After trying to take over the world as the front man for the freAKpeAs Kenneth Minor searched for calmer waters and found solace in the greatest city in the world... Cape Town South-Africa.  

Living a fun filled life (mostly at night) he now resides in Observatory Cape Town writing songs about Surfing, Party Animals, Beautiful girls and Broken hearts.

 in 2010 he started recording at Behind the Mountain Studios, Plumstead, Cape Town and after 18 long months "MINOR INJURIES" his Debut Album was released...with all the excitement and wasting absolutely no time at all only 6 EXTREMELY shoirt months later in 2011 kenneth Released a second full album "UNDERMINOR" (SoundCloud - kenneth MINOR) 

kenneth is currently busy with a few side projects of wich MINOR Burnout seems to be the most time consuming and inspiring

He refers to his Music as Power Acoustic

"to the Love the Music makes" 

yours Truly 

Eden Peel

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Thanks for all the love! I like all types of music. If you msg'd or asked me to check your tune I'll get to you eventually, much love :D&#13;
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C major: happy and warlike&#13;
C minor: obscure and sad&#13;
D major: joyous and very warlike&#13;
D minor: serious and pious&#13;
Eb major: cruel and hard&#13;
E major: quarrelsome and boisterous&#13;
E minor: effeminate, amorous, plaintive&#13;
F major: furious and quick-tempered subjects&#13;
F minor: obscure and plaintive&#13;
G major: serious and magnificent&#13;
G minor: serious and magnificent&#13;
A major: joyful and pastoral&#13;
A minor: tender and plaintive&#13;
B major: harsh and plaintive&#13;
B minor: solitary and melancholic&#13;
Bb major: magnificent and joyful&#13;
Bb minor: obscure and terrible&#13;
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"Few other indie bands - save maybe Arcade Fire or Interpol - are able to articulate the gulf between heartbreak and hope with such cryptic lyrical class or melancholic, minor key majesty." - Miles Keylock, Editor, Rolling Stone SA.

“Reminiscent of the best moments of bands such as REM and Interpol.” - Jon Monsoon, Editor, Muse.

“Honey Badger is the band’s third offering, after the EP Beautiful Mornings and Films for the Next Century. All three are superb.” - Chris Roper, Editor, Mail & Guardian.

The Black Hotels are an alternative rock group from Johannesburg. Formed in 2006 they comprised singer/guitarist John Boyd, guitarist Neil White, and bassist Lisa Campbell. Their first release was a 5-track EP called Beautiful Mornings.

In 2009 the group were joined by drummer Warrick Poultney and keyboardist Matthew Fink  to record their first full-length album, Films for the Next Century. The album was nominated for a South African Music Award for Best Alternative Album. The Star Tonight named it 'Album of the Year' and The Sunday Times included it in its list of 'Top 10 Albums of 2009'. 

In 2011 the group released their third record, Honey Badger. The album received four-star reviews in Rolling Stone, The Star Tonight, Muse Magazine and GQ. That same year they supported Kings of Leon at Green Point Stadium in Cape Town and FNB Stadium in Johannesburg. 

In 2012 Fink and Campbell left the group and in 2013 bassist/guitarist Lu de Pina joined to begin work on a new album. In April 2014 The Black Hotels released Holidays, their fourth studio record with Laurie Levine on backing vocals.

The Black Hotels have established themselves as one of South Africa's critically acclaimed alternative rock groups. Their music has featured in both television and film, most notably the feature films White Wedding and Jozi. Singles Natalie, Beautiful Mornings and No Sign Of Science have been national radio hits with a number of other songs featuring on local independent and regional radio stations. They have also performed at most major local music festivals including Oppikoppi, Rocking The Daisies, Splashy Fen, Aard Klop and Synergy Live.








Sunny Raeva -  Based in Ibiza .. Romanian music spirit artist .. Started DJ'ing in 2009 and used to perform in different countries : Projects : Analog Room / Bedouin Tech  [Dubai ] .. Greece [Rockn rolla and Treehouse ] .. Germany : Kassel [Arm Club ] .. Romania: Constanta :  Kudos Beach events .. Arad : ABC club .. Vamma Veche [constanta ] : Molotov  .. Bucharest : Eden .. Motiv .. Subteran .. Busteni : Inside .. ets ..

