◾️ Instagram.com/sparks.leds ◾️
             ⬇️ Discography 80 Vinyles Records ⬇️
Vinyl Bleu 16
Dosis Decibel 15
Tikal08
Ancient Records 03
Toolbox Killerz 43
Dosis Decibel 13
Chiaroscuro 02
Hashtek23 09
Acid A Gogo 02
Mizadisk 05
Hashtek23 08
9Circles 02
Foksamouss 04
Epoxid 01
Sonic Mess 01
MBRHS 00
Mizadisk 04
Mysteries 05
VinylBleu 03
Rsf 15
Scum IV
Nanopulse 01
Neoacid 02
Mizadisk 03
Melting Bass 2.2
Rhoys Records 01
Yaya23 14
United Tribe 01
Pump Up The Tribe 03
Pump Up The Tribe 02
Pump Up The Tribe 01
Raggatek Force 01
Plaque De Trip 4000
Dope 03
Dog Hs 01
Mizadisk 02
Yaya23 05
Dope 02
Old Skull 12
Pulp Friction 01
Wojtek 01
Melting Bass 01
Mizadisk 01
Raggatek Power 02
Astrotonik 06
Absolut Connection 03
Absolut Connection 02
Kick For Kill 15
Architek 30
Lol Hs 01
Architek 27
Da Fonky Pump 09
Architek 26
Lost And Found 03
Op6tem 13
Architek 24
Teknical Vodka 06
Architek Single 09
Op6tem 12
Da Fonky Pump 05
Architek 20
Architek 19
Op6tem 11
Mackitek 14
Architek17
Architek 16
Log A Rythm 07
Architek 15
Tactical Synopsis 04
Fsl Hs 100
Architek Single 06
Architek 14
Architek 13
Architek 12
Log A Rythm 06
Log A Rythm 05
Log A Rythm 04
Tek Over 05
Cd Astrofonik Think Different
Astroprojekt 08


I encountered the Underground Tekno scene as a teenager thanks to the free 
parties and Teknivals organised in Eastern France. 
Some time later I began to make mental hardtek, followed by tribecore also with a mental influence using the sound system "Les Enfants Du Son" (LEDS) which is still active today.
Now my music is a melting pot of mental influence with a punchy pumpin' kick.
Music has allowed me to meet and connect with a whole musical world and to travel all over Europe playing in clubs, free parties, squats, Teknivals, 
warehouses and all sorts of unusual places in France, England, Romania, Italy, Germany, Czech Republic, The Netherlands, Luxemburg, Poland, Spain, Swiss, Belgium ...
I was lucky to be able to release about more than 75 Vinyl Records with Freestyle 
Listen, Rsf , Mysteries , Dosis Decibel ,Mackitek, Yaya23 , Lxr Records, Astrofonik, Les Oreilles Libres, Underground Tekno, Wojtek, Dope, Pump Up The Tribe, Mizadisk, Tek Over, Tactical Synopsis etc....
This Is Pumpin Hardtek With Mental Touch !

WHO WE ARE
XXTraxx Records is a Italian record label founded in 2015 by TomDJ (Thomas Zaniboni) an Italian deejay and producer since 1990, Andrea Giuditta is a top Italian deejay and producer on the techno progressive scene in the 90’s and a part of story in a one of best Italian dance club "Club Imperiale".
Pietro Di Maio an Italian deejay and producer with a long experience in the techno scene and Federica Sardi with a big music culture. Since 1990 the electronic music has evolved into an incredible number of subgenres, today our label focuses on Techno music at 360°.

TARGET & STYLE
Our target is to produce high quality music for DJ's and club lovers with a powerful style and progressive sound without compromise, today our label focused on Techno music scene with a modern and innovative style but with a tuch of old-school.
The XXTR tracks style consists of: power kick and power bassline, power and melodic synth, acid lines and psychedelic style.
In the current electronic music scene the producer born first and then becomes DJ, our style is slightly different because we think that before being a producer you have to be DJ as it was in the 90's for example! From DeeJay's To DeeJay's!

