producer & songwriter based in perth :)
listen below 🧧

linktr.ee/yvngda

https://odesza.co/tlg-albumSo

Americas Booking: 
jmoss@teamwass.com

Europe / UK Booking:
James.whitting@paradigmagency.com

Rest of World Booking:
jmoss@teamwass.com / James.whitting@paradigmagency.com

Mgmt: 
adam@redlightmanagement.com

8/10 - NME
“One of the most impressive debut releases I’ve ever heard.” INDIESHUFFLE 
“One of the standout albums to be released this year…almost perfect”   THE DAILY TELEGRAPH, SYDNEY
Classic songs. Huge supports. Sold-out headline tours to heaving crowds singing along to every word. International showcases with queues down the street. Raves from radio programmers, journalists and bloggers from all over the world…Australian duo HOLY HOLY had experienced much even before launching an album. Then their debut album hit shelves first in Aus then the UK & Europe in late 2015, and “When The Storms Would Come” is vaster, and wilder, than anything they've aired to date. The Australian public and media alike showed their passionate appreciation for this incredible album with 20 sold out shows across the country & stunning reviews for both the album & their electric live show & Triple J adding their 6th single to high rotation. When released in the UK a few months later again the reviews were astonishing – every publication giving the band 4 or 5 star reviews including some of the country’s biggest, most influential publications, spins on Radio 1, 2, 6 & Radio X, 2 sold out London shows, shows across Europe, a night addition on 3FM in The Netherlands & Radio Eins in Germany. And Holy Holy are just getting started. 

MGMT --
Eric Kellogg | management@lolagrand.com

Contact: admin@lemontreemusic.com.au 

Tash Sultana is a young, dynamic Melbourne artist. At just twenty-one years of age, Tash is creating waves and generating massive street buzz by playing sold out shows all over the World. Tash has made a name for herself busking on the streets of Melbourne and having homemade videos go viral getting millions of views online.
 
Since having her hands wrapped around a guitar at the age of three, the self taught artist quickly developed her own unique style that has people lining up to see her perform. Her vocal shines with a magical quality, she has a natural gift for melody and her virtuosic guitar playing is from another planet.
  
The young, one-woman powerhouse has literally sold out every headline show booked across multiple countries and played dozens of high profile festivals including Laneway 2017. Both singles ‘Jungle’ and ‘Notion’ were quick to receive high rotation on Australian broadcaster triple j with ‘Jungle’ been added as mega hit of the week on Netherlands 3FM radio and is picking up rotation on stations across North America. Accolades include a #8 ARIA album chart, topping the iTunes chart with her “Notion EP”, ‘Jungle’ coming in at #3 on triple j’s hottest 100, an APRA Award nomination, winning a J award for “Unearthed Artist of the Year 2016” and over 25 million streams Worldwide.

Four years on since they dropped 2009’s blistering Tarot Sport, Fuck Buttons’ Benjamin John Power and Andrew Hung are back with their third LP Slow Focus.

When Hung and Power get together a unique chemistry emerges and nothing else is allowed to interfere. As Power puts it: “The one fundamental rule remains: we are in the same room when we write. The rest is all fair game.” Fuck Buttons have never really stopped writing together in the time between albums. “The actual writing for Slow Focus began fairly soon after we stopped touring,” says Hung, with Power adding “If we've had any time off, it's been a few months, so though both albums might seem like two isolated events to everyone else, it doesn't seem as much so to us. They’re more like snapshots of an ever evolving mess.”

Fuck Buttons latest opus is the first record they’ve produced themselves; it’s an album that attempts insular resonance. Using repetition to create hypnotic and suggestive states, Slow Focus veers ever more wildly between these parameters; a whole mood-shift taking place to darker, more turbulent evocations – something suggested as much in the album’s title.

“Slow Focus seemed like a very apt title when considering the sentiment of the music,” explains Power, “It almost feels like the moment your eyes take to readjust when waking, and realising that you're in a very unusual and not a particularly welcoming place. There’s a brooding and almost violent theme throughout.” The album gained shape at the pair’s own Space Mountain studio, a place that was once used as a dairy (“It's actually very isolated from the hustle and bustle of London. With the courtyard outside the front of it, it almost feels like you could be in rural France.”) However, it’s not their surroundings that guide them; rather their connection and imaginations that drive the unique sensory assault we've come to associate them with. “The music comes out of the relationship. We've always felt that our music doesn't have a particular sense of geographical location attached to it, they say. “We like to think that we create our own new landscapes, and with Slow Focus it's a very alien landscape.”

As Tarot Sport showed an increased boldness from predecessor Street Horrrsing, Fuck Buttons’ third is a confident stride forward again, signified in their decision to produce the record themselves. Quite apart from a duo whose music bristles with an often brazen menace, the production aspect of it was one of cautious learning and a humble desire to improve their skills. “The writing process revealed how production was intrinsic in that process but what we did lack was the knowledge of how to record and mix those productions properly” Hung admits. “This penultimate step - before mastering - was actually the step that took the longest time because we had to figure out how we could do it.” But persevere they did, and Slow Focus’ production fully recognises every textural change, from thunderous viscera to dark techno and slow oozing melancholia, allowing the dynamic nuances to achieve maximum impact. “To an extent, we've used producers as safety nets in the past and, whilst it is useful to have that filter,” says Hung, “we've always had a very specific idea of what our music should sound like and so it became the logical step to take that we should do it ourselves.”

Fuck Buttons were flung out into the perception of the global public in 2012 when Danny Boyle opted to use their music in his breath-taking Olympics Opening Ceremony in London, after a recommendation from techno veterans Underworld whom were working with Boyle at the time. Now they’re ready to face the limelight in full again in 2013, with a string of festival dates, including headline slots on The Park Stage at Glastonbury and at Green Man, then later in the year - a full UK and European tour.

Fuck Buttons may have been away for a while, but Slow Focus looks set to put them right back where they were: as one of the most arresting electronic acts in the world today.

tour dates, merch & records → https://koichild.com
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facebook.com/koichild
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twitter.com/koichildtheband
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instagram.com/koichild

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haelos@haelos.com

Cosmography is following