Supporting  famous and young projects .. Broadcast  her music with  : Ibiza Global Radio .. Pure Radio  Ibiza  .. Feder.Ro .. 
also different underground  podcasts series projects  .. 

In love with music from her first steps & dancing within electronic sounds from early ages..
Her music taste is influenced by funky sounds, trip/hip hop , break dance from one side and alternative electronic music variety from another .. 
In her sets likes the experiments .. mix old school , deep house moods, ambient / minor frequencies & vibes .. with fresh .. future waves and specially romanian minimal / micro style .. RPR .. Ricardo Villalobos .. Sunrise artists vibes modulations .. 
Create a deep combination of sounds in her own way and technique .. 
Loves depths in music and always chooses sensual moments to combine opposites in all there beautiful incompatibility: melodic with dark / minimal grooves, micro & straight bit tracks with broken swingy percussions.
Sunny naturally create love vibes on the party through her solar microcosm ..

Every set of her - unique story .

From time to time Sunny Raeva also organizes events with the WonderLand Music & Art PlayGround, inviting emerging and established DJs and producers alike to perform and entertain the crowds in various locations.

Reveals a transforming  mind   musical journey to the Sun .. So .. You can discover : “The Sun is a huge piece of Romanian minimal plasma in a state of thermonuclear microhouse dark grooves reaction; it does not burn, but glows, emitting a stream brocken beat  photons and charged particles. That is, the Sun it is not only fire, it is a large and very, very warm mixed light & L.O.V.E.”  Start drifting .. & Have a safety flight  .. :))) 


Focusing this days on the own sound creation .. unique music projects concept realization .. & shows beauty of vibrations as she ❤️ & ✌️

Sunny Raeva FB
https://www.facebook.com/sunny.raeva

Contact / Booking
sunny.raeva@gmail.com
*****

It was back in 2004 when Miss Connie and Angus McDonald started making beautiful music together. A series of singles at first then, in 2006, their self-titled, 3 x platinum debut album.  Spearheaded by a spectacular salvo of chart topping hits – UFO, PICTURES and I LOVE IT – Sneaky Sound System won ARIA Awards for Breakthrough Artist and Best Dance Release, the first of 14 nominations to-date.

Second long-player and #1 album 2 arrived in 2008 with yet more dancefloor slayers in the form of KANSAS CITY, WHEN WE WERE YOUNG, and the #1 UK club smash IT'S NOT MY PROBLEM. In 2009 I WILL BE HERE, a collaboration with Dutch superstar DJ Tiesto, took Sneaky to the top of both the US dance airplay and UK club charts.

In late 2011 album number three, FROM HERE TO ANYWHERE, arrived, the title referencing its creation in hotel suites, planes, and studios around the world from here (Sydney) to just about everywhere (London, Paris, Ibiza, Moscow). Accolades from critics around the world flowed: MTV called it “an incredible effort” and Sydney’s Daily Telegraph said it’s “a delicious feast of world class dance-pop songs”. A nomination in the prestigious 2012 International DJ Awards in the Live Performance category underscored their escalating international reputation.

In the swirling midst of albums and tours, Connie lent her vocals and lyrics to albums from superstars Jay-Z, Kanye West and Snoop Dogg, and in 2013 she was a guest mentor on Australia’s biggest TV show, The Voice. Later that year, in a News Limited poll of musicians and critics to determine Australia’s greatest all-time singers; Connie came in at no. 18.

And then of course there’s SNEAKY SUNDAYS, the beloved club night they have been running for over 15 years in Sydney and, for four years, at the world renowned Mykonos landmark, Scorpios. It’s a celebration of house music, from slow chugging disco burners to groove laden techno stormers…where you always feel like you’re in the middle of summer. The past few years have seen Sneaky releasing music more akin to the sound of these weekly parties, like SUMMERTIME MADNESS, ALL I NEED IS YOU, and I AIN'T OVER YOU.