STORES & SERVICES
Our label produces and distributes his music on more than 100 stores worldwide with the our partners who work with us like Beatport, Junodownload, iTunes, Trackitdown, Spotify, Amazon Music, Beats Music, Google Play, Deezer, DJTunes.com, Youtube, djshop.de, 7digital, HMVdigital, mp3.de, Dancetunes.com, Pulseloker, Traxsource.com, Virginmega.com, Hitlab.com and many others, furthermore we offer to our artists a professional and comprehensive service in order to achieve a higher level of musical quality like Mastering Service and Professional Support directly from our Label Studio (Italy).

XXTR DEMO POLICY
XXTraxx Records is always pleased to receive new demo's, if you feel that your tracks are of a good quality for the current market and reflect the style of our label then send us your demo.
All tracks must be original and must not contain any third-party content, before to sending the demo you must sure to provide us a clean .wav file format with no compressors and limiters, @ -6dB Master from your producing software/system.
Please note that we accept only tracks Techno with a range of bpm from 125 to 135, do not forget to include in the application email any informations about you, like: Artist Name, Title of Tracks, your complete discography and your contact details.
To send us your demo we recommend using online services such as: SoundCloud (Private Link and Downloadable), Sendspace, WeTransfer or DropBox and then you attach to email the download link of your tracks.
Only if we are interested to your demo, you will receive a reply email with all details in 3-4 working days.
IMPORTANT
Techno Genres: Techno, Hard Techno, Acid Techno, Progressive Techno, Melodic Techno
File Format Must To Be: Wave, 16bit or above, 44.1kHz or above, -6dB or -3dB headroom between the loudest peak of the track and 0dB
Track Submission: Minimoums 2 Tracks
NOTE: All Demos that are not as our Demo Policy request will be not considering!
Send your demo at: xxtraxxrecords@gmail.com

:) Hello 
△▲△▲△
Ukulele* Guitar*Violin*Karimba*Folk*funk*
*classical*soul*
***Ireland***
△▲△▲△
 https://blog.soundcloud.com/2013/01/17/heroes-2013/ (Soundcloud Hero Jan 2013)
http://soundcloud.com/groups/soundclouder-of-the-day (Soundclouder of the Day April 2011)' Of Love & Death '. 

Produced on a Mac and Mic by

http://soundcloud.com/woodshedrecordings

http://soundcloud.com/colin-norrby

Rónán Kearney


 Thanks so much to all that listened and left a comment. I'll be eternally grateful for each and every inspiring word. Peace
△▲△▲△    △▲△▲△  △▲△▲△    △▲△▲△

::::Booking requests via: satorarepo@hotmail.de or PM here::::
SATOR AREPO tenet opera rotas.... an perpetual constancy of the circular motion of the cosmic order.

The project was founded in early 2006 by Dominik H. from Munich. Dominik always had a deep connection to music, being heavily influenced during his adolescence by genres such as Metal and Punk Rock, he later on started his first steps in music production and began to experiment with different styles from Hip Hop to Breakbeat. Due to his former day job, as a event engineer, he coincidentally made contact with the Psychedelic-Trance scene, what in retrospective, turned out as a game changer in his life. Since that point, he focussed passionately in creating his idea and interpretation of deep & powerful nighttime Psytrance, never afraid to explore the limits and push the boundaries in terms of style and sounddesign.

Sator Arepo's music nowadays is a sonic rollercoaster, which characteristics are ranging from groovy and mental attitudes up to hard hitting, dancefloor focussed soundscapes. Productionwise, he's always trying to improve his skills ,in order to constantly shape and reinvent his style. With rising popularity in the global Psytrance scene, he released during the last years on welknown labels such as Deviant Force Rec, Sonic Loom, Parvati Rec, Sangoma Rec, Discovalley Rec, Lycantrop Rec, Avatar Rec and many more. Besides his solo works, he is a lively collaborator and active in several projects like:

- Cracked Nozes with Rawar/Lurker on Deviant Force Records & Sangoma Records
- ChromArepo with Chromatec on Deviant Force Records
- Haunted Spectre with Silent Horror on Deviant Force Records

His live performances made him a frequent musical globetrotter, playing some of the most important festivals the scene has to offer like Ozora, Universo Paralello, MoDem , Masters of Puppets, Karacus Marakus, Pulsar Festival, Freqs of Nature, Hadra Festival, Hive Festival , and many more.

