Sidewalks

On Second Thought

Dont Push Me

Running Through My Mind

Hey good people,

I've not done a new collection for some time. And as I continue to live on mainly islands. I thought a collection of downtempo beats on some of the music Ive heard or liked in recent years on my work and travels. It has a very middle east and North African music vibe this one, I feel. 

Enjoy Island Sounds Vol. I - and much more to come :)

Keep it real and cool. 
Mister Red

Island Sounds Vol. I

How Can It Be? 

Produced/Written by: Ben Chandler

How Can It Be?

Lyrics: 

Letters from the Psych Ward
Letters from the Psych Ward
Letters from the Psych Ward
Letters from the Psych Ward

This operation needs some facilitation 
For the motivation of healing my soul 
Blaming everyone for so long is a deadly game 

Pointing fingers all the time *Can you travel in your mind 
Cos the job is inside * A coup d'état's about to go down

Letters from the Psych Ward
Letters from the Psych Ward
Letters from the Psych Ward
Letters from the Psych Ward

This circus is filled with clowns 
In the moment is the key for freeing you and releasing me
Your break has come to town 

Pointing fingers all the time *Can you travel in your mind 
Cos the job is inside * A coup d'état's about to go down 

Letters from the Psych Ward
Letters from the Psych Ward
Letters from the Psych Ward
Letters from the Psych Ward

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Blacklist Union - Letters from the Psych Ward

FEELRIGHT!

Run Ricky

*DEMO OUT NOW*

gamejolt.com/games/rayman-2-redreamed/1004947

Leitmotif and Arrangement composed in house at New Dawn Games.

Composition by Danae Dekker (danae.link/) and Jaimy Kortenhoff.
Leitmotifs in conjuncture with Maddie "Geeky Goo" McElroy. (@GeekyGooTweets)

Composers / Producers: Maddie "Geeky Goo" McElroy, Danae Dekker and Jaimy Kortenhoff.

Track not final and only meant to be listened to as an indication of what the soundtrack could be like.

Rayman 2: Redreamed - Credits

Collection of cinematic orchestral tracks with a cerebral and investigative edge that weave a tense, enigmatic atmosphere, gradually intensifying as dots are linked and connections emerge. Whether for intense mind mapping, the unraveling of convoluted whodunit cases, or high stakes mind games, these tracks are ideal for capturing mental focus and breakthroughs within a labyrinth of twisted mysteries, entangled clues, and hidden connections. Perfect for intricate crime plots, challenging puzzle solving, elaborate riddles, and any content that revolves around the thrill of intellectual challenge and the pursuit of truth.

The Mind Of Everything

A Waste Land Companion is, as its title implies, an addendum to Boris Rogowski‘s
album The Waste Land which was released in February 2023 on Piano and Coffee
Records. A meditation on the infamous eponymous 1922 poem by T.S. Eliot, The
Waste Land traces its psychological journey through a barren world in search of lifegiving
water as well as its physical journey through London on the zenith of
Modernism.

During the recording sessions for the album—whose sound is characterised by the
interplay between a string quartet, flute and a collection of specifically created,
deeply warped and tape-weathered samples—over 20 pieces were recorded.
Rogowski had originally intended to use all of them in chronological order, beginning
with the famous part about April being the „cruellest month“. However, it turned out
that a shorter playlist and a strictly musical order worked better for the album.
Rogowski decided to focus on the string-centred pieces to give the album a dreamlike,
hypnotic pull. However, as he valued the shorter, piano-based pieces just as
much, the idea for a companion (mini) album was born almost immediately.

It was a most sensible decision: Chamber gems like „The Hyacinth Girl“ and „A
Wicked Pack of Cards“, mixing English folklore with nods to Richard Wagner’s Tristan
and Isolde, might have gotten lost between the dark, monolithic soundscapes of the
album. Here, however, framed by works for solo piano and harmonium, they are
allowed to shine. A Waste Land Companion begins and ends with two piano pieces
only loosely connected to T.S. Eliot’s poem: „Dear Jessie (to Jessie Laidlay Weston)“ is
an ethereal miniature in reverence of the brilliant English medievalist whose book
From Ritual to Romance, a historical examination of the King Arthur legend, greatly
influenced Eliot while working on The Waste Land. „Universe on a shoestring“ is even
serener, a kind of exhalation after a long and arduous journey. It was the last piece
Rogowski composed during his concluding writing session in the mountains of the
island of La Palma. Here, close to the GTC, the world’s largest optical telescope, the
universe seemed closer than anywhere else on earth—and the grim world of The
Waste Land already a distant memory.

On Second Thought

Dimitri AC

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