2017 saw Sneaky Sound System release underground club tune DO YA THING and, in September, fresh reworks of the mega-smash PICTURES flew into the upper reaches of the ARIA Club Chart, spending four weeks at #2. In March 2018, new remixes of I LOVE IT followed, reaching #3 on the ARIA Club Chart.

In 2018 CAN'T HELP THE WAY THAT I FEEL was released on the venerated UK dance label Cr2.  It reached #1 on both the UK Music Week Club Chart and the Beatport Global House chart, and #2 on the Beatport main (combined) chart. It remained in the top 40 for well over a year and UK national radio, including BBC Radio 1, widely supported the track with over 1900 spins.

The single WE BELONG arrived in mid-2019, followed later in the year by RAISE, a collaboration with hot French DJ/Producer Watermat. Sneaky Sundays became Sneaky Saturdays as Bali hotspot Mrs Sippy became the spectacular location for Sneaky’s much-adored weekly party during July-September.

Angus and Connie are currently back in their Bondi studio - expect more releases during the year - and a return to Mrs Sippy Bali for their weekly parties. And, as always, they’ll be touring extensively, captivating audiences at festivals and clubs around Australia and the world.

Record Label:  Autumn + Colour Records
General Business Manager:
EL-X Management
Elliot Loyd
elliot@scippioselite.com

Press Info:
Earshot Media
Mike Cubillos:
e:  mike@earshotmedia.com

Reclaimed from the underbelly of the Minneapolis rock scene, "Halo Minor" is described as "a collection of oxidized aural fragments buried between post-grunge and alternative rock." It is "a phoenix analogy — the songs written are sonic descriptors of feelings, people and place left behind; beautiful living memories and yet, due to time, sometimes corrupted like a faded photo, beauty in a state of repose and then reborn from remembrance. Lavishly dissonant sonic drones combine and fold onto each other into a blur of harmony as raging rhythms drive through the core of it all. Taut melody and haunting emotions collide in the form of voice, guitar, bass and drums."

Halo Minor's a Minneapolis, Minnesota based rock band comprised of vocalist and guitarist Blake Nolan Hanson (Floozie, Livid Lover), bassist Kerry Dalton Hanson (Black Flood Diesel, Numm, Atlas Shrugged) and percussionist Derek S. Abrams (Black Flood Diesel, Skywynd, Dodd, Future Leaders of the World).


Management: Peter Tanico (973) 668-2068

I am Lightyear. I’m from San Diego California and have been living in Florida for the past 15 years, and I have been involved in music for most of my life.  I'm sure it is safe to say that musicians live, breathe, and devour music, and I am no exception. 

I love dance music like nothing else. Sure I enjoy other music, but dance music is something I will still be listening to when I’m 80. I will be the one geriatric guy with a huge sound system in my car playing the latest EDM or whatever is popular at that time whilst pulling up to the old folk’s home!

When I was 16, I began to learn to craft my own songs. I studied how others crafted their songs. Later, in the 1980's I toured with a band on Capitol/EMI records. I even wrote two of the songs on the album. The band had minor success on the dance charts with two of the songs 

I wrote. I am a very positive person, and I didn’t want to put anything negative in my bio, but the band stole the two songs I wrote, and they gave me a special thanks on the album. I learned later that one of the brothers in the band committed suicide. Looking back, I saw all the signs of a troubled soul, a soul who took and never gave. I am truly sorry it came to this. 

I used to spend a lot of time in clubs dancing the hours away to dance music where I learned the beats and syncopation. At the age of 17, I learned about a club called, “The Monastery, “while I was still in High school, and it was the only club in Seattle that was underage. This place was incredible. The owner was a shady character from NYC, and he used to burn frankincense and Myrrh in the furnace, so, as he puts it, you would wake up from whatever drug you took, and remember where you had been the night before.

 It worked, not that I did drugs, but my clothes wreaked of that smell mixed in with cigarettes, and I instantly remembered where I had been. He called the place a church, so he wouldn’t have to pay taxes. To most of the street kids, it was home, and a warm place to stay. He had airplane seats downstairs and a full screen movie area that played cult hits. 