In addition to being on stage, he's also taking duties in the background of the scene, as one of the founders of the infamous underground label Deviant Force Records and the co - founder and organizer of the party series Mental Intrusion.

for bookings contact: giannasasso.gs@gmail.com

The tale of Danny Tenaglia's love affair with music, and the world's subsequent romance with him, is one of the critical veins in the body of dance music. He is every dancer's secret discovery; a random purchase at the record store, a reluctant night out that unexpectedly turned magic. Explosive success came not behind a major label release, or a world tour, or a radio hit remix: It happened when enough people had the private Tenaglia experience for themselves.

The momentum started building in early '70s New York, when a barely 10-year-old Danny first got the feel of vinyl in his hands. Enthralled by the music of artists like Philly Soul's The Trammps, Motown's Marvin Gaye, African trumpeter Hugh Masekela, and disco producer Giorgio Moroder, he started to collect records, plumbing the depths of each one, and frequently finding that he preferred the B-side to the A. It was 1979 when he discovered legendary nightclub Paradise Garage, where DJ Larry Levan's rich, genre-less blend of music seemed to mirror his own "no boundaries" policy. It was here where Danny found the club model he would one day emulate: Levan's bold style, the venue's plain décor, and the party's warmth and inclusiveness.

Danny left New York in 1985 and launched a successful DJ-ing career in Miami as a resident at Cheers nightclub. There he schooled the locals in classic New York and Chicago house, but five years later he returned home, tired of only playing other people's music. He started to assemble an impressive roster of remixes, including Right Said Fred's "I'm Too Sexy" (1991), Jamiroquai's "Emergency on Planet Earth" (1993), and Madonna's "Human Nature" (1994). But his first epic was The Daou's "Surrender Yourself" (1993): With the kick in the bass and the underlying rhythm as the foundation, Tenaglia blanketed Vanessa Daou's wispy vocal with grand, thick chords, a combination of classic groove and modern club-ready depth that was, at the time, entirely new. The title of his 1995 debut artist album on New York's Tribal Records described it perfectly: Hard & Soul. But even if the cocktail was his own, Tenaglia never hesitated to declare how heavily his influences weighed in his productions - everyone from Patti LaBelle to Kraftwerk, with countless lesser-known Soul, R&B, Latin, Samba, and Disco artists in between.

In 1996, after a brief stint at New York superclub Roxy, Danny landed a Saturday night residency at white-hot Twilo, a position that upped his profile but didn't satisfy his expanding artistry as a DJ and producer. While New York swooned for big-room diva anthems, Danny was turning his ear toward the more minimal, tech-y grooves originating in European production studios. This period produced solid remixes like Grace's "Not Over Yet" (1996) and Janet Jackson's "The Pleasure Principle" (1996), but by the time he moved to Tunnel in 1998, Danny had already created "Elements," an instant classic that caused the dance scene's collective jaw to drop. With his own warped voice providing the narration, "Elements" (one track off full-length Tourism) walked the listener through the different components of a dance track in real time, going from kick to drum loop to snare hit, letting each layer over the other until the track exploded with dark, drum-heavy energy. Next to ostentatious radio anthems, its simplicity was a revelation. 

It was around this time that the murmurs started to get louder: Who is this Danny Tenaglia, and just what does he do to people? Clubbers reported seemingly inhuman mixing capabilities, booth-to-floor telepathy, and the grittiest "modern yet classic" grooves they had ever heard come out of a speaker. A trio of label compilations - Mix This Pussy (1994) and Can Your Pussy Do The Dog? (1995) for Tribal, and Gag Me With A Tune (1996) for Maxi - were the first Tenaglia sets clued-in clubbers could take home to dissect, but the release of his first installment in the UK-based Global Underground series of DJ mixes, titled Athens (2000), lit the international fire. Athens (meant to reflect the set he played at the Greek capital's club King Size) remains one of the darkest, strangest, sexiest sets ever released, and its tame cover photo of a gentle-looking man in a Yankee cap just didn't seem to fit. DJ dates across Europe dispelled the mystery and started the spread of the infectious Tenaglia fever.

