spreading grey
Draft, limestone
No beat after beat
Dread, lone

Lung branches - hold still
Sink below, fleets
As the fossil trails afield
As the rot curves unreeled.

Farewell has merely become a part of life we already live. Standing in front of fading realms, fragil, as it is ephemeral. Fleeting memory, monody, chromatic grief, maladies - from warm skin to cold stones. De-seeding the stasis that allows the uninterrupted heartache to go on.

'Only Autumn Returns' captures bittersweet remembrance as a poignant tribute to the the depth of human transience and the enduring power of impermanence.

Only Autumn Returns

Appropriate Savagery - Still the Same Cocoon (April 19, 2023 - 5.41pm)

Meowtive Instruments Tzu Ni invites Chiyou - 27/06/2023

this one's from 2020

astrid sonne - strong, calm, slow
broshuda - untitled
elodie - au point du jour
manuel pessoa de lima - realejo
zoviet france - palace of ignitions
roberto musci - claudia, wilhelm r and me
angus maclise - trance
jefre cantu-ledesma - tigris and euphrates, moon of blood
korea undok group - untitled 5
the sundowners - sliding past saturn
stars of the lid - low level listening pt3
vikki jackman - nightingales
todd anderson-kunert - it feels right d
aine o'dwyer - hymnals of love against the grain
charles-marie widor - organ symphony 1: meditation
zinovieff railton - rfg inventions for cello and computer
brian eno - by this river

mixtape i

allergia (mix)

https://soundcloud.com/holysimilaun is an Italian musician and sound designer based in Treviso, Italy.
Its work sonically portrays a constant feeling of powerlessness, focusing on heavy cinematics, minimal-inspired compositions, physical modelling synthesis and non-linear time manipulations, bringing its unique perspective on internal-external human meltdowns.
After its Aphex Twin-approved debut album “En To Pan” and the sophomore album “Ansatz”, Holy Similaun returns, in collaboration with Archipel, with “Arcaskathel” and “Radicor al flort, espert on’ill il erb, aor Raetia”.

Q:"What was a crucial sound experience in your life?"
A:"Definitely noisy (I mean, loud and noise music) gigs with super loud sound systems. In particular, Emptyset in Udine in 2017 and Talpah in Venice last year. 
Also, the gigs organized by the Quarto Mondo and Dirtmor crew in Treviso were one of my main inspirations in sound. 
Currently, I'm more focused on producing experimental than club-driven music, but back in the day, the opportunity to hear heavy bass music with such a massive sound system was an immense gift for my artistic growth."

Links:
https://holysimilaun.com 
https://www.instagram.com/holysimilaun 
https://www.facebook.com/holysimilaun 
https://www.twitter.com/holysimilaun

Tracklist:
Heith - make me wanna stay
S280F - knifework reveals angelic reality
Dedekind Cut - Equity
Amelie Siba - Matches
Flora Yin-Wong - Of The Ferns
Burial - In McDonalds
Vipera - Caspar Too
Coeden - Smokehole (ft. Holy Similaun)
Lea Bertucci - A Visible Length Of Light
Ludwig Wandinger - Motionless Air
Abul Mogard - Where Not Even
Ludwig Wandinger - In
Jenn - Beast, World
Jenn - U???
False Prpht & S280F - Untitled

MNEMOSYNE #053 - HOLY SIMILAUN

FLORILEGIO’S MIXTAPE #19
A tapestry of contemporary experimental and underground tracks from Florilegio’s worldwide network of female musicians.
www.florilegio.org
www.freeformfreakout.com/florilegio-mixtape-19/

TRACKLIST:
Azu Tiwaline “Night in Palmtree” The Fifth Dream (IOT Records) 00:06-04:20
Popon “Casajizochan” Bubu (Heat Crimes) 04:01-07:36
Carmen Villain “Silueta” Only Love From Now On (Smalltown Supersound) 07:12-12:26
Meara O’Reilly “II” Hockets for Two Voices (Cantaloupe Music) 11:56-13:39
Bryozone “Ghost Tribe” Eye Of Delirious (Muscut) 13:37-16:59
Ann Eysermans “For Trainspotters Only” For Trainspotters Only (Cortizona) 16:57-21:30
Youmna Saba “Al khayal” Wishah ِوشاح (Touch) 20:57-26:27
Lara Sarkissian “Eternal Repose” …it wasn’t really me (Knekelhuis) 26:19-30:03
Heather Stebbins “You are almost” At the end of the sky (Superpang) 29:55-34:43
Thea Soti “Hesitate to enjoy” ØVER+ (Planisphère) 34:40-42:38
Marja Ahti “Shrine (Aether)” Tender Membranes (Black Truffle) 42:32-54:11
Maria Komarova “While they gathered my ears grew” Synthetic Bird Music (Mappa) 53:39-58:35

FLORILEGIO MIXTAPE #19

🎤🔬 Natalia Beylis 🪗🌿 guest mix for Innerstate 87, threading through folkloric spirit, free jazz and ritual. I am such a fan of Natalia's work, first hearing iconic Cave of a Seashell some years ago while performing together with Dylan Kerr🎈. Her mix will find you surfing in the ether at midnight in Berlin, 6pm in Montréal ~~~ now eternally *here* for all future excursions,

@sunkenhumsounddiary
https://nataliabeylis.bandcamp.com
https://www.nataliabeylis.com
@n10-as

::track list:: 

David Erden – Gamla Krobo
Hood Fair – Environmental Meditation Music 01
L'Hajja Lhamdawya
Matana Roberts – For Standing Rock III
Robert Turman – Flux
Xochimoki – Tua Ra
Nass El Ghiwane
Cormac Begley - Rolling in the Barrel - O'Neill's March - Tralee Jail
Natalia Beylis – Rain Recording No. 23
Fuzzy Hell – Hexagram 28 (Flood)
Jigsaw – Kofu
Matana Roberts – For Standing Rock I

Op Op CCC Variations (2022) pour voix et ensemble

Théo Merigeau