The best part of that place was the sound system. It sported 4 Phase Linear amps that pumped out a combined total of 2000 watts of bass. The people who lived two blocks away would complain that the bass was in their homes. I could actually hear and feel it a block away.  I knew I was almost home the moment I stepped foot outside my car. “The Monastery,” was actually a beautiful old wooden church, and the wood acted like a great acoustic sound box. 

This is where I first heard hard cutting Disco music that nobody heard on the radio at the time aside from songs like, Funky Town, and Heart of Glass. Back then we had indie label’s that put out music you could only buy at specialty shops that carried DJ records. 

This is where I learned about dance music, and how it was crafted. Mind you, you still have to create a melody, but I began to understand syncopation, hooks, and format. II am still learning today, and will till the day I die. You can never know enough, because although the basic elements stay the same, the music keeps changing. 

I never really expected to be involved in music the way I am today. I gave up on music altogether and decided to pursue a degree in computer networking, but I was bored. 

I heard some club music that got me excited again, and I decided to get involved in a big way. I had a track I wrote that was sung by my friend, “Tina Fisher,” played on BBC Introducing. I have been played on several radio stations including, “Colin’s Cut’s,” on Kane FM 103.7 in London, UK. My tracks have also played in numerous dance clubs up and down the East Coast and West Coast, Hawaii, and Europe.

MINOR ALPS :Juliana Hatfield and Matthew Caws

USインディー界の至宝、NADA SURFのマシュー・カーズとインディーロックの歌姫、
ジュリアナ・ハットフィールドの新ユニット、MINOR ALPS、満を持してデビュー！

デビュー・アルバム『ゲット・ゼア』は、全曲がマシューとジュリアナによる完璧なまでに美しいハーモニーに彩られ、 情緒にあふれるメランコリックな楽曲からパワー・ポップ、ストレートなロック・チューンまで、 二人の多彩な音楽性が存分に発揮された音楽ファン必聴の一枚！

この20年間、めまぐるしく移り変わるUSインディーロックのフィールドで長期にわたるキャリアを築いてきたマシュー・カーズとジュリアナ・ハットフィールドによるニュー・プロジェクト、マイナー・アルプス。
マシュー・カーズはNYブルックリンで93年に結成されたナダ・サーフにおいて、そしてジュリアナはボストンのブレイク・ベイビーズ、ジュリアナ・ハットフィールド・スリー、サム・ガールズと共に自分名義での作品で、音楽ファンから関係者、アーティストに至るまでの多くの人々にリスペクトされる存在であり続けた。

デビュー当時から友人だったという2人は2008年に初めて共演を果たす。
マシューがジュリアナのアルバム 『How to Walk Away』に収録された”Such a Beautiful Girl”にヴォーカルで参加し、同年、ジュリアナもまたナダ・サーフの ”I Wanna Take You Home”にヴォーカル参加したのだ。

これらの共演から、お互いの声と感性が驚くほど自然に調和することに気付き、いつか一緒に作品を作ろうと話してきたという2人。今回のアルバム『GET THERE』でそのプランが遂に実現。
2人は間違いなくこのアルバム最大の聴きどころである美しいハーモニーを全曲に渡って聴かせてくれるのみならず、全ての作詞作曲を共にし、パーカー・キンドレッド（ジェフ・バックリー、アントニー・アンド・ザ・ジョンソンズ）と クリス・イーガン（ソランジュ・コンピューター・マジック）らによるドラムとプログラミングを除く全ての楽器を演奏している。
2人の相性の良さは歌声と音楽的指向だけにとどまらず、彼らの歌の情緒的響きと歌詞も見事なまでに調和している。
たゆまぬ孤独と絶えることのない切望といったテーマはこれまでも常に2人の作品の魅力であったが、マイナー・アルプスでもまた、永遠に存在し続ける切望、さらには苦難の末に勝ち取った英知、成熟、あるいは永遠の真理を受け入れる姿勢を表現している。

USインディー界の至宝、マシュー・カーズとジュリアナ・ハットフィールドによるマイナー・アルプス。
深く豊かな音楽性の出会いがもたらした実りのプロジェクト、マイナー・アルプスの2人はこの後、USでのショートツアーを予定している。

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