Back in New York, Tenaglia was tiring of the cavernous gloom of Tunnel and longed for a weekly home that better resembled where the DJ bug first bit him - the Paradise Garage. He landed at Vinyl, a black-walled, single-environment, no-liquor club about one-quarter the size of Tunnel. He named the night "Be Yourself," after the self-affirming, heavy-bottomed vocal track he had recently recorded with Chicago's Celeda. And he took the name to heart: Without the pressure of bar minimums or an expectant crowd, Tenaglia spread his DJ wings. Next to new tracks by young producers like Rui Da Silva, Peace Division, and Saeed & Palash, he played the artists of his youth, with nary a beat dropped. If he wanted to launch into a two-hour set of straight-up techno, he did. If he wanted to play old Michael Jackson records, he did. If he wanted to get on the mic and tell the crowd the name of the sound he was about to play, or who next week's guest opening DJ would be, or just give everyone a "verbal handshake" to welcome them to the club, he did. And a city tired of drama embraced the barebones, music-centered night. 

The world caught up to Tenaglia in 2000. His annual party during Miami's Winter Music Conference outgrew its home at the cramped Groovejet and moved to just-opened superclub Space. DJ giants like Carl Cox danced on top of the speakers with the Deep Dish boys, Fatboy Slim mingled on the patio, and for a day the ego inherent to DJ culture evaporated: Tenaglia was hailed as the undisputed king, the "DJ's DJ." His roof-raising revamp of Green Velvet's "Flash" won "Best Remix" at the UK's Muzik Awards, where he was also awarded the "Best International DJ" prize. 

In the two years that followed, Tenaglia released another Global Underground installment (London); toured the world, took the party island of Ibiza by storm, remixed Billy Nichols' "Give Your Body Up To The Music" (a Garage anthem); got nominated for a Grammy (for his remix of Depeche Mode's "I Feel Loved," also nominated for Best Dance Song); returned to Twilo for two special gigs - a President's Day marathon with Carl Cox that shattered all its attendance records, and the club's sixth anniversary party with John Digweed, which turned out to be even more meaningful than it seemed at the time (Twilo was shut down permanently a week later); graced the cover of every major dance music magazine; and won a Dancestar Lifetime Achievement award... all while keeping Be Yourself buzzing every Friday. 

In 2003, Danny came full circle with the release of Choice: A Collection Of Classics, a two-CD mixed compilation that let him pay direct tribute to many of the artists who had influenced his sound and style. It featured everyone from Blaze to Adeva to Imagination, as well as hefty liner notes explaining the significance of each track, penned by the man himself. He also remixed another Garage classic (Yoko Ono's "Walking On Thin Ice," which became her first Billboard number one ever), opened another Space during Winter Music Conference (the new location down the block), and took another Dancestar award, this time "Best Party" for Be Yourself. 

Be Yourself took the same honor again in 2004, but this time the win was bittersweet. At the time of the ceremony, Vinyl, now called Arc, had already been sold to developers. Danny closed the classic club on Sunday, April 25, 2004, with an emotional set that lasted well into Monday afternoon, and culminated with his mix of Kings Of Tomorrow's paean to unending love, "Finally."

And as in every year since his DJ odyssey began, all across the globe, from Acapulco to Tokyo, more people experienced their first night with Danny Tenaglia, that clubber rite-of-passage that forever changes how you listen to music, go out to nightclubs, and think about DJs. 


SCHEDULE: VISIT WWW.MCOBOOKINGS.COM

MUSIC GENRE: R&B / HIP HOP / ECLECTIC / URBAN / DISCO / POP / LATIN HOUSE / MOOMBATHON / ZOUK / TRAP

Marvin Arthur Braafheid a.k.a. DJ Superior was born in Rotterdam the Netherlands on April 30th of 1977. Together with his older sister and parents he moved to Surinam at the age of 5 and spent most of his childhood there. He got in touch with music because of his father. Every Sunday afternoon while his father listened to music he would put a headphone on his head and make him listen to music. His mother says she noticed his affection for music as early as a baby boy because he would use pens or sticks and hit with them on the heater creating drumming sounds. While he was drumming, his sister would stand on the table singing with a hairbrush in her hand using it as a microphone.

 

In 1987 he returned to Rotterdam which has become his hometown ever since. He started taking drumming classes every Wednesday afternoon and continued doing so for five years. At the age of 12 he became a volunteer at a Community Center called 'De Boeg' for their weekly teen disco nights. They had two separate nights, one for children between the age of 12 and 14 and the other one between 15 and 18. This is where he first got introduced to turntablilism. Little did he know then, that that would be the beginning of his career as a successful DJ. He fell in love with the turntables and entertaining people through music. It didn’t take people very long to notice his affection and musical talents and while other boys his age would be out playing soccer, he would spend most of his free time practicing turntabilism with the Technics SL 1200.

Shortly after his kick off as DJ, he ran into another young man that seemed to share the same passion as he did. They joined together as a DJ team and named themselves “The Coversquad”. Individually they were known by the name DJ Deepcover (his partner) and DJ Undercover (himself). His first official gig in a club was at the age of 14. At that time he was the youngest DJ to have ever performed in a club. He began experimenting how to make music with the Amiga 500, which was actually a computer. The results of that experiment were his first bubbling based beat sample. It was at that time that the ‘Bubbling’ era began. Bubbling back then was known as today’s dancehall from Jamaica played up-tempo. It became extremely popular in the Netherlands and the Coversquad released 8 mixtapes that became a major hype throughout the country. The Coversquad grew to become the most popular and wanted DJ team, ruling the R&B scene of the Netherlands between 1993 and 2003.

 

After many successful years as the Coversquad they decided to go separate ways in 2003. He changed his name from DJ Undercover to DJ Superior. From there on new doors opened up allowing him to grow into a multi-talented music artist. He is booked for his outstanding performances behind the turntables, playing a wide range of various types of music such as R&B, Hip Hop, Latin House, Dub Step, Zouk, Funana, Reggaeton, Salsa, Bachata, Merengue, Soul, Pop & Disco Classics. During his sets he has a strong infinity with the crowd and is therefore able to play exactly what the crowd wants to hear at that moment. Unlike most DJ’s in the Netherlands he MC’s during his own gigs. People recognize him through his great talent and technical skills behind the turntables, capability of playing a wide range of different types of music, and his professional and impressive performance. 

Nikolaos Outis from Hellas, is the man behind the projects 'Infinity' and 'HpsyV'. During the years, he signed numerous releases on several labels such as: Blue Tunes, Mikrokosmos, Y.S.E., Spintwist, Iono Music, Infinity-Tunes and more. Alongside, Nikolaos gave birth to his record label 'Infinity-Tunes' in 2014. Since 2022, he has been studying at the National and Kapodistrian University of Athens with the aim of completing his studies in law and history, until he obtains both diplomas. At the same time, when he finds time, he is working on new HpsyV tracks and also at his third and final Infinity album, which will include the best of his unreleased productions so far, a distillate of melodic and morning anthems, imbued with the glamour of his long-standing experience and his aesthetic, characteristic and boastful musical touch.

BOOKING: hello@schwarzbooking.com
MGMT & Promo: info@sethschwarz.com
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Often it's those who enter the scene from a different background who take the evolution of music to the next level. Instead of suffering from tunnel vision they are full of open-minded curiosity. Seth Schwarz is one of them. His powerful productions meet the expectations of the dance floor, but at the same time they break the circle of imitation and repetition. Seth dedicated a great part of his youth to classical music. By merging the concepts of electronic music and classic composition he creates mighty bangers of truly symphonic dimensions. It's not unusual for him to record up to 70 instrumental tracks for a new production. The result is extremely catchy and has a unique feeling of flow elegance.

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